Scripture and Song in Nineteenth-Century Britain, Brian H. Murray, James Grande
Автор: Mcgeough, Kevin M Название: Ancient near east in the nineteenth century ISBN: 1909697656 ISBN-13(EAN): 9781909697652 Издательство: Неизвестно Рейтинг: Цена: 20748.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Автор: Katharine Ellis Phyllis Weliver & Название: Words and Notes in the Long Nineteenth Century ISBN: 1843838117 ISBN-13(EAN): 9781843838111 Издательство: Boydell & Brewer Цена: 9504.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Words and Notes encourages a new wave of scholarship inspired by the ways writers and musicians of the long nineteenth century themselves approached the relationship between music and words. Contributors to the volume engage in two dialogues: with nineteenth-century conceptions of word-music relations, and with each other. Criss-crossing disciplinary boundaries, the authors of the book's eleven essays address new questions relating to listening, imagining and performing music, the act of critique, and music's links with philosophy and aesthetics. The many points of intersection are elucidated in an editorial introduction and via a reflective afterword. Fiction and poetry, musicography, philosophy, music theory, science and music analysis all feature, as do traditions within English, French and German studies. Wide-ranging material foregrounds musical memory, soundscape and evocation; performer dilemmas over the words in Satie's piano music; the musicality of fictional and non-fictional prose; text-setting and the rights of poet vs. composer; the rich novelistic and critical testimony of audience inattention at the opera; German philosophy's potential contribution to musical listening; and Hoffmann's send-ups of the serious music-lover. Throughout, music - its composition, performance and consumption - emerges as a profoundly physical and social force, even when it is presented as the opposite. PHYLLIS WELIVER is Associate Professor of English, Saint Louis University. KATHARINE ELLIS is Stanley Hugh Badock Professor of Music at the University of Bristol. Contributors: Helen Abbott, Noelle Chao, Delia da Sousa Correa, Peter Dayan, Katharine Ellis, David Evans, Annegret Fauser, Jon-Tomas Godin, Cormac Newark, Matthew Riley, Emma Sutton, Shafquat Towheed, Susan Youens, Phyllis Weliver
Описание: Exploring the philosophical dimensions of Brahms`s music, this book analyzes his elegiac works and their relationship to German literature. Of interest to musicology, German studies and cultural history scholars, it illuminates how Brahms`s music relates to aesthetics and modernity from Hoelderlin, Schiller, and Goethe to the Frankfurt School.
Автор: Martin Clarke Название: Music and Theology in Nineteenth-Century Britain ISBN: 1409409899 ISBN-13(EAN): 9781409409892 Издательство: Taylor&Francis Рейтинг: Цена: 22968.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: The interrelationship of music and theology is a burgeoning area of scholarship in which conceptual issues have been explored by musicologists and theologians. This collection of essays explores such areas in relation to the religious, musical and social history of nineteenth-century Britain.
Solomon was the son of David and Bathsheba. When his father died, he came to the throne as the King of Israel. Benefiting from his father's many victories, he governed in a time of peace. With skillful diplomacy and astute land and sea trade, he gained enormous revenues and developed Israel into a mighty and prosperous nation. He constructed the first permanent temple of Jewish worship. His incisive judgments came to be known far and wide. In his lifetime he authored numerous proverbs and songs. His writings were abundant. The Song of Solomon was a work of poetry he penned during his reign as king. In its pages we discover more about the man and learn who he was on a personal level, uncovering relevant guidelines to Christian living.
Автор: Ehrman, Bart D. Название: The Orthodox Corruption of Scripture ISBN: 0199739781 ISBN-13(EAN): 9780199739783 Издательство: Oxford Academ Рейтинг: Цена: 6334.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: In a study that explores the close relationship between the social history of early Christianity and the textual tradition of the emerging New Testament, Ehrman traces how early struggles between "heresy" and "orthodoxy" affected the transmission of the documents. Ehrman`s incisive analysis makes a significant contribution to our understanding of the history of early Christianity.
Описание: With their insistence that form is a dialectical process in the music of Beethoven, Theodor Adorno and Carl Dahlhaus emerge as the guardians of a long-standing critical tradition in which Hegelian concepts have been brought to bear on the question of musical form. Janet Schmalfeldt's account of this Beethoven-Hegelian tradition restores to the term "form" some of its philosophical associations in the early nineteenth century, when profound cultural changes were yielding new relationships between composers and listeners, and when music itself became a topic for renewed philosophical investigation. A recurring metaphor in early nineteenth-century philosophical writings is the notion of becoming. In the Process of Becoming explores the idea of "form coming into being" in respect to music by Beethoven, Schubert, Mendelssohn, Chopin, and Schumann. A critical assessment of Dahlhaus's preoccupation with the opening of Beethoven's "Tempest" Sonata serves as the author's starting point for the translation of philosophical ideas into music-analytical terms. Due to the ever-growing familiarity of late eighteenth-century audiences with formal conventions, composers could increasingly trust that performers and listeners would be responsive to striking formal transformations. Schmalfeldt's unique analytic method captures the dynamic, quasi-narrative nature of such transformations. This experiential approach invites listeners and performers to participate in the interpretation of processes by which, for example, brooding introduction-like openings become main themes and huge formal expansions offer a dazzling opportunity for multiple retrospective reinterpretations. Above all, In the Process of Becoming proposes new ways of hearing beloved works of the romantic generation as representative of a quest for novel, intensely self-reflective modes of communication.
Описание: In Jewish Religious Music in Nineteenth-Century America: Restoring the Synagogue Soundtrack, Judah M. Cohen demonstrates that Jews constructed a robust religious musical conversation in the United States during the mid- to late-19th century. While previous studies of American Jewish music history have looked to Europe as a source of innovation during this time, Cohen's careful analysis of primary archival sources tells a different story. Far from seeing a fallow musical landscape, Cohen finds that Central European Jews in the United States spearheaded a major revision of the sounds and traditions of synagogue music during this period of rapid liturgical change. Focusing on the influences of both individuals and texts, Cohen demonstrates how American Jewish musicians sought to balance artistry and group singing, rather than "progressing" from solo chant to choir and organ. Congregations shifted between musical genres and practices during this period in response to such factors as finances, personnel, and communal cohesiveness. Cohen concludes that the "soundtrack" of 19th-century Jewish American music heavily shapes how we look at Jewish American music and life in the first part of the 21st-century, arguing that how we see, and especially hear, history plays a key role in our understanding of the contemporary world around us. Supplemented with an interactive website that includes the primary source materials, recordings of the music discussed, and a map that highlights the movement of key individuals, Cohen's research defines more clearly the sound of 19th-century American Jewry.
Описание: In Jewish Religious Music in Nineteenth-Century America: Restoring the Synagogue Soundtrack, Judah M. Cohen demonstrates that Jews constructed a robust religious musical conversation in the United States during the mid- to late-19th century. While previous studies of American Jewish music history have looked to Europe as a source of innovation during this time, Cohen's careful analysis of primary archival sources tells a different story. Far from seeing a fallow musical landscape, Cohen finds that Central European Jews in the United States spearheaded a major revision of the sounds and traditions of synagogue music during this period of rapid liturgical change. Focusing on the influences of both individuals and texts, Cohen demonstrates how American Jewish musicians sought to balance artistry and group singing, rather than "progressing" from solo chant to choir and organ. Congregations shifted between musical genres and practices during this period in response to such factors as finances, personnel, and communal cohesiveness. Cohen concludes that the "soundtrack" of 19th-century Jewish American music heavily shapes how we look at Jewish American music and life in the first part of the 21st-century, arguing that how we see, and especially hear, history plays a key role in our understanding of the contemporary world around us. Supplemented with an interactive website that includes the primary source materials, recordings of the music discussed, and a map that highlights the movement of key individuals, Cohen's research defines more clearly the sound of 19th-century American Jewry.
Описание: At the beginning of the nineteenth century, little was known of the ancient Near East except for what was preserved in the Bi¬ble and classical literature. By the end of the nineteenth cen¬tury, an amazing transformation had occurred: the basic out¬line of ancient Near Eastern history was understood and the mate¬rial culture of the region was recognizable to the general pub¬lic. This three-volume study explores the various ways that non-specialists would have encountered ancient Egypt, Mesopota¬mia, and the Holy Land and how they derived and con¬structed meaning from those discoveries. McGeough chal¬lenges the simplistic view that the experience of the ancient Near East was solely a matter of 'othering' and shows how differ¬ent people claimed the Near East as their own space and how connections were drawn between the ancient and contempo¬rary worlds. Volume II examines the different ways that non-specialists encoun¬tered the materiality of the ancient Near East over the course of the nineteenth century. During this time, people col¬lected artifacts while traveling in the region or paid to see the col¬lections that others brought back. The public experienced the ancient world in museum exhibits that privileged 'real' arti¬facts in a new context or in hyper-real displays (like the Crystal Palace) where whole buildings from the ancient Near East were reconstructed. Men and women dressed as biblical charac-ters in travelling fairs or spent an evening unwrapping a mummy. Individuals bought Assyriological souvenirs and em¬ployed Egyptian styles in their design, first in higher quality de¬signer products and later in novelty items. Egyptian temples pro¬vided the architectural inspiration for buildings in London and the ancient use of colour was a strong argument for reimagin¬ing Victorian style. The adoption of Egypt, especially, in the world's-fair phenomenon linked the ancient Near East with a global future in which change was naturalized and consum¬ers were taught not to be afraid of the transformations brought by the industrial age.
Описание: Since the modern period, the field of biblical studies has relied upon libraries, museums, and archives for its evidentiary and credentialing needs.
Название: Cheap print and popular song in the nineteenth century ISBN: 131661252X ISBN-13(EAN): 9781316612521 Издательство: Cambridge Academ Рейтинг: Цена: 5069.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: This book is essential reading for scholars and students who want to understand how songs functioned, were consumed and transmitted around the world from around 1790 to 1910.
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