The Bloomsbury Research Handbook of Chinese Aesthetics and Philosophy of Art, Hans-Georg Moeller, Marcello Ghilardi
Автор: Levinson, Jerrold Название: The Oxford Handbook of Aesthetics ISBN: 0199279454 ISBN-13(EAN): 9780199279456 Издательство: Oxford Academ Рейтинг: Цена: 7839.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Part of the "Handbook" series, this book talks about an area where philosophy meets the arts - aesthetics. It offers a guide to the theory, application, and history of the field. It is useful for academics and students across philosophy and various branches of the arts, both as the reference work of choice and as a stimulus to new research.
Автор: Tinio Pablo P L Название: Cambridge Handbook of the Psychology of Aesthetics and the A ISBN: 1108402674 ISBN-13(EAN): 9781108402675 Издательство: Cambridge Academ Рейтинг: Цена: 9662.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: A key reference source for the psychology of aesthetics and the arts - a discipline dedicated to the study of our interactions with artworks, literature, poetry, music, movies, performances, architecture and design; our experiences of beauty and ugliness; our preferences and dislikes; and our everyday perceptions of things in our world.
Автор: Alain Badiou Название: Handbook of Inaesthetics ISBN: 0804744092 ISBN-13(EAN): 9780804744096 Издательство: Wiley EDC Рейтинг: Цена: 3602.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
Didacticism, romanticism, and classicism are the possible schemata for the knotting of art and philosophy, the third term in this knot being the education of subjects, youth in particular. What characterizes the century that has just come to a close is that, while it underwent the saturation of these three schemata, it failed to introduce a new one. Today, this predicament tends to produce a kind of unknotting of terms, a desperate dis-relation between art and philosophy, together with the pure and simple collapse of what circulated between them: the theme of education.
Whence the thesis of which this book is nothing but a series of variations: faced with such a situation of saturation and closure, we must attempt to propose a new schema, a fourth type of knot between philosophy and art.
Among these “inaesthetic” variations, the reader will encounter a sustained debate with contemporary philosophical uses of the poem, bold articulations of the specificity and prospects of theater, cinema, and dance, along with subtle and provocative readings of Fernando Pessoa, St?phane Mallarm?, and Samuel Beckett.
Автор: Alain Badiou Название: Handbook of Inaesthetics ISBN: 0804744084 ISBN-13(EAN): 9780804744089 Издательство: Wiley EDC Рейтинг: Цена: 14929.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
Didacticism, romanticism, and classicism are the possible schemata for the knotting of art and philosophy, the third term in this knot being the education of subjects, youth in particular. What characterizes the century that has just come to a close is that, while it underwent the saturation of these three schemata, it failed to introduce a new one. Today, this predicament tends to produce a kind of unknotting of terms, a desperate dis-relation between art and philosophy, together with the pure and simple collapse of what circulated between them: the theme of education.
Whence the thesis of which this book is nothing but a series of variations: faced with such a situation of saturation and closure, we must attempt to propose a new schema, a fourth type of knot between philosophy and art.
Among these “inaesthetic” variations, the reader will encounter a sustained debate with contemporary philosophical uses of the poem, bold articulations of the specificity and prospects of theater, cinema, and dance, along with subtle and provocative readings of Fernando Pessoa, St?phane Mallarm?, and Samuel Beckett.
Автор: Lona Gaikis Название: Bloomsbury Handbook of Susanne K. Langer ISBN: 1350294640 ISBN-13(EAN): 9781350294646 Издательство: Bloomsbury Academic Рейтинг: Цена: 20592.00 р. Наличие на складе: Нет в наличии.
Описание: Once an overlooked figure in 20th-century philosophy, Susanne K. Langer has become a prominent thinker among philosophers and artists, particularly because of her development of a new theory of art from symbolic logic. This open access book brings together a collection of major thinkers on Langer and elucidates her transdisciplinary connections and insights across philosophy, psychology, literature, aesthetics, history, architecture and other arts. Adopting two approaches to Langer's life and philosophy, Part I places her historically, documenting her origins and extensions and acknowledging Langer's relationship to rich, ongoing traditions. Part II situates her work in conversation with current scholarship, expanding her ideas to provide new insights into current discussions about affect, materialism, embodied cognition, virtuality and the new media. By recognizing Langer's influences and contribution to contemporary knowledge, this international team of contributors positions her firmly in mainstream theory and asserts Langer’s ongoing importance to intellectual histories. Langer’s philosophical achievements, emerging from a web of key movements, make her a visionary of her time. For anyone looking to understand Langer's impact and relevance for postmodern sciences and culture studies, here is the place to start.The ebook editions of this book are available open access under a CC BY 4.0 licence on bloomsburycollections.com. Open access was funded by The Austrian Science Fund (FWF).
The purpose of Chinese Philosophy and Contemporary Aesthetics is simple and straightforward: to discuss empty, nothing, opening, white, nature color, blankness, and different delicate senses, in ink-water painting and calligraphy, around discourses of poetics, philosophy ideas, and art critics.
Because xu has inner plasticity and re-generation, which are crucial for its aesthetic discourse, the relation between "nature" or "naturalness" and "emptiness" approaches a fundamental question of modernity—the relation between event revolution and "silent transformation."
Описание: The Bloomsbury Research Handbook of Indian Aesthetics and the Philosophy of Art provides an extensive research resource to the burgeoning field of Asian aesthetics. Featuring leading international scholars and teachers whose work defines the field, this unique volume reflects the very best scholarship in creative, analytic, and comparative philosophy. Beginning with a philosophical reconstruction of the classical rasa aesthetics, chapters range from the nature of art-emotions, tones of thinking, and aesthetic education to issues in film-theory and problems of the past versus present. As well as discussing indigenous versus foreign in aesthetic practices, this volume covers North and South Indian performance practices and theories, alongside recent and new themes including the Gandhian aesthetics of surrender and self-control and the aesthetics of touch in the light of the politics of untouchability. With such unparalleled and authoritative coverage, The Bloomsbury Research Handbook of Indian Aesthetics and the Philosophy of Art represents a dynamic map of comparative cross-cultural aesthetics. Bringing together original philosophical research from renowned thinkers, it makes a major contribution to both Eastern and Western contemporary aesthetics.
In recent decades the previously assumed dominance within the international art world of western(ized) conceptions of aesthetic modernity has been challenged by a critically becalming diversification of cultural outlooks widely referred to as 'contemporaneity'. Contributing to that diversification are assertions within mainland China of essential differences between Chinese and western art.
In response to the critical impasse posed by contemporaneity, Paul Gladston charts a historical relay of mutually formative interactions between the artworlds of China and the West as part of a new transcultural theory of artistic criticality. Informed by deconstructivism as well as syncretic Confucianism, Gladston extends this theory to a reading of the work of the artist Zhang Peili and his involvement with the Hangzhou-based art group, the Pond Association (Chi she). Revealed is a critical aesthetic productively resistant to any single interpretative viewpoint, including those of Chinese exceptionalism and the supposed immanence of deconstructivist uncertainty. Addressing art in and from the People's Republic of China as a significant aspect of post-West contemporaneity, Gladston provides a new critical understanding of what it means to be 'contemporary' and the profound changes taking place in the art world today.
Автор: Hu Jiaxiang Название: Study On Chinese Traditional Theory Of Artistic Style ISBN: 9813279427 ISBN-13(EAN): 9789813279421 Издательство: World Scientific Publishing Рейтинг: Цена: 28512.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
The book features an in-depth analysis of pre-modern Chinese discourses on artistic style especially the concept of Vitality-Charm (氣韻). Adopting an interdisciplinary approach, the book examines Vitality-Charm and related topics from the perspectives of aesthetics, stylistics, semiotics, cosmology, art history, and socio-cultural history. It reviews the development of, and examines the relations between, the concepts of poetic vision, spiritual resonance, spiritual expressiveness, Vitality-Charm and so on in the tradition of Chinese art (including literature, music, dancing, and drama). The book also attempts to clarify confusions caused by the overlapping and indistinct demarcations between the concepts when they are used in the discourse of, and even the training of art -- especially traditional Chinese art.
Автор: Sai Yang Название: On The Meta-category Of Chinese Music Aesthetics ISBN: 9811225192 ISBN-13(EAN): 9789811225192 Издательство: World Scientific Publishing Рейтинг: Цена: 21384.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
This book opens with the emergence and development of the discipline of aesthetics in western countries, specifically the history of Western Music Aesthetics, to study and delve into the development of Chinese Music Aesthetics. The book provides a clear timeline throughout the writing - from the history of Chinese Music Aesthetics, to the construction of a theoretical framework, and the intersections and conversations between Western and Chinese Music Aesthetics. This academic piece is fundamentally consistent with the developing field of Chinese philosophical and literary research.
This book also discusses important music aesthetic categories of Confucianism, Taoism, Mohism, and metaphysics, and uses critical thinking to analyse the relationship between these categories and relevant schools of thought, reflecting the author's academic vision and thought process.
Описание: In recent decades the previously assumed dominance within the international art world of western(ized) conceptions of aesthetic modernity has been challenged by a critically becalming diversification of cultural outlooks widely referred to as 'contemporaneity'. Contributing to that diversification are assertions within mainland China of essential differences between Chinese and western art.
In response to the critical impasse posed by contemporaneity, Paul Gladston charts a historical relay of mutually formative interactions between the artworlds of China and the West as part of a new transcultural theory of artistic criticality. Informed by deconstructivism as well as syncretic Confucianism, Gladston extends this theory to a reading of the work of the artist Zhang Peili and his involvement with the Hangzhou-based art group, the Pond Association (Chi she). Revealed is a critical aesthetic productively resistant to any single interpretative viewpoint, including those of Chinese exceptionalism and the supposed immanence of deconstructivist uncertainty.
Addressing art in and from the People's Republic of China as a significant aspect of post-West contemporaneity, Gladston provides a new critical understanding of what it means to be 'contemporary' and the profound changes taking place in the art world today.
Описание: Spiritual Rituals of Chinese Ink Painting: The Suggestions of Shih Tao.- Ideas of the Body in Zhu Guangqin's Aesthetics.- The Origin of "Aesthetic Experience" as the Key of Comparative Aesthetics: The Case of Confucian Aesthetics and the Recent Suggestion of Its Reference to Western Feminist Aesthetics".- Contemporary Feminist Aesthetics in China.- The Revelations of Ban Zhao's Lessons for Women.- The Relation of 'Self' and "Others" in the Confucian Traditions and Its Implications to Global Feminisms and Public Philosophies.- A Further Reflection on Some Feminist Perspectives in Epistemology.- Judith Butler's Reading of the Sartrian Bodies and the Cartesian Ghosts.- Beyond Ontology? Reflections on Robert Solomon's Ideation of Emotion and Mencius' Moral Cultivation of 'Embodied Emotion.- A Cross-Cultural Reflection on Shusterman's Suggestion of the "Transactional" Body.- Chinese Bodies in Philosophy, Aesthetics, Gender and Politics: Methodologies and Practices.- Is Confucianism a Religion? Investigation into the Religious Aspects of Confucianism.- A Historical Review and Reflection on the Confucian "Great Learning" and its Contemporary Implications for Higher Education.- Lao Sze-Kwang's Discourse on Chinese Philosophy and Contemporary Popular Confucianism in China.- What Does Comparative Philosophy Mean to a Female Chinese Scholar Like Me.
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