Автор: Michael Gott, Thibaut Schilt Название: Cinema-monde: Decentred Perspectives on Global Filmmaking in French ISBN: 1474431844 ISBN-13(EAN): 9781474431842 Издательство: Bloomsbury Academic Рейтинг: Цена: 4750.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: With contributions from an international range of specialists, and with considerations of works by contemporary directors like Rachid Bouchareb, Abderrahmane Sissako and Rithy Panh, Cinema-monde explores the porous borders around francophone spaces and the ways in which languages and identities `travel` in contemporary cinema.
Описание: World Cinema and the Essay Film examines the ways in which essay film practices are deployed by non-Western filmmakers in specific local and national contexts, in an interconnected world.
Автор: Will Higbee, Flo Martin, Jamal Bahmad Название: Transnational Moroccan Cinema Uncut ISBN: 1474477933 ISBN-13(EAN): 9781474477932 Издательство: Bloomsbury Academic Рейтинг: Цена: 15048.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Assesses Moroccan cinema through a transnational lens to reframe its postcolonial legacy
Features interviews with key industry figures and filmmakers
Case studies include the controversial Much Loved, and an analysis of its reception within and outwith Morocco
Argues that Moroccan cinema has de-orbited from Francophone cinema and Morocco's postcolonial legacy to become a transnational cinema
This is the first book length study to consider the transnational dimension of Moroccan cinema. Over the past two decades, cinematic production has increased dramatically in Morocco, with Moroccan films leading at the domestic box office and being selected for prestigious international festivals such as Cannes and Berlin. And yet, Moroccan cinema remains little known outside of its national borders. This book asks why this might be and, in so doing, analyses the actual state of Moroccan national cinema beyond a post-colonial optic. Featuring interviews with filmmakers and key industry figures, such as Hicham Laari, Nadir Boumouch and Tala Hadid, the book explores Moroccan cinema's transnational reach through a focus on the cultural politics of international co-production, the role of international festivals as alternative distribution networks, piracy and digital disruption, film education and activism.
World Cinema and the Essay Film examines the ways in which essay film practices are deployed by non-Western filmmakers in specific local and national contexts, in an interconnected world. The book identifies the essay film as a political and ethical tool to reflect upon and potentially resist the multiple, often contradictory effects of globalization. With case studies of essayistic works by John Akomfrah, Nguyen Trinh Thi and Apichatpong Weerasethakul, amongst many others, and with a photo-essay by Trinh T. Min-ha and a discussion of Frances Calvert's work, it expands current research on the essay film beyond canonical filmmakers and frameworks, and presents transnational perspectives on what is becoming a global film practice.
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