Автор: Mccabe, Bob Название: Harry Potter: Page to Screen: Updated Edition ISBN: 1789090709 ISBN-13(EAN): 9781789090703 Издательство: Titan books ltd. Рейтинг: Цена: 8910.00 р. Наличие на складе: Есть (2 шт.) Описание: Featuring an all-new cover and including a new section on the legacy of the films, Harry Potter: Page to Screen Updated Edition chronicles the complete filmmaking journey of the beloved Harry Potter films.
Автор: Kao Vivian Y. Название: Postcolonial Screen Adaptation and the British Novel ISBN: 3030545792 ISBN-13(EAN): 9783030545796 Издательство: Springer Рейтинг: Цена: 11878.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: This book brings film adaptation of literature to bear on the question of how nineteenth-century imperial ideologies of progress continue to inform power inequalities in a global capitalist age.
Автор: Robyn McCallum Название: Screen Adaptations and the Politics of Childhood ISBN: 1137395400 ISBN-13(EAN): 9781137395405 Издательство: Springer Рейтинг: Цена: 12577.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: This book features a cutting edge approach to the study of film adaptations of literature for children and young people, and the narratives about childhood those adaptations enact.
Автор: Moussa, Hadiza (Assistant Professor, Assistant Professor, Abdou Moumouni University) Название: Race, Sexuality, and Gender and the Musical Screen Adaptation ISBN: 0197663222 ISBN-13(EAN): 9780197663226 Издательство: Oxford Academ Рейтинг: Цена: 4389.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Drawing upon original in-depth interviews with women in Niamey, Niger, Yearning and Refusal unveils the hidden issue of failed fertility in Niger and the ways in which women continue to strive for reproductive control in a country at the heart of the population growth debate.
Автор: Petr Buben??ek Название: Subversive Adaptations ISBN: 3319409603 ISBN-13(EAN): 9783319409603 Издательство: Springer Рейтинг: Цена: 13974.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: This book deals with film adaptations of literary works created in Communist Czechoslovakia between 1954 and 1969, such as The Fabulous World of Jules Verne (Zeman 1958), Marketa Lazarova (Vlacil 1967), and The Joke (Jires 1969).
Автор: Stewart Michael, Munro Robert Название: Intercultural Screen Adaptation: British and Global Case Studies ISBN: 1474452043 ISBN-13(EAN): 9781474452045 Издательство: Bloomsbury Academic Рейтинг: Цена: 6323.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Intercultural Screen Adaptation offers a wide-ranging examination of how film and television adaptations (and non-adaptations) interact with the cultural, social and political environments of their national, transnational and post-national contexts.
Описание: Byronic Heroes in Nineteenth-Century Women`s Writing and Screen Adaptation charts a new chapter in the changing fortunes of a unique cultural phenomenon.
Автор: Kao Vivian Y. Название: Postcolonial Screen Adaptation and the British Novel ISBN: 3030545822 ISBN-13(EAN): 9783030545826 Издательство: Springer Рейтинг: Цена: 11878.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: This book brings film adaptation of literature to bear on the question of how nineteenth-century imperial ideologies of progress continue to inform power inequalities in a global capitalist age.
Автор: Petr Buben??ek Название: Subversive Adaptations ISBN: 3319822284 ISBN-13(EAN): 9783319822280 Издательство: Springer Рейтинг: Цена: 9781.00 р. Наличие на складе: Поставка под заказ.
Описание: This book deals with film adaptations of literary works created in Communist Czechoslovakia between 1954 and 1969, such as The Fabulous World of Jules Verne (Zeman 1958), Marketa Lazarova (Vlacil 1967), and The Joke (Jires 1969).
Описание: Seminar paper from the year 2013 in the subject Communications - Movies and Television, grade: 1,7, Johannes Gutenberg University Mainz, course: Cultural Studies, language: English, abstract: The story of "Breakfast at Tiffany's" is well known: Holly, a young glamour girl, tries to find her way in New York City, relying on the favor of male benefactors who give her "powder-room change", while at the same time she keeps chasing her dream of marrying a rich millionaire. Paul Varjak, a young writer, falls in love with her and tries to convince her to settle down with him. The movie has become a crucial cultural reference. But before the film, there was a source text: a novella by the same title, written by Truman Capote and published in 1958. The film adaption was made only three years later, by director Blake Edwards, scriptwriter George Axelrod and the producers Martin Jurow and Richard Shepherd. Those who have read Capote's novella and have seen the film usually complain about huge difference between the two - and they undoubtedly have a point. However, adaptation studies have far too long concentrated on the issue of fidelity alone, implying that a story could just be projected on the screen without having to undergo change. But film and literature are two very different mediums and thus, in the process of an adaptation, transformation must occur. There is no need for proving that book and film are different - this has been discussed many times before and can be read in a great number of critical reviews. But there is much more to adaptation studies than a simple fidelity analysis. What I intend to do is to find out why book and film differ crucially in many points in order to prove that in spite of sharing (at least in big part) the same characters, the same setting, important parts of the story, key motifs and even often the same dialogues, the novella Breakfast at Tiffany's and the film based on it actually tell very different stories with very different, even
Traditional critics of film adaptation generally assumed a) that the written text is better than the film adaptation because the plot is more intricate and the language richer when pictorial images do not intrude; b) that films are better when particularly faithful to the original; c) that authors do not make good script writers and should not sully their imagination by writing film scripts; d) and often that American films lack the complexity of authored texts because they are sourced out of Hollywood. The 'faithfulness' view has by and large disappeared, and intertextuality is now a generally received notion, but the field still lacks studies with a postmodern methodology and lens.Exploring Hollywood feature films as well as small studio productions, Adaptation Theory and Criticism explores the intertextuality of a dozen films through a series of case studies introduced through discussions of postmodern methodology and practice. Providing the reader with informative background on theories of film adaptation as well as carefully articulated postmodern methodology and issues, Gordon Slethaug includes several case studies of major Hollywood productions and small studio films, some of which have been discussed before (Age of Innocence, Gangs of New York, and Do the Right Thing) and some that have received lesser consideration (Six Degrees of Separation, Smoke, SmokeSignals, Broken Flowers, and various Snow White narratives including Enchanted, Mirror Mirror, and Snow White and the Huntsman). Useful for both film and literary studies students, Adaptation Theory and Criticism cogently combines the existing scholarship and uses previous theories to engage readers to think about the current state of American literature and film.
Автор: Rouse Margitta Название: Medieval Motion Picture ISBN: 0230112501 ISBN-13(EAN): 9780230112506 Издательство: Springer Рейтинг: Цена: 11179.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Providing new and challenging ways of understanding the medieval in the modern and vice versa, this volume highlights how medieval aesthetic experience breathes life into contemporary cinema. Engaging with the subject of time and temporality, the essays examine the politics of adaptation and our contemporary entanglement with the medieval.
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