Surrealist stratigraphy of dorothea tanning`s chasm, Mcara, Catriona
Автор: Shin Ery Название: Gertrude Stein`s Surrealist Years ISBN: 0817320636 ISBN-13(EAN): 9780817320638 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 6791.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Brings to life Gertrude Stein`s surrealist sensibilities and personal values borne from her WWII anxieties, not least of which originated in a dread of anti-Semitism. Ery Shin argues that Stein`s later works engage with storytelling and life-writing in startling ways - most emphatically and poignantly through the surrealist lens.
Автор: , Rollig Stella Название: Wolfgang Paalen: Surrealist in Paris and Mexico ISBN: 3960985878 ISBN-13(EAN): 9783960985877 Издательство: Неизвестно Рейтинг: Цена: 9483.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
Bound in a gorgeous cloth cover, this is the first overview in 20 years on Wolfgang Paalen, international ambassador for surrealism, abstract expressionist precursor and creator of the "fumage" technique
The extraordinary German Austrian Mexican painter, sculptor and theorist Wolfgang Paalen (1905-59) moved too fast for art history, which is only now beginning to catch up with his many accomplishments.
A member of the Abstraction-Cr ation group in the mid-1930s, he joined the surrealist movement in 1935. He went into exile in Mexico in 1939 (at the invitation of Frida Kahlo), where he promoted the surrealist cause and edited the influential art magazine DYN; after the war he moved to San Francisco, forming the Dynaton Group with Gordon Onslow Ford and Lee Mullican. Paalen's pictures and texts were an inspiration for abstract expressionists such as Pollock, Newman and Rothko, no doubt due to his pioneering "fumage" technique, which deployed candle smoke to create abstract patterns. This beautiful catalogue spans all of the artist's periods, also illuminating his work on British Columbian and Mexican art, as well as his writings.
Автор: Kuenzli, Rudolf E. Название: Dada And Surrealist Film ISBN: 026261121X ISBN-13(EAN): 9780262611213 Издательство: MIT Press Рейтинг: Цена: 5925.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: This groundbreaking collection of thirteen original essays analyzes connections between film and two highly influential twentieth-century movements.
Описание: Setting out to recover the roots of modernity in the boulevards, interiors, and arcades of the "city of light," Walter Benjamin dubbed Paris "the capital of the nineteenth century." In this eagerly anticipated sequel to his acclaimed Coasts of Bohemia: A Czech History, Derek Sayer argues that Prague could well be seen as the capital of the much dar
Автор: Spencer Rochelle Название: Afrosurrealism: The African Diaspora`s Surrealist Fiction ISBN: 1032082372 ISBN-13(EAN): 9781032082370 Издательство: Taylor&Francis Рейтинг: Цена: 6430.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Examining the surrealist novels of several contemporary writers, AfroSurrealism argues that we have entered a new and exciting era of the black novel, one that is more invested than ever before in the cross-sections of science, technology, history, folklore, and myth.
Автор: Dimovitz Название: Angela Carter: Surrealist, Psychologist, Moral Pornographer ISBN: 1472469666 ISBN-13(EAN): 9781472469663 Издательство: Taylor&Francis Рейтинг: Цена: 23734.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Contributing to the conversation regarding Angela Carter`s problematic relationship with what she viewed as the interrelated traditions of surrealism and psychoanalysis, this book explores the intricate connections between Carter`s private life and her public writing.
Автор: Willard Bohn Название: One Hundred Years of Surrealist Poetry: Theory and Practice ISBN: 1501393723 ISBN-13(EAN): 9781501393723 Издательство: Bloomsbury Academic Рейтинг: Цена: 10296.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Given that the Surrealists were initially met with widespread incomprehension, mercilessly ridiculed, and treated as madmen, it is remarkable that more than one hundred years on we still feel the vitality and continued popularity of the movement today. As Willard Bohn demonstrates, Surrealism was not just a French phenomenon but one that eventually encompassed much of the world. Concentrating on the movement’s theory and practice, this extraordinarily broad-ranging book documents the spread of Surrealism throughout the western hemisphere and examines keys texts, critical responses, and significant writers. The latter include three extraordinarily talented individuals who were eventually awarded the Nobel Prize in Literature (Andre Breton, Pablo Neruda, and Octavio Paz). Like their Surrealist colleagues, they strove to free human beings from their unconscious chains so that they could realize their true potential. One Hundred Years of Surrealist Poetry explores not only the birth but also the ongoing life of a major literary movement.
Автор: Finkelstein Название: The Screen in Surrealist Art and Thought ISBN: 1138275085 ISBN-13(EAN): 9781138275089 Издательство: Taylor&Francis Рейтинг: Цена: 8726.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: An interrogation of the notion of space in Surrealist theory and philosophy, this study analyzes the manifestations of space in the paintings and writings done in the framework of the Surrealist Movement. Haim Finkelstein introduces the 'screen' as an important spatial paradigm that clarifies and extends the understanding of Surrealism as it unfolds in the 1920s, exploring the screen and layered depth as fundamental structuring principles associated with the representation of the mental space and of the internal processes that eventually came to be linked with the Surrealist concept of psychic automatism. Extending the discussion of the concepts at stake for Surrealist visual art into the context of film, literature and criticism, this study sheds new light on the way 'film thinking' permeates Surrealist thought and aesthetics. In early chapters, Finkelstein looks at the concept of the screen as emblematic of a strand of spatial apprehension that informs the work of young writers in the 1920s, such as Robert Desnos and Louis Aragon. He goes on to explore the way the spatial character of the serial films of Louis Feuillade intimated to the Surrealists a related mode of vision, associated with perception of the mystery and the Marvelous lurking behind the surfaces of quotidian reality. The dialectics informing Surrealist thought with regard to the surfaces of the real (with walls, doors and windows as controlling images), are shown to be at the basis of Andre Breton's notion of the picture as a window. Contrary to the traditional sense of this metaphor, Breton's 'window' is informed by the screen paradigm, with its surface serving as a locus of a dialectics of transparency and opacity, permeability and reflectivity. The main aesthetic and conceptual issues that come up in the consideration of Breton's window metaphor lay the groundwork for an analysis of the work of Giorgio de Chirico, Rene Magritte, Max Ernst, Andre Masson, and Joan Miro. The concluding chapter considers several issues that dominate the Surrealist spatiality in the 1930s. Derived from the various spatial concepts associated with the screen paradigm, at times in contradistinction to them, these issues, as the author argues, reflect a gradual eclipse of the screen paradigm in the early years of the decade.
Автор: Conley Katharine Название: Surrealist Ghostliness ISBN: 0803226594 ISBN-13(EAN): 9780803226593 Издательство: Wiley EDC Рейтинг: Цена: 9266.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
In this study of surrealism and ghostliness, Katharine Conley provides a new, unifying theory of surrealist art and thought based on history and the paradigm of puns and anamorphosis. In Surrealist Ghostliness, Conley discusses surrealism as a movement haunted by the experience of World War I and the repressed ghost of spiritualism. From the perspective of surrealist automatism, this double haunting produced a unifying paradigm of textual and visual puns that both pervades surrealist thought and art and commemorates the surrealists’ response to the Freudian unconscious. Extending the gothic imagination inherited from the eighteenth century, the surrealists inaugurated the psychological century with an exploration of ghostliness through doubles, puns, and anamorphosis, revealing through visual activation the underlying coexistence of realities as opposed as life and death.
Surrealist Ghostliness explores examples of surrealist ghostliness in film, photography, painting, sculpture, and installation art from the 1920s through the 1990s by artists from Europe and North America from the center to the periphery of the surrealist movement. Works by Man Ray, Claude Cahun, Brassa? and Salvador Dal?, Lee Miller, Dorothea Tanning, Francesca Woodman, Pierre Alechinsky, and Susan Hiller illuminate the surrealist ghostliness that pervades the twentieth-century arts and compellingly unifies the century’s most influential yet disparate avant-garde movement.
Автор: Scott Dimovitz Название: Angela Carter: Surrealist, Psychologist, Moral Pornographer ISBN: 0367140292 ISBN-13(EAN): 9780367140298 Издательство: Taylor&Francis Рейтинг: Цена: 7195.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Contributing to the conversation regarding Angela Carter's problematic relationship with what she viewed as the interrelated traditions of surrealism and psychoanalysis, Scott Dimovitz explores the intricate connections between Carter's private life and her public writing. He begins with Carter's assertion that it was through her "sexual and emotional life" that she was radicalized, drawing extensively on the British Library's recently archived collection of Carter's private papers, journals, and letters to show how that radicalization happened and what it meant both for her worldview and for her writings. Through close textual analysis and a detailed study of her papers, Dimovitz analyzes the ways in which this second-wave feminist's explorations of sexuality merged with her investigations into surrealism and psychoanalysis, an engagement that ultimately led to the explosively surreal allegories of Carter's later, more complex, and more accomplished work. His study not only offers a new way to view Carter's oeuvre, but also makes the case for the importance of Angela Carter's vision in understanding the transformations in feminist thinking from the postwar to the postfeminist generation.
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