Being There and the Evolution of a Screenplay: 3 Draft Scripts with Commentary, Aaron Hunter
Автор: Hueth Название: Scriptwriting for Film, Television and New Media ISBN: 1138618101 ISBN-13(EAN): 9781138618107 Издательство: Taylor&Francis Рейтинг: Цена: 5358.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: What are the foundations of scriptwriting? Why do some scripts gain more prestige than others? How do you write a script and get it noticed? Scriptwriting for Film, Television and New Media answers these questions and more, offering a comprehensive introduction to writing scripts for film, television, the Internet, and interactive multimedia.
CHEAP PROTECTION: COPYRIGHT HANDBOOK FOR SCREENPLAYS is a MUST-HAVE practical and reference book for any veteran or budding writer and screenwriter, filmmaker, producer, director, actor, film student or film teacher to protect the rights, including copyright, in and to screenplays.
Follow the step-by-step guides and tables to be able to register for a free online account with the U.S. Copyright Office, and to register your screenplays for copyright. Includes major bonus material, including sample filled-in forms to copy, the 5 exclusive automatic rights of copyright, 9 ways to resolve infringement if someone copies and sells your film, Literary agents and agencies, 200 contacts and resources for filmmakers, and much more
The author is a veteran Hollywood film studio and television executive, international entertainment attorney and entertainment law Professor with decades of experience in the film industry worldwide, including decades of Intellectual Property experience in practice and in teaching at film, business and law schools in the U.S. and Europe.
This Copyright Handbook for Screenplays provides the following valuable tables to assist filmmakers to copyright their films and other works without the necessity of hiring an expensive lawyer or firm:
Copyright Notice, Published Work
Copyright Notice, Unpublished Work
Infringement, Actual Damages
Infringement, Statutory Damages
Comparison Actual vs. Statutory Damages
Duration of Copyright and Works in the Public Domain
Step-by-Step eCO Copyright Registration
Sample Completed U.S. Copyright Office Forms for Screenplays
Автор: Yanno Drew Название: The 3rd ACT: Writing a Great Ending to Your Screenplay ISBN: 0692672893 ISBN-13(EAN): 9780692672891 Издательство: Неизвестно Цена: 2578.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: A film's ending is crucial. It is the last thing an audience sees, and often the last thing it remembers, before leaving the theater. Indeed, it is no stretch to suggest that, more than any other part of the film, the ending determines whether the audience likes a film or not.By extension, the ending of a script is probably the last thing the reader will remember when they put it down An otherwise great script will likely be passed on if it does not end well.The Third Act is the first screenwriting instructional book to focus entirely on that most important part of a script - the ending. Like the three-act paradigm for the entire screenplay, The Third Act offers a unique structure for the writer to follow when writing the last act of their script. No other screenwriting book offers this simple structural approach to endings in a three-act story. Additionally, The Third Act provides suggestions as to which type of ending writers should consider for their particular story.The book features detailed examinations of the endings of many memorable films, including Rocky, Rain Man; Good Will Hunting, Saving Private Ryan, Casablanca, The Breakfast Club, Se7en, Lost in Translation, and Gladiator. A checklist is provided at the end of each chapter, giving the reader some suggestions to apply in their writing based on the structural element being explored in that chapter. A longer and more comprehensive list of suggestions appears in an appendix.
Автор: Terence Patrick Murphy Название: From Fairy Tale to Film Screenplay ISBN: 1137552026 ISBN-13(EAN): 9781137552020 Издательство: Springer Рейтинг: Цена: 11179.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: This book offers a detailed exploration of the plot genotype, the functional structure behind the plots of classical fairy tales. By understanding how plot genotypes are used, the reader or creative writer will obtain a much better understanding of many other types of fiction, including short stories, dramatic texts and Hollywood screenplays.
Автор: Varotsis, George Название: Screenplay and narrative theory ISBN: 1498504434 ISBN-13(EAN): 9781498504430 Издательство: Bloomsbury Рейтинг: Цена: 6089.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: This book examines the cognitive processes of narrative composition by introducing characteristics of complex narrative systems, which are made of a network of components arranged hierarchically over three structural levels, interacting nonlinearly with each other while regulated by the plot-algorithm, a heuristic mechanism in problem-solving.
Автор: Selbo Jule Название: Screenplay ISBN: 1138935972 ISBN-13(EAN): 9781138935976 Издательство: Taylor&Francis Рейтинг: Цена: 7348.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
Screenplay: Building Story Through Character is designed to help screenwriters turn simple or intricate ideas into exciting, multidimensional film narratives with fully-realized characters. Based on Jule Selbo's unique 11-step structure for building story through characters, the book teaches budding screenwriters the skills to focus and shape their ideas, turning them into stories filled with character development, strong plot elements based on obstacles and conflicts, and multifaceted emotional arcs.
Using examples and analysis from classic and contemporary films across a range of genres, from The Godfather to Guardians of the Galaxy, Selbo's Screenplay takes students inside the scriptwriting process, providing a broad overview for both beginners and seasoned writers alike. The book is rounded out with discussion questions, writing exercises, a guide to the business of screenwriting, in-depth film breakdowns, and a glossary of screenwriting terms.
Описание: Being There and the Evolution of a Screenplay provides an insightful look at the drafting of one of Hollywood history’s greatest scripts. Being There (1979) is generally considered the final film in Hal Ashby’s triumphant 1970s career, which included the likes of Harold and Maude (1971) and Shampoo (1975). The film also showcases Peter Sellers’s last great performance. In 2005, the Writers Guild of America included Being There on its list of 101 Best Scripts.
Being There and the Evolution of a Screenplay features three versions of the script: an early draft by Jerzy Kosinski, based on his 1970 novel; a second by long-time Ashby collaborator and Oscar-winner Robert C. Jones, which makes substantial changes to Kosinki’s; and a final draft written by Jones with Ashby’s assistance, which makes further structural and narrative changes. Additionally, the book features facsimile pages from one of Kosinski's copy of the scripts that include handwritten notes, providing readers with valuable insight into the redrafting process. For each version, Ashby scholar Aaron Hunter adds perceptive analysis of the script’s development, the relationships of the writers who worked on it, and key studio and production details.
This is both a presentation of the script of Being There, and a record of the process of crafting that script – a text that will be of interest to film fans and scholars as well as writers and teachers of screenwriting. Evolution of a Screenplay is the first book of its kind to so amply demonstrate the creative development of a Hollywood script.
Название: The Instinctive Screenplay ISBN: 1137607491 ISBN-13(EAN): 9781137607492 Издательство: Springer Рейтинг: Цена: 2933.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
What is it that makes humans engage with a dramatic narrative? Is it linked to our primitive selves, contained within our instinctive experience?
This innovative text argues that understanding how and why our human instincts are brought into play as we watch screen drama is the key to writing it. Analysing four powerful instincts - willpower, logic, morality and emotion - Sam North explores how they determine our level of involvement in their drama, and how screenwriters can use them to develop their craft. Including a variety of both well-known and less famous examples, from The Shawshank Redemption to Samira Makhmalbaf's The Apple, this book offers a fresh new approach to thinking about, discussing and writing screenplays.
Автор: Selbo Название: Screenplay ISBN: 1138935964 ISBN-13(EAN): 9781138935969 Издательство: Taylor&Francis Рейтинг: Цена: 25265.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
Screenplay: Building Story Through Character is designed to help screenwriters turn simple or intricate ideas into exciting, multidimensional film narratives with fully-realized characters. Based on Jule Selbo's unique 11-step structure for building story through characters, the book teaches budding screenwriters the skills to focus and shape their ideas, turning them into stories filled with character development, strong plot elements based on obstacles and conflicts, and multifaceted emotional arcs.
Using examples and analysis from classic and contemporary films across a range of genres, from The Godfather to Guardians of the Galaxy, Selbo's Screenplay takes students inside the scriptwriting process, providing a broad overview for both beginners and seasoned writers alike. The book is rounded out with discussion questions, writing exercises, a guide to the business of screenwriting, in-depth film breakdowns, and a glossary of screenwriting terms.
Автор: Ted Nannicelli Название: A Philosophy of the Screenplay ISBN: 0415521440 ISBN-13(EAN): 9780415521444 Издательство: Taylor&Francis Рейтинг: Цена: 22968.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Recently, scholars in a variety of disciplines—including philosophy, film and media studies, and literary studies—have become interested in the aesthetics, definition, and ontology of the screenplay. To this end, this volume addresses the fundamental philosophical questions about the nature of the screenplay: What is a screenplay? Is the screenplay art—more specifically, literature? What kind of a thing is a screenplay? Nannicelli argues that the screenplay is a kind of artefact; as such, its boundaries are determined collectively by screenwriters, and its ontological nature is determined collectively by both writers and readers of screenplays. Any plausible philosophical account of the screenplay must be strictly constrained by our collective creative and appreciative practices, and must recognize that those practices indicate that at least some screenplays are artworks.
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