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Three Crowns and Eleven Tears: East Norse Philology from Cologne, Anja Ute Blode, Elena Brandenburg


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Автор: Anja Ute Blode, Elena Brandenburg
Название:  Three Crowns and Eleven Tears: East Norse Philology from Cologne
ISBN: 9788740834178
Издательство: Gazelle Book Services
Классификация:


ISBN-10: 8740834174
Обложка/Формат: Paperback
Страницы: 280
Вес: 0.18 кг.
Дата издания: 01.05.2022
Серия: Language/Linguistics
Язык: English
Иллюстрации: Full colour
Размер: 298 x 210 x 51
Читательская аудитория: General (us: trade)
Ключевые слова: Literature: history & criticism,Norse religion & mythology,Philosophy of language
Подзаголовок: East norse philology from cologne
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Поставляется из: Англии
Описание: This past decade or so, the study of East Norse philology has been experiencing something of a renaissance. This volume contains twelve articles written by international scholars from seven different countries. Based on papers given at the Fourth International Conference for East Norse Philology held in Cologne in June 2019, this volume presents the latest research within areas such as Text Witness and Linguistics, Paleography as well as Codicology, Transmission, Adaptation, and Media Change. Three Crowns and Eleven Tears: East Norse Philology from Cologne is the fourth volume published by Selskab for stnordisk Filologi Sallskap for ostnordisk filologi, founded in Uppsala in 2013.


Figural Philology

Автор: Efal Adi
Название: Figural Philology
ISBN: 1350067288 ISBN-13(EAN): 9781350067288
Издательство: Bloomsbury Academic
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Цена: 5542.00 р.
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Описание:

Though inspired by a Panofskyan legacy, this book diverges at certain points from Erwin Panofsky's declared objectives, and calls attention to several of aspects that were until now less accentuated in his intellectual reception. Insisting on the importance of iconology as a method for art history and the humanities in general, it shows how examining this promotes a cooperation between the history of art and the history of philosophy. It discusses whether Panofsky's method could be of use for general questions in the epistemology of the historical sciences that examine human works.

Figural Philology also shows that Panofsky shares affinities with twentieth-century romance philology. A reading of Panofsky's work alongside the philological enterprise of Erich Auerbach and several other authors demonstrates that a proper appropriation of the philological impulse can provide a way out of the methodological antimony still hanging between hyper-formalist and hyper-theoretical approaches to the history of art.

History of English Literature and Philology

Автор: Oxford University Press
Название: History of English Literature and Philology
ISBN: 0190120428 ISBN-13(EAN): 9780190120429
Издательство: Oxford Academ
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Цена: 37129.00 р.
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Описание: History of English Literature and Philology: A Guide is an introductory guide catering to Core Course 1: History of Literature and Philology of the undergraduate English (Hons.) programme of the University of Calcutta, and follows the latest syllabus and pattern as introduced under the Choice-Based Credit System (CBCS).

Feeling and classical philology

Автор: Guthenke, Constanze (princeton University, New Jersey)
Название: Feeling and classical philology
ISBN: 1107104238 ISBN-13(EAN): 9781107104235
Издательство: Cambridge Academ
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Цена: 14890.00 р.
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Описание: Nineteenth-century German classical philology underpins many structures of the modern humanities. This book shows how a language of love and a longing for closeness with a personified antiquity has lastingly shaped modern professional reading habits, notions of biography, and the self-image of scholars and teachers.

Figural Philology: Panofsky and the Science of Things

Автор: Adi Efal
Название: Figural Philology: Panofsky and the Science of Things
ISBN: 1474254012 ISBN-13(EAN): 9781474254014
Издательство: Bloomsbury Academic
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Цена: 20592.00 р.
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Описание: Though inspired by a Panofskyan legacy, this book diverges at certain points from Erwin Panofsky's declared objectives, and calls attention to several of aspects that were until now less accentuated in his intellectual reception. Insisting on the importance of iconology as a method for art history and the humanities in general, it shows how examining this promotes a cooperation between the history of art and the history of philosophy. It discusses whether Panofsky’s method could be of use for general questions in the epistemology of the historical sciences that examine human works. Figural Philology also shows that Panofsky shares affinities with twentieth-century romance philology. A reading of Panofsky's work alongside the philological enterprise of Erich Auerbach and several other authors demonstrates that a proper appropriation of the philological impulse can provide a way out of the methodological antimony still hanging between hyper-formalist and hyper-theoretical approaches to the history of art.

Give the Word: Responses to Werner Hamacher`s  "95 Theses on Philology "

Автор: Werner Hamacher
Название: Give the Word: Responses to Werner Hamacher`s "95 Theses on Philology "
ISBN: 1496206525 ISBN-13(EAN): 9781496206527
Издательство: Mare Nostrum (Eurospan)
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Цена: 9405.00 р.
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Описание:

Werner Hamacher’s witty and elliptical 95 Theses on Philology challenges the humanities—and particularly academic philology—that assume language to be a given entity rather than an event. In Give the Word eleven scholars of literature and philosophy (Susan Bernstein, Michèle Cohen-Halimi, Peter Fenves, Sean Gurd, Daniel Heller-Roazen, Jan Plug, Gerhard Richter, Avital Ronell, Thomas Schestag, Ann Smock, and Vincent van Gerven Oei) take up the challenge presented by Hamacher’s theses. At the close Hamacher responds to them in a spirited text that elaborates on the context of his 95 Theses and its rich theoretical and philosophical ramifications.

The 95 Theses, included in this volume, makes this collection a rich resource for the study and practice of “radical philology.” Hamacher’s philology interrupts and transforms, parting with tradition precisely in order to remain faithful to its radical but increasingly occluded core.

The contributors test Hamacher’s break with philology in a variety of ways, attempting a philological practice that does not take language as an object of knowledge, study, or even love. Thus, in responding to Hamacher’s Theses, the authors approach language that, because it can never be an object of any kind, awakens an unfamiliar desire. Taken together these essays problematize philological ontology in a movement toward radical reconceptualizations of labor, action, and historical time.
 

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