The Imagery and Politics of Sexual Violence in Early Renaissance Italy, Peter Bokody
Название: First book of fashion ISBN: 1350197068 ISBN-13(EAN): 9781350197060 Издательство: Bloomsbury Academic Рейтинг: Цена: 5859.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: "Quite simply the most fascinating record of a ‘[fashion] victim’ one could hope for." The Spectator
This captivating study reproduces arguably the most extraordinary primary source documents in fashion history. Providing a revealing window onto the Renaissance, it chronicles how style-conscious accountant Matthaus Schwarz and his son Veit Konrad experienced life through clothes, and climbed the social ladder through fastidious management of self-image. These bourgeois dandies’ agenda resonates as powerfully today as it did in the 16th century: one has to dress to impress, and dress to impress they did.
The Schwarzes recorded their sartorial triumphs as well as failures in life in a series of portraits by illuminists over 60 years, which have been comprehensively reproduced in full color for the first time. These exquisite illustrations are accompanied by the Schwarzes’ fashion-focussed yet at times deeply personal captions, which render the pair the world’s first fashion bloggers and pioneers of everyday portraiture.
The First Book of Fashion demonstrates how dress – seemingly both ephemeral and trivial – is a potent tool in the right hands. Beyond this, it colorfully recaptures the experience of Renaissance life and reveals the importance of clothing to the aesthetics and everyday culture of the period.
Historians Ulinka Rublack’s and Maria Hayward’s insightful commentaries create an unparalleled portrait of 16th-century dress that is both strikingly modern and thorough in its description of a true Renaissance fashionista’s wardrobe. This first English translation also includes a bespoke pattern by TONY award-winning costume designer and dress historian Jenny Tiramani, from which readers can recreate one of Schwarz’s most elaborate and politically significant outfits.
Автор: Mutter, Rosalind Название: Early netherlandish painting ISBN: 1861713975 ISBN-13(EAN): 9781861713971 Издательство: Неизвестно Рейтинг: Цена: 4757.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: EARLY NETHERLANDISH PAINTING
A fully illustrated survey of Early Netherlandish painting, featuring all of the major artists, and many lesser-known painters.
Early Netherlandish painting, also known as Flemish painting, is characterized by figurative realism, its incredible sense of domestic interiors and details, luminous light, its 'realist' faces, and its fusions of a micro- and macro- cosmic vision.
We concentrate here on painters such as Rogier van der Weyden (1400-1464), Jan van Eyck (c. 1390-1441, commonly described as the founder of modern oil painting), Gerard David (c. 1460-1523), Hugo van der Goes (1440-1482), Hans Memling (1433-1494), Joos van Cleve (c. 1485-1540), Jan Gossaert, also called Mabuse (c. 1475/8-1532), Geertgen tot Sint Jans (fl. late 15th 1485/ 95), Quentin Massys (c. 1465-1530), Joachim Patinir (c. 1485-1524), Dieric Bouts (c. 1415-1475), Petrus Christus (fl. 1442-1473) and Bernard van Orley (c. 1488-1541).
One of the most celebrated aspects of Early Netherlandish or Flemish painting is its heartfelt, intense religious emotion. It is this aspect that interests us in this book. The new aesthetic vision of Early Netherlandish art was later applied to still life paintings, satires, landscapes, and portraits, but it is the religious works with which we are concentrating on here. Michelangelo's famous statement about Early Netherlandish art pinpoints the depth of devout feeling found in so much of Northern European art:
Flemish painting will, generally speaking, please the devout better than any painting in Italy, which will never cause him to shed a tear, whereas that of Flanders will cause him to shed many...
The new vision of Northern European painting which flourished in the 15th century was a combination of a new aesthetic approach to reality, and an intensifying of religious fervour. The new vision aimed at sculptural accuracy, a naturalistic use of lighting, and three-dimensionality. Mixed with the new use of oil paint, the new vision gave the art of Philip the Good's reign a special flavour and style well suited to the circumscription of devout religious truths. The new painting inherited its jewel-like brilliancy partly because many painters were trained as goldsmiths. This skilled handling of metalwork and miniature illustration shows in Early Netherlandish art.
All Early Netherlandish paintings were made on wood panels, and painted from light to dark in thin glazes. It is partly this subtle glazing which gives Early Netherlandish painting its glorious luminescence. The Early Netherlandish artists exploited the effects of different hues and thicknesses of glazes of oil paint, controlling how the glazes reflected light.
Fully illustrated, with a newly revised text for this edition. Bibliography and notes. ISBN 971861713971. 252 pages.
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Автор: Paoletti, John T. Название: Art in Renaissance Italy ISBN: 1856697975 ISBN-13(EAN): 9781856697972 Издательство: Laurence King Рейтинг: Цена: 7590.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: With a freshness and breadth of approach that sets the art in its context, this book explores why works were created and who commissioned the palaces, cathedrals, paintings, and sculptures. This revised edition contains around 200 new pictures and nearly all colour images. The chapter structure has also been improved.
Автор: Welch Название: Art in Renaissance Italy 1350-1500 ISBN: 019284279X ISBN-13(EAN): 9780192842794 Издательство: Oxford Academ Рейтинг: Цена: 3721.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: The Italian Renaissance is a pivotal episode in the history of Western culture. This book discusses a range of works from across Italy, examines the issues of materials, workshop practices and artist-patron relationships, and explores the ways in which visual imagery related to contemporary sexual, social and political behaviour.
Автор: Esposito Gabriele Название: Renaissance Armies in Italy 1450-1550 ISBN: 1472841999 ISBN-13(EAN): 9781472841995 Издательство: Osprey Рейтинг: Цена: 1929.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
This engaging study explains and illustrates the organization, equipment, and campaign record of the various armies fighting within Italy during the major wars of the period, which saw trained infantry and firearms challenging the domination of heavy armored cavalry.
While the Italian Renaissance saw religion beginning to lose its primary role in society to science and the arts, it was also a period of political and military turmoil. Many regional wars were fought between the states ruled by Milan, Venice, Genoa, Florence, the Papacy, Siena, and Naples. For more than 50 years starting in 1494, major foreign powers also exploited these divisions to invade Italy, which became the focal point of their rivalries: both France and Spain made temporary alliances with city states to further their ambitions, and early in the 16th century the Emperor Charles V sent armies from his German realms to support the Spanish. These wars coincided with the growth of disciplined infantry--carrying not only polearms and crossbows but also hand-guns--which proved capable of challenging the previously dominant armored knights in such influential battles as Fornovo (1495), Cerignola (1503), Marignano (1515), and Pavia (1525). All the powers involved made widespread use of professional mercenaries, who were at the forefront of the early development of the "pike and shot" era that succeeded the "High Middle Ages." During this period, costumes, armor, and weapons all showed great variety, due both to their national origins and to the evolution of tactics and technology. This masterfully illustrated study offers a fascinating insight into the many armies which fought in Italy during this turbulent period, explaining not only their arms and equipment, but also their structure and successes and failures on the battlefield.
Описание: Interested in the ways in which medieval and early modern communities have acted as participants, observers, and interpreters of events and how they ascribed meaning to them, the essays in this interdisciplinary collection explore the concept of beholding and the experiences of individual and collective beholders of violence during the period. Addressing a range of medieval and early modern art forms, including visual images, material objects, literary texts, and performances, the contributors examine the complexities of viewing and the production of knowledge within cultural, political, and theological contexts. In considering new methods to examine the process of beholding violence and the beholder's perspective, this volume addresses such questions as: How does the process of beholding function in different aesthetic conditions? Can we speak of such a thing as the 'period eye' or an acculturated gaze of the viewer? If so, does this particularize the gaze, or does it risk universalizing perception? How do violence and pleasure intersect within the visual and literary arts? How can an understanding of violence in cultural representation serve as means of knowing the past and as means of understanding and potentially altering the present?
Автор: Campbell, Gordon Название: The Oxford Illustrated History of the Renaissance ISBN: 0198862660 ISBN-13(EAN): 9780198862666 Издательство: Oxford Academ Рейтинг: Цена: 3721.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: The story of the `long Renaissance` for a new generation from Giotto and Dante in thirteenth-century Italy to the English literary Renaissance in the first half of the seventeenth century.
Автор: Elizabeth Currie Название: Fashion and Masculinity in Renaissance Florence ISBN: 1350031631 ISBN-13(EAN): 9781350031630 Издательство: Bloomsbury Academic Рейтинг: Цена: 3166.00 р. Наличие на складе: Нет в наличии.
Описание:
Dress became a testing ground for masculine ideals in Renaissance Italy. With the establishment of the ducal regime in Florence in 1530, there was increasing debate about how to be a nobleman. Was fashionable clothing a sign of magnificence or a source of mockery? Was the graceful courtier virile or effeminate? How could a man dress for court without bankrupting himself? This book explores the whole story of clothing, from the tailor's workshop to spectacular court festivities, to show how the male nobility in one of Italy's main textile production centers used their appearances to project social, sexual, and professional identities.
Sixteenth-century male fashion is often associated with swagger and ostentation but this book shows that Florentine clothing reflected manhood at a much deeper level, communicating a very Italian spectrum of male virtues and vices, from honor, courage, and restraint to luxury and excess. Situating dress at the heart of identity formation, Currie traces these codes through an array of sources, including unpublished archival records, surviving garments, portraiture, poetry, and personal correspondence between the Medici and their courtiers. Addressing important themes such as gender, politics, and consumption, Fashion and Masculinity in Renaissance Florence sheds fresh light on the sartorial culture of the Florentine court and Italy as a whole.
Автор: Nethersole Scott Название: Art and Violence in Early Renaissance Florence ISBN: 0300233515 ISBN-13(EAN): 9780300233513 Издательство: Wiley Рейтинг: Цена: 10296.00 р. Наличие на складе: Поставка под заказ.
Описание: This study is the first to examine the relationship between art and violence in 15th-century Florence, exposing the underbelly of a period more often celebrated for enlightened and progressive ideas. Renaissance Florentines were constantly subjected to the sight of violence, whether in carefully staged rituals of execution or images of the suffering inflicted on Christ. There was nothing new in this culture of pain, unlike the aesthetic of violence that developed towards the end of the 15th century.
It emerged in the work of artists such as Piero di Cosimo, Bertoldo di Giovanni, Antonio del Pollaiuolo, and the young Michelangelo. Inspired by the art of antiquity, they painted, engraved, and sculpted images of deadly battles, ultimately normalizing representations of brutal violence. Drawing on work in social and literary history, as well as art history, Scott Nethersole sheds light on the relationship between these Renaissance images, violence, and ideas of artistic invention and authorship.
Love's Wounds takes an in-depth look at the widespread language of violence and abjection in early modern European love poetry. Beginning in fourteenth-century Italy, this book shows how Petrarch established a pattern of inequality between suffering poet and exalted Beloved rooted in political parrh?sia. Sixteenth- and early seventeenth-century French and English poets reshaped his model into an idiom of extravagant brutality coded to their own historical circumstances. Cynthia N. Nazarian argues that these poets exaggerated the posture of the downtrodden lover, adapting the rhetoric of powerless desire to forge a new "countersovereignty" from within the heart of vulnerability—a potentially revolutionary position through which to challenge cultural, religious, and political authority. Creating a secular equivalent to the martyr, early modern sonneteers crafted a voice that was both critical and unstoppable because it suffered.Love’s Wounds tracks the development of the countersovereign voice from Francesco Petrarca to Maurice Sc?ve, Joachim du Bellay, Th?odore-Agrippa d’Aubign?, Edmund Spenser, and William Shakespeare. Through interdisciplinary and transnational analyses, Nazarian reads early modern sonnets as sites of contestation and collaboration and rewrites the relationship between early modern literary forms.
Автор: Robert Antony, Stuart Carroll, Caroline Dodds Pennock Название: The Cambridge World History of Violence ISBN: 1107119111 ISBN-13(EAN): 9781107119116 Издательство: Cambridge Academ Рейтинг: Цена: 23285.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Violence is a universal theme in human history and a major problem facing society today. In order to confront it, it is essential that we understand it. This volume shows how many of the problems that the world faces today are rooted in the first age of globalisation: the period between 1500 and 1800.
Автор: Guetta Alessandro Название: Italian Jewry in the Early Modern Era ISBN: 1618112082 ISBN-13(EAN): 9781618112088 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 14414.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Between the years 1550 and 1650, Italy's Jewish intellectuals created a unique and enduring synthesis of the great literary and philosophical heritage of the Andalusian Jews and the Renaissance`s renewal of perspective. While remaining faithful to the beliefs, behaviours, and language of their tradition, Italian Jews proved themselves open to a rapidly evolving world of great richness. The crisis of Aristotelianism (which progressively touched upon all fields of knowledge), religious fractures and unrest, the scientific revolution, and the new perception of reality expressed through a transformation of the visual arts: these are some of the changes experienced by Italian Jews which they were affected by in their own particular way. This book explores the complex relations between Jews and the world that surrounded them during a critical period of European civilisation. The relations were rich, problematic, and in some cases strained, alternating between opposition and dialogue, osmosis and distinction.
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