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The Cognitive Continuum of Electronic Music, Anil Camci


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Автор: Anil Camci
Название:  The Cognitive Continuum of Electronic Music
ISBN: 9781501388071
Издательство: Bloomsbury Academic
Классификация:



ISBN-10: 150138807X
Обложка/Формат: Paperback
Страницы: 216
Вес: 0.34 кг.
Дата издания: 27.07.2023
Язык: English
Иллюстрации: 19 bw illus and 11 tables
Размер: 151 x 229 x 14
Читательская аудитория: Tertiary education (us: college)
Ключевые слова: Electronic music,Electronic musical instruments,Music recording & reproduction,Theory of music & musicology, MUSIC / Genres & Styles / Electronic,SCIENCE / Cognitive Science,TECHNOLOGY & ENGINEERING / Acoustics & Sound
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Поставляется из: Англии
Описание: The electronic medium allows any audible sound to be contextualized as music. This creates unique structural possibilities as spectrum, dynamics, space, and time become continuous dimensions of musical articulation. What we hear in electronic music ventures beyond what we traditionally characterize as musical sound and challenges our auditory perception, on the one hand, and our imagination, on the other. Based on an extensive listening study conducted over four years, this book offers a comprehensive analysis of the cognitive processes involved in the experience of electronic music. It pairs artistic practice with theories from a range of disciplines to communicate how this music operates on perceptual, conceptual, and affective levels. Looking at the common and divergent ways in which our minds respond to electronic sound, it investigates how we build narratives from our experience of electronic music and situate ourselves in them.


The Cognitive Continuum of Electronic Music

Автор: Зamci Anil
Название: The Cognitive Continuum of Electronic Music
ISBN: 1501357123 ISBN-13(EAN): 9781501357121
Издательство: Bloomsbury Academic
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Цена: 29887.00 р.
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Описание: The electronic medium allows any audible sound to be contextualized as music. This creates unique structural possibilities as spectrum, dynamics, space, and time become continuous dimensions of musical articulation. What we hear in electronic music ventures beyond what we traditionally characterize as musical sound and challenges our auditory perception, on the one hand, and our imagination, on the other. Based on an extensive listening study conducted over four years, this book offers a comprehensive analysis of the cognitive processes involved in the experience of electronic music. It pairs artistic practice with theories from a range of disciplines to communicate how this music operates on perceptual, conceptual, and affective levels. Looking at the common and divergent ways in which our minds respond to electronic sound, it investigates how we build narratives from our experience of electronic music and situate ourselves in them.

Massive Attack`s Blue Lines

Автор: Ian Bourland
Название: Massive Attack`s Blue Lines
ISBN: 1501339699 ISBN-13(EAN): 9781501339691
Издательство: Bloomsbury Academic
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Цена: 1582.00 р.
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Описание:

In 1991, three producers released a record called Blue Lines under the name Massive Attack, splicing together American hip-hop and soul with the sounds of the British underground. With its marauding bass lines, angular guitars, and psychedelic effects, Blue Lines built on the Caribbean soundsystems and nascent rave scene of the 1980s while also looking ahead to the group's signature blend of epic cinematics and lush downtempo. In the process, Blue Lines invented an entirely new genre called trip hop and launched the career of a rapper named Tricky.

Ultimately, Blue Lines created the sonic playbook for an emerging future: hybrid, digital, cosmopolitan, and rooted in the black and immigrant communities who animated the urban wreckage of the postindustrial city. Massive Attack envisioned an alternate future in sharp counterpoint to the glossy triumphalism of Brit Pop. And while the group would go on to bigger things, this record was both a warning shot and a definitive statement that sounds as otherworldy today as on the day of its release. As Blue Lines's iconic flame logo spun on turntables the world over, Massive Attack and their spaced-out urban blues reimagined music for the 1990s and beyond.

Bjork`s Homogenic

Автор: Emily Mackay
Название: Bjork`s Homogenic
ISBN: 1501322745 ISBN-13(EAN): 9781501322747
Издательство: Bloomsbury Academic
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Цена: 1582.00 р.
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Описание: In recent years, Bj rk's artistry has become ever more ambitious and ever more respected. With the release of her conceptual app-album Biophilia in 2011, and a huge retrospective exhibition at New York's Museum of Modern Art coinciding with her most recent album, Vulnicura, in 2015, her status as artpop auteur has been secured. The album that made all this possible, though is 1997's Homogenic, a turning point in Bj rk's career and still among her finest musical achievements. Produced under great strain, it moves beyond the stylistic magpie rush of Debut and the urbanophile future-pop of Post, to something darker, stronger and braver, full of dramatic assertions of independence, sharp, stuttering beats, rich strings and raw outbursts of noise. It created, as the Alexander McQueen designed sleeve clearly asserted, a new Bj rk, one who would never stop hunting.

Electronic and Experimental Music

Автор: Holmes, Thom
Название: Electronic and Experimental Music
ISBN: 1138365467 ISBN-13(EAN): 9781138365469
Издательство: Taylor&Francis
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Цена: 8114.00 р.
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Описание: Electronic and Experimental Music: Technology, Music, and Culture, Sixth Edition, presents an extensive history of electronic music-from its historical beginnings in the late nineteenth century to its everchanging present-recounting the musical ideas that arose in parallel with technological progress.

Pink Noises: Women on Electronic Music and Sound

Автор: Rodgers Tara
Название: Pink Noises: Women on Electronic Music and Sound
ISBN: 0822346737 ISBN-13(EAN): 9780822346739
Издательство: Wiley EDC
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Цена: 3945.00 р.
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Описание:

Pink Noises brings together twenty-four interviews with women in electronic music and sound cultures, including club and radio DJs, remixers, composers, improvisers, instrument builders, and installation and performance artists. The collection is an extension of Pinknoises.com, the critically-acclaimed website founded by musician and scholar Tara Rodgers in 2000 to promote women in electronic music and make information about music production more accessible to women and girls. That site featured interviews that Rodgers conducted with women artists, exploring their personal histories, their creative methods, and the roles of gender in their work. This book offers new and lengthier interviews, a critical introduction, and resources for further research and technological engagement.

Contemporary electronic music practices are illuminated through the stories of women artists of different generations and cultural backgrounds. They include the creators of ambient soundscapes, “performance novels,” sound sculptures, and custom software, as well as the developer of the Deep Listening philosophy and the founders of the Liquid Sound Lounge radio show and the monthly Basement Bhangra parties in New York. These and many other artists open up about topics such as their conflicted relationships to formal music training and mainstream media representations of women in electronic music. They discuss using sound to work creatively with structures of time and space, and voice and language; challenge distinctions of nature and culture; question norms of technological practice; and balance their needs for productive solitude with collaboration and community. Whether designing and building modular synthesizers with analog circuits or performing with a wearable apparatus that translates muscle movements into electronic sound, these artists expand notions of who and what counts in matters of invention, production, and noisemaking. Pink Noises is a powerful testimony to the presence and vitality of women in electronic music cultures, and to the relevance of sound to feminist concerns.

Interviewees: Maria Chavez, Beth Coleman (M. Singe), Antye Greie (AGF), Jeannie Hopper, Bevin Kelley (Blevin Blectum), Christina Kubisch, Le Tigre, Annea Lockwood, Giulia Loli (DJ Mutamassik), Rekha Malhotra (DJ Rekha), Riz Maslen (Neotropic), Kaffe Matthews, Susan Morabito, Ikue Mori, Pauline Oliveros, Pamela Z, Chantal Passamonte (Mira Calix), Maggi Payne, Eliane Radigue, Jessica Rylan, Carla Scaletti, Laetitia Sonami, Bev Stanton (Arthur Loves Plastic), Keiko Uenishi (o.blaat)

Luigi Nono

Автор: Nielinger-Vakil
Название: Luigi Nono
ISBN: 0521845343 ISBN-13(EAN): 9780521845342
Издательство: Cambridge Academ
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Цена: 19800.00 р.
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Описание: The anti-fascist cantata Il canto sospeso, the string-quartet Fragmente - Stille, an Diotima and the `Tragedy of Listening` Prometeo cemented Luigi Nono`s place in music history. In this study, Nielinger-Vakil examines these three major works in the context of related works and the diverging circumstances in Italy and Germany after 1945.

Expanding the Horizon of Electroacoustic Music Analysis

Автор: Emmerson
Название: Expanding the Horizon of Electroacoustic Music Analysis
ISBN: 1107118328 ISBN-13(EAN): 9781107118324
Издательство: Cambridge Academ
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Цена: 16632.00 р.
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Описание: Innovations in music technology bring with them a new set of challenges for describing and understanding the electroacoustic repertoire. This edited collection presents a state-of-the-art overview of analysis methods for electroacoustic music, with analyses of key electroacoustic works from a wide range of genres and sources.

Electronic Music and Sound Design - Theory and Practice with

Автор: Cipriani Alessandro
Название: Electronic Music and Sound Design - Theory and Practice with
ISBN: 8890548452 ISBN-13(EAN): 9788890548451
Издательство: Неизвестно
Цена: 9828.00 р.
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Composing Electronic Music

Автор: Roads Curtis
Название: Composing Electronic Music
ISBN: 0195373243 ISBN-13(EAN): 9780195373240
Издательство: Oxford Academ
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Цена: 8237.00 р.
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Описание: Electronic music evokes new sensations, feelings, and thoughts in both composers and listeners. Composing Electronic Music outlines a new theory based on the powerful toolkit of electronic music techniques.

Electronic and Experimental Music

Автор: Holmes Thom
Название: Electronic and Experimental Music
ISBN: 113879273X ISBN-13(EAN): 9781138792739
Издательство: Taylor&Francis
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Цена: 7501.00 р.
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Описание:

Electronic and Experimental Music: Technology, Music, and Culture provides a comprehensive history of electronic music, covering key composers, genres, and techniques used in analog and digital synthesis. This textbook has been extensively revised with the needs of students and instructors in mind. The reader-friendly style, logical organization, and pedagogical features of the fifth edition allow easy access to key ideas, milestones, and concepts.

New to this edition:

A companion website, featuring key examples of electronic music, both historical and contemporary.

Listening Guides providing a moment-by-moment annotated exploration of key works of electronic music.

A new chapter Contemporary Practices in Composing Electronic Music.

Updated presentation of classic electronic music in the United Kingdom, Italy, Latin America, and Asia, covering the history of electronic music globally.

An expanded discussion of early experiments with jazz and electronic music, and the roots of electronic rock.

Additional accounts of the vastly under-reported contributions of women composers in the field.

More photos, scores, and illustrations throughout.

The companion website features a number of student and instructor resources, such as additional Listening Guides, links to streaming audio examples and online video resources, PowerPoint slides, and interactive quizzes."

The Process That Is the World: Cage/Deleuze/Events/Performances

Автор: Joe Panzner
Название: The Process That Is the World: Cage/Deleuze/Events/Performances
ISBN: 162892571X ISBN-13(EAN): 9781628925715
Издательство: Bloomsbury Academic
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Цена: 17424.00 р.
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Описание: The Process That Is the World grapples with John Cage not just as a composer, but as a philosopher advocating for an ontology of difference in keeping with the kind posited by Gilles Deleuze. Cage’s philosophy is not simply a novel method for composition, but an extensive argument about the nature of reality itself, the construction of subjects within that reality, and the manner in which subjectivity and a self-creative world exist in productive tension with one another. Over the course of the study, these themes are developed in the realms of the ontology of a musical work, performance practices, ethics, and eventually a study of Cagean politics and the connection between aesthetic experience and the generation of new forms of collective becoming-together. The vision of Cage that emerges through this study is not simply that of the maverick composer or the “inventor of genius,” but of a thinker and artist responding to insights about the world-as-process as it extends through the philosophical, artistic, and ethical registers: the world as potential for variance, reinvention, and permanent revolution.


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