Автор: Isserlis Steven Название: Why Beethoven Threw the Stew ISBN: 0571206166 ISBN-13(EAN): 9780571206162 Издательство: Faber Рейтинг: Цена: 1055.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: In Why Beethoven Threw the Stew, renowned cellist Steven Isserlis sets out to pass on to children a wonderful gift given to him by his own cello teacher - the chance to people his own world with the great composers by getting to know them as friends.
Автор: Tunbridge, Laura Название: Beethoven ISBN: 024198744X ISBN-13(EAN): 9780241987445 Издательство: Random House - Penguin Рейтинг: Цена: 1451.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: **WINNER of Presto Books' Best Composer Biography**NINE WORKS OF BEETHOVEN, NINE WINDOWS INTO THE LIFE AND LEGACY OF A MUSICAL GENIUS. 'We are doubly blessed that Beethoven should have led such an extraordinary life. Laura has combined the two - the genius of his music and the richness of his experiences - to shine a revealing light on our greatest composer' John Humphrys_________________________Ludwig van Beethoven: to some, simply the greatest ever composer of Western classical music.
Yet his life remains shrouded in myths. In Beethoven, Oxford professor Laura Tunbridge cuts through the noise. With each chapter focusing on a period of his life, piece of music and revealing theme - from family to friends, from heroism to liberty - she provides a rich insight into the man and the music.
Revealing a wealth of never-before-seen material, this tour de force is a compelling, accessible portrayal of one of the world's most creative minds and it will transform how you listen for ever. _________________________'Tunbridge has come up with the seemingly impossible: a new way of approaching Beethoven's life and music . .
. profoundly original and hugely readable' John Suchet, author Beethoven: The Man Revealed'This well researched and accessible book is a must read for all who seek to know more about the flesh and blood tangible Beethoven.' John Clubbe, author of Beethoven: The Relentless Revolutionary'This book is really wonderful! ... However many books on Beethoven you own, find the space for one more.
This one' Stephen Hough, pianist, composer, writer'In a year when everyone's looking for a new take on Beethoven, Laura Tunbridge has found nine. Fresh and engaging' Norman Lebrecht, author of Genius and Anxiety 'Remarkable . .
. she captures the essence of his genius and character. I'll always want to keep it in easy reach' Julia Boyd, author of Travellers in the third Reich
Автор: Kenneth O. Drake Название: Beethoven Sonatas and the Creative Experience ISBN: 0253213827 ISBN-13(EAN): 9780253213822 Издательство: Wiley EDC Рейтинг: Цена: 3259.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: " . . . one of the most interesting, useful and even exciting books on the process of musical creation." —American Music Teacher " . . . noteworthy contribution . . . with plenty of insight into interpretation . . . remarkable as an insider's account of the works in an individual perspective." —European Music Teacher Drake groups the Beethoven piano sonatas according to their musical qualities, rather than their chronology. He explores the interpretive implications of rhythm, dynamics, slurs, harmonic effects, and melodic development and identifies specific measures where Beethoven skillfully employs these compositional devices.
Описание: This great classical piano book includes 55 of the most beautiful Piano Solos of all times. Piano Masterpieces from the following great composers: Bach, Beethoven, Burgmuller, Chopin, Clementi, Debussy, Grieg, Handel, Haydn, Kuhlau, Mendelssohn Bartholdy, Mozart, Pachelbel, Petzold, Satie, Schumann, Telemann, Tchaikovsky.
Описание: The Grosse Fuge, composed by Ludwig van Beethoven in his late period, has an involved and complicated history. Written for a string quartet but published as an independent work, the piece raises interesting questions about whether music without words can have meaning, and invokes speculation about the composer and his frame of mind when he wrote it. Kahn looks closely at the musical, aesthetic, philosophical, and historical problems the work raises, considering its history, structure and development, meaning, and response among critics and contemporaries. Kahn also studies Beethoven's difficulties with publishers and sponsors, his everyday life, and his character in light of recent advances in the pharmacology of depressive illness. The book places both Beethoven and the Grosse Fuge in their historic and social contexts, arguing that Beethoven intended the Fuge as the finale of his String Quartet Opus 130 and created a substitute finale for the quartet at his publisher's urging; not because he was unhappy with the work. Beethoven is examined as a freelance musician: a vocation whose members were frequently excluded from society and the protection of its laws, including respect for copyright. Viewed in this light, Beethoven's famous quirks and resentments become understandable, even rational. Kahn also devotes a chapter to the phenomenon of synesthesia-a sense of motion through three-dimensional volumes of space-examining how some works of Western music can evoke synesthesia in listeners. He also speculates that Beethoven's creative dry spell in his late 40s was caused by an extended bout with clinical depression. Written for a general audience and including a bibliography and index, this fascinating study will interest scholars and fans of classical music and Beethoven.
Long neglected in scholarship, the so-called Grasnick 5 documents reveal Beethoven working out concepts and ideas, offering fascinating insights into his creative method. This critical edition, the third in the Beethoven Sketchbook Series, offers a facsimile and transcription of the contents of the stitched pocket sketchbook started by the fifty-year-old master during the summer of 1820. At the time, Beethoven labored over the Missa solemnis , Opus 123. The sketchbook's pages yield the entire record of his early ideas on the Agnus Dei of that work as well as a sketch for part of the Benedictus. Patrizia Metzler and Fred Stoltzfus decipher the quirks of the composer's workshopping--the infamous penmanship, multiple generations of pencil and ink marks, and omitted notation--and wrestle with the legibility issues inherent in the task of dealing with aged documents. Their commentary completes a fruitful scholarly journey and provides context for experts, musicians, and anyone else interested in this fraught period of Beethoven's creative life.
Автор: Ludwig Van Beethoven, Van Beethoven Название: Beethoven`s letters (1790-1826) (volume ii) ISBN: 9390314097 ISBN-13(EAN): 9789390314096 Издательство: Неизвестно Рейтинг: Цена: 2242.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Beethoven's Letters (1790-1826) (Volume II): From The Collection Of Dr. Ludwig Nohl. Also His Letters To The Archduke Rudolph, Cardinal-Archbishop Of Olm tz, K.W., From The Collection Of Dr. Ludwig Ritter Von K chel. Translated By Lady Wallace. (In Two Volumes - Vol. II.) This book is a result of an effort made by us towards making a contribution to the preservation and repair of original classic literature. In an attempt to preserve, improve and recreate the original content, we have worked towards: 1. Type-setting & Reformatting: The complete work has been re-designed via professional layout, formatting and type-setting tools to re-create the same edition with rich typography, graphics, high quality images, and table elements, giving our readers the feel of holding a 'fresh and newly' reprinted and/or revised edition, as opposed to other scanned & printed (Optical Character Recognition - OCR) reproductions. 2. Correction of imperfections: As the work was re-created from the scratch, therefore, it was vetted to rectify certain conventional norms with regard to typographical mistakes, hyphenations, punctuations, blurred images, missing content/pages, and/or other related subject matters, upon our consideration. Every attempt was made to rectify the imperfections related to omitted constructs in the original edition via other references. However, a few of such imperfections which could not be rectified due to intentional\unintentional omission of content in the original edition, were inherited and preserved from the original work to maintain the authenticity and construct, relevant to the work. We believe that this work holds historical, cultural and/or intellectual importance in the literary works community, therefore despite the oddities, we accounted the work for print as a part of our continuing effort towards preservation of literary work and our contribution towards the development of the society as a whole, driven by our beliefs. We are grateful to our readers for putting their faith in us and accepting our imperfections with regard to preservation of the historical content. HAPPY READING
