Описание: Code is intended both as a computer-based language to program software and as a functional and visual language for organizing administrative processes, visualizing information, performing behaviour control, and reinforcing shared imaginaries based on surveillance and dread. This special issue of Digital Culture & Society deals with the concept of code in relation to the Covid-19 crisis. The contributions depart from the idea that both forms of coding have become dramatically intertwined during the pandemic and are structuring a new way of being in and seeing reality. They explore the new forms of data-driven surveillance and representation of the pandemic evolution at the level of real-time epidemiology, sensor technologies, science policies, push media, and the heterogeneous counter-discourses that try to subvert them.
Описание: This double issue of Digital Culture & Society addresses the dialectics of play and labour, taking a closer look at the problem of play and work from two overlapping, albeit not mutually exclusive, perspectives. After the first issue explored the notion of laborious play, this second one studies the concept of playful work. The contributions feature critical inquiries into various phenomena of playful work - ranging from interfaces of play and work in the BDSM subculture over labour in digital gaming to high frequency trading. Alongside the articles, the issue features an interview with Fred Turner, Chair of the Department of Communication at Stanford University. He talks about the Bauhaus in the US, countercultural cybernetics, technology and consciousness, and work in the Silicon Valley.
Описание: As DIY digital maker culture proliferates globally, research on these practices is also maturing beyond conceptual speculation and propositional dogma. Nevertheless, particular terminologies dominate beyond their Anglo-Saxon contexts, and technocultural histories of digital making are often rendered as over-simplified technomyths and hagiographies of selected gurus. This issue brings together contributions from cultural-historical perspectives, technology and design histories and historiographies, as well as alternative histories related to postcolonial resistance. The papers give voice to hidden antecedents that play a role in maker subcultures and their social imaginaries. Alongside peer-reviewed articles, the special issue will feature an interview with Peter Harper, Centre for Alternative Technology in Wales, by Simon Sadler. The interview sheds light on the "Exhibition of People's Technology" that was displayed at the Moderna Museet during the landmark United Nations Conference on the Human Environment in Stockholm in June 1972. Very little has been published on this compelling exhibition.
Описание: Digital Culture & Society is a refereed, international journal, fostering discussion about the ways in which digital technologies, platforms and applications reconfigure daily lives and practices. It offers a forum for inquiries into digital media theory, methodologies, and socio-technological developments. This issue presents empirical studies as well as theoretical and methodological reflections on inequalities and divides in digital cultures. From various (inter-)disciplinary perspectives, the authors examine three main themes--inequality of access, inequality by design and discursive divides, and inequality by algorithms--while suggesting ways for research to move beyond these.
Описание: This double issue of Digital Culture & Society addresses the complex thematic field of the dialectics of play and labour. It takes a closer look at the problem of play and work from two overlapping, albeit not mutually exclusive, perspectives: laborious play and playful work. The term laborious play points to practices and processes that turn playful activities into hard work. Laborious play happens whenever playfulness turns into work, and may be observed in such activities such as e-sports, excessive play, "goldfarming", and Twitch gameplay broadcasting, amongst many others. A complementary phenomenon to that of laborious play is the practice and concept of playful work. The promises of a joyful and rewarding working experience have been promoted as "gamification" while critical voices denounce such attempts as ideology, exploitation or simply "bullshit".
Автор: Matthew Crick Название: Power, Surveillance, and Culture in YouTube™`s Digital Sphere ISBN: 1466698551 ISBN-13(EAN): 9781466698550 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 27027.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: "This book examines the imaginative, socioeconomic, and innovative features of the video sharing community of YouTube and how these areas traverse the digital world, highlighting theoretical concepts and empirical research, as well as an in-depth discussion on cultural studies, participatory experience, and media theory"--
Автор: Andrew S. Gross, Florian Zappe Название: Surveillance | Society | Culture ISBN: 3631798814 ISBN-13(EAN): 9783631798812 Издательство: Peter Lang Рейтинг: Цена: 10152.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
What only a few decades ago would have been considered a totalitarian nightmare seems to have become reality: Surveillance practices and technologies have infiltrated all aspects of our lives, forcing us to reconsider established notions of privacy, subjectivity, and the status of the individual in society. The United States is central to contemporary concerns about surveillance. American companies are at the forefront of developing surveillance technologies; and government agencies, in the name of security and law and order, are monitoring our words and actions more than ever before. This book brings together an interdisciplinary group of scholars to explore the implications of what many consider to be a far-reaching social, political, and cultural transformation.
Описание: This interdisciplinary collection of essays explores the impact of media, emerging technologies, and education on the resilience of the so-called post-truth society. This book explores if a return to civic participation, enhanced critical media literacy, journalism for the public good, techno-interventions and lifelong learning systems can collectively foster a more engaged global citizenry.
The post-truth society is associated with a raft of terms that challenge the very notion of what should constitute a democratic and inclusive society: the decline and fall of reason; the disruption of the public sphere; the spread of misleading information; fake news; culture wars; the rise of subjectivity; the co-opting of language; filters, silos and tribes; attention deficits; trolls, polarisation and hyper-partisanship; the conversion of popularity into legitimacy; manipulation by "populist"; leaders, governments, and fringe actors; algorithmic control, targeted messaging and native advertising; surveillance and platform capitalism.
The contributions from scholars, technologists, policy-makers and activists raise critical questions about the nature and power of knowledge in the 21st century. Readers are challenged to question their own role in perpetuating certain narratives and to also understand the lived context of people on all sides of a given debate. The diverse perspectives by geography, sector, gender and world-views will widen the appeal of this work to an international audience trying to understand the resilience of the post-truth society.
Описание: Digitalization is a long and constant sociohistoric process in which all areas of societys activities are reconfigured. Digitalization of Society and Socio-political Issues 1 examines the transformations linked to the development of digital platforms and social media, which affect the cultural and communicational industries. It analyzes the formation of Big Data, their algorithmic processing and the societal changes which result (social monitoring and control in particular). Through critical views, it equally presents the various ways in which technology participates in relations of power and domination, and contributes to possible emancipatory practices.
One of the largest casino-entertainment venues in Macao is called City of Dreams. True to its name, it is a city unto itself, devoted entirely to pleasure, consumption and luxury living. The massive campus includes luxury residences and high-end retail stores, restaurants, spas, extravagant performance venues and, of course, gaming facilities. The City of Dreams is an enclosed city with its own interior "boulevards" and its own theater district, called "Soho." It even has its own blue-chip architecture, the Morpheus, a luxury hotel designed by the late Dame Zaha Hadid, DBE, using the world's most advanced and innovative building technology.
This is a study of the nature of casino cities through Macao's stories. The author examines how the development of the city into a world gambling and entertainment capital affects the daily lives of the city's residents. The literary or filmic narratives of Macao capture how it feels to be citizens of these cities, the emotional responses, and thoughts of those who living within the conditions of these dreamworlds. But importantly, they also reveal the kinds of imagination and creativity of those living there and their strategies of taking hold of the narrative of the city for themselves, against the dominant state discourse.
The writings discussed in this volume are all published after the liberalization of the gambling industry in Macao in 2002, when the city embarked on an accelerated and dramatic transformation. The contemporary literary scene in Macao is lively and diverse, impressive given how small the population the population is (a little over 600,000) vis- -vis an all-encompassing casino industry and the tens of millions of tourists it brings to the city every year. The author discusses works from fiction writers who live and work primarily in Macao, as well as refer to the works of essayists and social commentators who regularly publish in the local print media. Also included are writers who might not have a resident card but have strong personal or historic ties to the city, either through a career opportunity that brought them there, family history, or having grown up there. The author uses their works to study the effect of contemporary Macao on the global imagination, especially under the current regime of global circulation of capital and people.
Through these works, the author presents another way of understanding Macao, beyond the official measures of GDPs and economics. The author captures the often-inarticulate sentiments and aspirations of the common people, in order to challenge and change the direction, discursive as well as political, of the society. In so doing, the author overlays the official ideology of this kind of casino city that Macao represents with a complex network of the experiences and stories of those who live in it, under its specific economic and social compulsions. In each chapter of Dreamworld of Casino Capitalism, the author examines particular works that illustrate a different experiential and emotional phenomenon of life in this city.
Название: After capitalism ISBN: 0813584264 ISBN-13(EAN): 9780813584263 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 4383.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: From Thomas Piketty to David Harvey, scholars are increasingly questioning whether we are entering into a post-capitalist era. If so, does this new epoch signal the failure of capitalism and emergence of alternative systems? Or does it mark the ultimate triumph of capitalism as it evolves into an unstoppable entity that takes new forms as it engulfs its opposition? After Capitalism brings together leading scholars from across the academy to offer competing perspectives on capitalism’s past incarnations, present conditions, and possible futures. Some contributors reassess classic theorizations of capitalism in light of recent trends, including real estate bubbles, debt relief protests, and the rise of a global creditocracy. Others examine Marx’s writings, unemployment, hoarding, “capitalist realism,” and coyote (trickster) capitalism, among many other topics. Media and design trends locate the key ideologies of the current economic moment, with authors considering everything from the austerity aesthetics of reality TV to the seductive smoothness of liquid crystal. Even as it draws momentous conclusions about global economic phenomena, After Capitalism also pays close attention to locales as varied as Cuba, India, and Latvia, examining the very different ways that economic conditions have affected the relationship between the state and its citizens. Collectively, these essays raise provocative questions about how we should imagine capitalism in the twenty-first century. Will capitalism, like all economic systems, come to an end, or does there exist in history or elsewhere a hidden world that is already post-capitalist, offering alternative possibilities for thought and action?
Описание: Consuming the Body examines contemporary consumerism and the commodified construction of ideal gendered bodies, paying particular attention to the new forms of interaction produced by social networking sites. Describing the behaviours of an ideal neoliberal subject, Woolley identifies modes of discipline, forms of pleasure, and opportunities for subversion in an examination of how individuals are addressed and the ways in which they are expected to respond. Key modes of address that compel the consumer to consume are: sadistic commands communicated in adverts, TV programmes and magazine articles; a fetishistic gaze that dissects the body into parts to be improved through commodification; and a hystericized insistent presence that compels the consumer to present their body for critique and appreciation that is exemplified in the selfie.
Woolley interprets the visual characteristics of different types of selfies, including #fitspiration, #thinspiration, #fatspiration, and #bodypositivity to understand how they relate to current body ideals. Healthism and culture bound illnesses such as hysteria and eating disorders are examined to demonstrate the impact of commodified body ideals on consumers’ bodies. An analysis of thinspiration images (photographs of emaciated bodies shared on pro-eating-disorder blogs and websites) suggests that the anorexic body represents the logical (and fatal) end point for the idealised body in consumer culture. Fat acceptance selfies suggest there is a fourth mode of address, empowering presence that has the potential to liberate consumers from the ‘trap of visibleness’ produced by the other three modes of address. In conclusion, the book identifies some creative methods for producing selfies that evade commoditisation and discipline.
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