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The brecht yearbook / das brecht-jahrbuch 47, 


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Название:  The brecht yearbook / das brecht-jahrbuch 47
ISBN: 9781640141421
Издательство: Boydell & Brewer
Классификация:

ISBN-10: 1640141421
Обложка/Формат: Paperback
Страницы: 314
Вес: 0.59 кг.
Дата издания: 22.11.2022
Серия: Brecht yearbook
Язык: English
Размер: 152 x 229 x 28
Читательская аудитория: General (us: trade)
Ключевые слова: Literary studies: plays & playwrights,Theatre studies, DRAMA / European / German,LITERARY CRITICISM / European / German
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Поставляется из: Англии
Описание: An annual volume, this time with special attention to the relevance of Brecht`s work in today`s world of resurgent authoritarianism and the need for resistance.


Brecht and method

Автор: Jameson, Fredric
Название: Brecht and method
ISBN: 1844676773 ISBN-13(EAN): 9781844676774
Издательство: Неизвестно
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Цена: 3671.00 р.
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Описание: Jameson`s classic study of German playwright Bertolt Brecht

Mediations

Автор: Esslin, Martin
Название: Mediations
ISBN: 1032331372 ISBN-13(EAN): 9781032331379
Издательство: Taylor&Francis
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Цена: 16843.00 р.
Наличие на складе: Нет в наличии.

Brecht and Post-1990s British Drama: Dialectical Theatre Today

Автор: Anja Hartl
Название: Brecht and Post-1990s British Drama: Dialectical Theatre Today
ISBN: 1350201847 ISBN-13(EAN): 9781350201842
Издательство: Bloomsbury Academic
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Цена: 4750.00 р.
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Описание: Can theatre change the world? If so, how can it productively connect with social reality and foster spectatorial critique and engagement? This open access book examines the forms and functions of political drama in what has been described as a post-Marxist, post-ideological, even post-political moment. It argues that Bertolt Brecht’s concept of dialectical theatre represents a privileged theoretical and dramaturgical method on the contemporary British stage as well as a valuable lens for understanding 21st-century theatre in Britain. Establishing a creative philosophical dialogue between Brecht, Walter Benjamin, Theodor W. Adorno and Jacques Ranciere, the study analyses seminal works by five influential contemporary playwrights, ranging from Mark Ravenhill’s ‘in-yer-face’ plays to Caryl Churchill’s 21st century theatrical experiments. Engaging critically with Brecht’s theatrical legacy, these plays create a politically progressive form of drama which emphasises notions of negativity, ambivalence and conflict as a prerequisite for spectatorial engagement and emancipation. This book adopts an interdisciplinary and intercultural theoretical approach, reuniting English and German perspectives and innovatively weaving together a variety of theoretical strands to offer fresh insights on Brecht’s legacy, on British theatre history and on the selected plays.The ebook editions of this book are available open access under a CC BY-NC-ND 4.0 licence on bloomsburycollections.com.

Brecht and the writer`s workshop

Автор: Brecht, Bertolt
Название: Brecht and the writer`s workshop
ISBN: 1474273327 ISBN-13(EAN): 9781474273329
Издательство: Bloomsbury Academic
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Цена: 12672.00 р.
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Описание:

Brecht was never inclined to see any of his plays as completely finished, and this volume collects some of the most important theatrical projects and fragments that were always to remain 'works in progress'. Offering an invaluable insight into the writer's working methods and practices, the collection features the famous Fatzer as well as The Bread Store and Judith of Shimoda, along with other texts that have never before been available in English.
Alongside the familiar, 'completed' plays, Brecht worked on many ideas and plans which he never managed to work up even once for print or stage. In pieces like Fleischhacker, Garbe/B sching and Jacob Trotalong we see how such projects were abandoned or interrupted or became proving grounds for ideas and techniques. The works collated here span over thirty years and allow the reader to follow Brecht's creative process as he constantly revised his work to engage with new contexts.

This treasure-trove of new discoveries is also annotated with dramaturgical notes to present readable and useable texts for the theatre.

The volume is edited by Tom Kuhn and Charlotte Ryland, with the translation and dramaturgical edition of each play provided by a team of experienced writers, scholars and translators.

Alienation and Theatricality

Автор: Held, Phoebe von
Название: Alienation and Theatricality
ISBN: 0367602148 ISBN-13(EAN): 9780367602147
Издательство: Taylor&Francis
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Цена: 6583.00 р.
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Chinese Adaptations of Brecht: Appropriation and Intertextuality

Автор: Zhang Wei
Название: Chinese Adaptations of Brecht: Appropriation and Intertextuality
ISBN: 3030377776 ISBN-13(EAN): 9783030377779
Издательство: Springer
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Цена: 11179.00 р.
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Описание: This book examines the two-way impacts between Brecht and Chinese culture and drama/theatre, focusing on Chinese theatrical productions since the end of the Cultural Revolution all the way to the first decades of the twenty-first century.

Brecht Sourcebook

Автор: Bial, Henry
Название: Brecht Sourcebook
ISBN: 0415200423 ISBN-13(EAN): 9780415200424
Издательство: Taylor&Francis
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Цена: 22202.00 р.
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Engaging with Brecht

Автор: Gelber
Название: Engaging with Brecht
ISBN: 3031203933 ISBN-13(EAN): 9783031203930
Издательство: Springer
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Цена: 18167.00 р.
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Описание: This book makes the case for Bertolt Brecht`s continued importance at a time when events of the 21st century cry out for a studied means of producing theatre for social change.

Bertolt Brecht: Critical and Primary Sources vol. 1-3

Название: Bertolt Brecht: Critical and Primary Sources vol. 1-3
ISBN: 1474299490 ISBN-13(EAN): 9781474299497
Издательство: Bloomsbury Academic
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Цена: 87120.00 р.
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Описание:

With over 80 scholarly articles, reviews, and critical interventions from the last 50 years, Bertolt Brecht: Critical and Primary Sources set covers the key periods of Brecht's life, from his time in Augsburg (1898-1918) through the Weimer Republic (1918-1933), exile (1933-1948) and the German Democratic Republic (1949-1956). It also explores his theories, fundamentally his belief in the theatre's ability to represent and change the world, core practices and relationships.

Alongside primary sources that include writings by Brecht published in English for the first time, such as his short but important reflection in 'originality' in theatre production, key featured scholars include Fredric Jameson and his essay 'Episch, or, the Third Person', and pieces on Brecht's collaborative working methods by Claus and Wera K chenmeister, and the director Egon Monk.

Volume 1 covers Brecht's life and work, including essays on his famous Mother Courage and Her Children, production reviews, poetry, novels and short stories, with some thoughts on his journals.

Volume 2 covers theory, containing essays and primary writings on Brechtian terminology, and some of the more enigmatic terms like 'Epic theatre', 'Verfremdung', 'Gestus' and 'Fabel', features a survey of important theoretical works, a section on Brecht on non-theatre media, his relationship to other major thinkers, ideas and sources and the reception of his ideas.

Volume 3
covers practice, including Brecht's practice as documenter and director, beginning with his disastrous start in the Weimar Republic through to his later role as director as the Berliner Ensemble, his relationships with other practitioners and his own collaborators, reviews of important productions and global receptions.

Each volume includes a contextualizing introduction surveying the topics covered and the development of scholarship on Brecht.

Brecht and post-1990s british drama

Автор: Hartl, Anja (university Of Konstanz, Germany)
Название: Brecht and post-1990s british drama
ISBN: 1350172782 ISBN-13(EAN): 9781350172784
Издательство: Bloomsbury Academic
Рейтинг:
Цена: 14256.00 р.
Наличие на складе: Есть у поставщика Поставка под заказ.

Описание: Can theatre change the world? If so, how can it productively connect with social reality and foster spectatorial critique and engagement?

This book examines the forms and functions of political drama in what has been described as a post-Marxist, post-ideological, even post-political moment. It argues that Bertolt Brecht's concept of dialectical theatre represents a privileged theoretical and dramaturgical method on the contemporary British stage as well as a valuable lens for understanding 21st-century theatre in Britain.

Establishing a creative philosophical dialogue between Brecht, Walter Benjamin, Theodor W. Adorno and Jacques Ranci re, the study analyses seminal works by five influential contemporary playwrights, ranging from Mark Ravenhill's 'in-yer-face' plays to Caryl Churchill's 21st century theatrical experiments. Engaging critically with Brecht's theatrical legacy, these plays create a politically progressive form of drama which emphasises notions of negativity, ambivalence and conflict as a prerequisite for spectatorial engagement and emancipation.

This book adopts an interdisciplinary and intercultural theoretical approach, reuniting English and German perspectives and innovatively weaving together a variety of theoretical strands to offer fresh insights on Brecht's legacy, on British theatre history and on the selected plays.

Brecht and tragedy

Автор: Revermann, Martin (university Of Toronto)
Название: Brecht and tragedy
ISBN: 1108747450 ISBN-13(EAN): 9781108747455
Издательство: Cambridge Academ
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Цена: 4750.00 р.
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Описание: A wide-ranging, detailed and engaging study of Brecht`s complex relationship with Greek tragedy and the tragic tradition, which also makes significant archival material available for the first time. Of great interest to any student of theatre (of any period and/or geography), to comparatists and to students of intellectual history.

Postmodern brecht rle literary th

Автор: Wright, Elizabeth (university Of Calgary, Canada)
Название: Postmodern brecht rle literary th
ISBN: 1138683310 ISBN-13(EAN): 9781138683310
Издательство: Taylor&Francis
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Цена: 5817.00 р.
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Описание: In this radical and deliberately controversial re-reading of Brecht, first published in 1989, Elizabeth Wright takes a new view of the playwright, giving us a more ‘Brechtian’ reading than so far achieved and making his work historically relevant here and now. The author discusses in detail Brecht’s principle theories and concepts in the light of poststructuralist theory, and reassess the aesthetics and politics with regard to Marxist critics of his own day. Wright includes a re-reading of Brecht’s early works, which presents them in relation to a postmodern theatre, and gives critical analyses of the work of Pina Bausch, Robert Wilson, and Heiner Muller, who use the techniques of performance theatre, showing how they deconstruct Brecht’s distinction between illusion and reality and point to a postmodern understanding of their dialectical relation.


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