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Towards an Intermedial History of Brazilian Cinema, Lucia Nagib, Luciana Correa de Araujo, Tiago de Luca


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Автор: Lucia Nagib, Luciana Correa de Araujo, Tiago de Luca
Название:  Towards an Intermedial History of Brazilian Cinema
ISBN: 9781474452984
Издательство: Bloomsbury Academic
Классификация:

ISBN-10: 1474452981
Обложка/Формат: Hardback
Страницы: 384
Вес: 0.72 кг.
Дата издания: 01.07.2022
Серия: Edinburgh studies in film and intermediality
Язык: English
Иллюстрации: 60 b/w illustrations; 60 b/w illustrations
Размер: 23.39 x 15.60 x 1.35 cm
Читательская аудитория: Professional and scholarly
Ключевые слова: Film theory & criticism,Individual film directors, film-makers
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Поставляется из: Англии
Описание: Presents a new history of Brazilian Cinema, based on its dialogue with other arts and media


Bruhn gjselvik cinema between me

Автор: Bruhn Jorgen
Название: Bruhn gjselvik cinema between me
ISBN: 1474429017 ISBN-13(EAN): 9781474429016
Издательство: Bloomsbury Academic
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Цена: 15840.00 р.
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Описание: Offers new tools from intermediality studies for analysing contemporary cinema.

Intermedial Dialogues: The French New Wave and the Other Arts

Автор: Marion Schmid
Название: Intermedial Dialogues: The French New Wave and the Other Arts
ISBN: 1474410634 ISBN-13(EAN): 9781474410632
Издательство: Bloomsbury Academic
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Цена: 15048.00 р.
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Описание:

Casting fresh light on one of the most important movements in film history, Intermedial Dialogues: The French New Wave and the Other Arts is the first comprehensive study of the New Wave's relationship with the older arts. Traversing the fields of literature, theatre, painting, architecture and photography, and drawing on Andrй Bazin alongside recent theories of intermediality, it investigates the 'impure', intermedial aesthetics of New Wave cinema. Filmmakers under discussion include critics-turned-directors Franзois Truffaut, Eric Rohmer, Jean-Luc Godard, Jacques Rivette and Claude Chabrol, members of the Left Bank Group Alain Resnais, Agnиs Varda and Chris Marker, but also lesser-known directors, notably the 'secret child of the New Wave', Guy Gilles. This wide-ranging book offers an original reading of the complex, often ambivalent ways in which the New Wave engages the other arts in both its discursive construction and filmic practice.

Key Features:

  • A wide-ranging study which explores the complex, often ambiguous ways in which the New Wave engages with the other arts in both its discursive construction and cinematic practice
  • Affords a new prism for understanding New Wave filmmaking and its legacy through comprehensive analysis of the ways in which the New Wave aesthetic was shaped through intermedial dialogue and medium rivalry
  • Reassesses one of the most acclaimed movements in film history drawing on cutting-edge theory in the prominent field of intermediality studies
  • Offers an inclusive, heterogeneous view of the New Wave through inclusion of lesser-known directors such as Guy Gilles, Jean-Daniel Pollet and Jacques Demy alongside renowned Nouvelle Vague filmmakers
Intermedial Dialogues: The French New Wave and the Other Arts

Автор: Schmid Marion
Название: Intermedial Dialogues: The French New Wave and the Other Arts
ISBN: 147448137X ISBN-13(EAN): 9781474481373
Издательство: Bloomsbury Academic
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Цена: 3642.00 р.
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Описание: Casting fresh light on one of the most important movements in film history, Intermedial Dialogues is the first comprehensive study of the New Wave`s relationship with the older arts.

Theatre Through the Camera Eye: The Poetics of an Intermedial Encounter

Автор: Sava Laura
Название: Theatre Through the Camera Eye: The Poetics of an Intermedial Encounter
ISBN: 147448428X ISBN-13(EAN): 9781474484282
Издательство: Bloomsbury Academic
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Цена: 3642.00 р.
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Описание: Laura Sava critically engages with the filmic representation of theatre, focusing on a selection of art house and independent films which provide a sophisticated commentary on the interaction between the two media.

Theatre Through the Camera Eye: The Poetics of an Intermedial Encounter

Автор: Laura Sava
Название: Theatre Through the Camera Eye: The Poetics of an Intermedial Encounter
ISBN: 0748697470 ISBN-13(EAN): 9780748697472
Издательство: Bloomsbury Academic
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Цена: 15048.00 р.
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Описание: Closely examines instances of theatre-in-film, in dialogue with the theory of intermediality

How do we experience theatre through film? Laura Sava critically engages with the filmic representation of theatre, focusing on a selection of art house and independent films which provide a sophisticated commentary on the interaction between the two media.

Through an in-depth analysis of films such as Jacques Rivette's L'Amour fou, Pedro Almod var's All About My Mother and Charlie Kaufman's Synecdoche, New York, this book analyses the embedment of theatre in film and the notion of spectatorial address. Using textual analysis in conjunction with concepts derived from narratology, performance philosophy, and film and theatre phenomenology, it explores the mechanisms of representation involved in the intermedial diegetisation of theatre in film.

Key features
  • Provides a detailed study of the ways in which film can accommodate theatre
  • Integrates the close reading of films with the theory of intermediality, with insights from both film and theatre theory
  • Includes case studies of works by major directors, such as Pedro Almod var, John Cassavetes, Jacques Rivette, Eric Rohmer, Manoel de Oliveira, Theo Angelopoulos and Takeshi Kitano
    • Case studies include:
      • The Double Life of V ronique (Krzysztof Kieślowski, 1991)
      • Dolls (Takeshi Kitano, 2002)
      • The Jester (Jos lvaro Morais, 1987)
      • All About My Mother (Pedro Almod var, 1999)
      • L'Amour fou (Jacques Rivette, 1969)
      • Synecdoche, New York (Charlie Kaufman, 2008)
      • Opening Night (John Cassavetes, 1977)
      • A Tale of Winter (Eric Rohmer, 1992)
      • I'm Going Home (Manoel de Oliveira, 2001)
      • The Travelling Players (Theo Angelopoulos, 1975)
      • My Dinner with Andr (Louis Malle, 1981)
      • Swimming to Cambodia (Jonathan Demme, 1987)
      • Monster in a Box (Nick Broomfield, 1992)
      • The Arbor (Clio Barnard, 2010)
Realist Cinema as World Cinema: Non-cinema, Intermedial Passages, Total Cinema

Автор: Lucia Nagib
Название: Realist Cinema as World Cinema: Non-cinema, Intermedial Passages, Total Cinema
ISBN: 9462987513 ISBN-13(EAN): 9789462987517
Издательство: NBN International
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Цена: 25766.00 р.
Наличие на складе: Нет в наличии.

Описание: This book presents the bold and original proposal to replace the general appellation of ‘world cinema’ with the more substantive concept of ‘realist cinema’. Veering away from the usual focus on modes of reception and spectatorship, it locates instead cinematic realism in the way films are made. The volume is structured across three innovative categories of realist modes of production: ‘noncinema’, or a cinema that aspires to be life itself; ‘intermedial passages’, or films that incorporate other artforms as a channel to historical and political reality; and ‘total cinema’, or films moved by a totalising impulse, be it towards the total artwork, total history or universalising landscapes. Though mostly devoted to recent productions, each part starts with the analysis of foundational classics, which have paved the way for future realist endeavours, proving that realism is timeless and inherent in cinema from its origin.

Michael Haneke: The Intermedial Void

Автор: Christopher Rowe
Название: Michael Haneke: The Intermedial Void
ISBN: 0810134608 ISBN-13(EAN): 9780810134607
Издательство: Mare Nostrum (Eurospan)
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Цена: 15048.00 р.
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Описание: The two primary goals of this ambitious study are to provide a new framework in which to interpret the films of Michael Haneke, including Funny Games , Cach? , and others, and to show how the concept of intermediality can be used to expand the possibilities of film and media studies, tying the two more closely together. Christopher Rowe argues that Haneke’s practice of introducing nonfilmic media into his films is not simply an aspect of his interest in society’s oversaturation in various forms of media. Instead, the use of video, television, photography, literary voice, and other media must be understood as modes of expression that fundamentally oppose the film medium itself. The “intermedial void” is a product of the absolute incommensurability of these media forms as perceptual and affective phenomena. Close analysis of specific films shows how their relationship to noncinematic media transforms the nature of the film image, and of film spectatorship.

Antonioni and the Aesthetics of Impurity: Remaking the Image in the 1960s

Автор: Nardelli Matilde
Название: Antonioni and the Aesthetics of Impurity: Remaking the Image in the 1960s
ISBN: 1474444040 ISBN-13(EAN): 9781474444040
Издательство: Bloomsbury Academic
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Цена: 15048.00 р.
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Описание: Discusses Antonioni's cinema in relation to art and other media

  • Critically and comprehensively explores the relation between Antonioni's cinema and art in the 1960s and 1970s, at a time of profound transformation in, and dialogue between, both cinema and art
  • Moves away from traditional readings of Antonioni's cinema in terms of 'purity' by addressing its engagement with mixed and mass media
  • Approaches Antonioni's work through a comparative - trasnational and transmedial - lens
  • Addresses the legacy of Antonioni's cinema in contemporary art

Michelangelo Antonioni's 1960s films are widely recognized as both exemplars of cinema and key texts in ushering in cinema's 'modern' incarnation. Reconnecting Antonioni's aesthetically audacious films of the 1960s to the ferment of their historical time, Antonioni and the Aesthetics of Impurity addresses these works' crucial, yet overlooked, affinity with the new 'impure' art practices that emerged in the period. At the same time, the book also offers a novel reading of the films' dialogue with postwar pictorial abstraction. Revealing an Antonioni who embraced both mixed and mass media and reflected on them via his cinema, the book replaces auteuristic accounts of the director's work with a new understanding of its critical significance in late-twentieth century cinema and visual culture.

Screening Statues

Автор: Jacobs Steven
Название: Screening Statues
ISBN: 1474431704 ISBN-13(EAN): 9781474431705
Издательство: Bloomsbury Academic
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Цена: 3958.00 р.
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Описание: This book examines key sculptural motifs and cinematic sculpture in film history through a series of case studies and through an extensive reference gallery of 150 different films.

Stage-Play and Screen-Play

Автор: Ingham Michael
Название: Stage-Play and Screen-Play
ISBN: 1138841048 ISBN-13(EAN): 9781138841048
Издательство: Taylor&Francis
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Цена: 7042.00 р.
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Описание:

Dialogue between film and theatre studies is frequently hampered by the lack of a shared vocabulary. Stage-Play and Screen-Play sets out to remedy this, mapping out an intermedial space in which both film and theatre might be examined.

Each chapter's evaluation of the processes and products of stage-to-screen and screen-to-stage transfer is grounded in relevant, applied contexts. Michael Ingham draws upon the growing field of adaptation studies to present case studies ranging from Martin McDonagh's The Cripple of Inishmaan and RSC Live's simulcast of Richard II to F.W. Murnau's silent Tart ff, Peter Bogdanovich's film adaptation of Michael Frayn's Noises Off, and Akiro Kurosawa's Ran, highlighting the multiple interfaces between media.

Offering a fresh insight into the ways in which film and theatre communicate dramatic performances, this volume is a must-read for students and scholars of stage and screen.

The Cinema of Manoel de Oliveira: Modernity, Intermediality and the Uncanny

Автор: Hajnal Kiraly
Название: The Cinema of Manoel de Oliveira: Modernity, Intermediality and the Uncanny
ISBN: 1501378651 ISBN-13(EAN): 9781501378652
Издательство: Bloomsbury Academic
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Цена: 13464.00 р.
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Описание: Manoel de Oliveira is the only filmmaker whose career spans from the silent era to the digital age, and yet there is little written in English about his extensive filmography. This volume, the first to discuss Oliveira's later works in English, fills this incredible gap in scholarship on the director with fresh and original analysis of over 50 of Oliveira's films, ranging from 1963's Rite of Spring to 2009's Eccentricities of a Blonde-haired Girl. Organized by tropes and topics, rather than chronological order of release, The Cinema of Manoel de Oliveira creates a unique lens through which to consider the director and the ways in which his work links cinema, literature, and other artforms. Hajnal Kiraly sheds new light on Oliveira's filmography with new readings of his work in relation to 20th and 21st century history.

Screen Presence

Автор: Monteiro Stephen
Название: Screen Presence
ISBN: 1474425976 ISBN-13(EAN): 9781474425971
Издательство: Bloomsbury Academic
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Цена: 3958.00 р.
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Описание: Screen Presence explores the intersections of film, popular media and contemporary art through the examples of four internationally celebrated artists: Andy Warhol, Robert Rauschenberg, Mona Hatoum and Douglas Gordon.


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