Автор: White Paul Название: Jodocus Badius Ascensius ISBN: 0197265545 ISBN-13(EAN): 9780197265543 Издательство: Oxford Academ Рейтинг: Цена: 11880.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Badius Ascensius (1462-1535), scholar and printer, played a central role in the flourishing of humanism and print culture in the French Renaissance. This account of his contributions to pedagogy, scholarship, printing, and humanist culture re-examines these roles and explores the wider context of the communities in which Badius worked.
Автор: Knight, Diana (professor Of Cultures, Languages And Area Studies, Professor Of Cultures, Languages And Area Studies, University Of Nottingham) Название: Interdisciplinary barthes ISBN: 0197266673 ISBN-13(EAN): 9780197266670 Издательство: Oxford Academ Рейтинг: Цена: 11088.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Interdisciplinary Barthes addresses the enduring stimulus that Barthes offers to intellectually adventurous work across the human sciences. It contextualises his creative engagements with ethnology, historiography, philosophy, ethics, music, photography, and literature, and traces the distinctive ways which he unsettled disciplinary boundaries.
Автор: Dutton, Richard (Academy Professor of English, The Ohio State University) Название: Mastering the Revels ISBN: 0198819455 ISBN-13(EAN): 9780198819455 Издательство: Oxford Academ Рейтинг: Цена: 14421.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: A new edition that offers detailed consideration of the role of the Master of the Revels in English Renaissance entertainments and the relationship between the politics of the court and English theatre.
Автор: Durante, Sergio Rohringer, Stefan Rushton, Julian Webster, James Название: Dramma giocoso ISBN: 9058678458 ISBN-13(EAN): 9789058678454 Издательство: Неизвестно Рейтинг: Цена: 8794.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
The three Mozart/Da Ponte operas offer a inexhaustible wellspring for critical reflection, possessing a complexity and equivocation common to all great humane works. They have the potential to reflect and refract whatever locus of contemporaneity may be the starting point for enquiry. Thus, even postmodern and postmillennial concerns, far from seeming irrelevant to these operas, are instead given new perspectives by them, while the music and the dramatic situations have the multivalency to accept each refreshed palette of interpretation without loss of their essential character. These operas seem perennially new. In exploring the evergreen qualities of Don Giovanni and Le Nozze di Figaro, the authors of this book do not shun approaches that have foundations in established theory, but refract them through such problems as the tension between operatic tradition and psychological realism, the coexistence of multiple yet equal plots, and the antagonism between the tenets of tradition and the need for self-actualization. In exploring such themes, the authors not only illuminate new aspects of Mozart's operatic compositions but also probe the nature of musical analysis itself.
Автор: Chrissidis, Nikolaos A. Название: Academy at the court of the tsars ISBN: 0875807291 ISBN-13(EAN): 9780875807294 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 7392.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
The first formally organized educational institution in Russia was established in 1685 by two Greek hieromonks, Ioannikios and Sophronios Leichoudes. Like many of their Greek contemporaries in the seventeenth century, the brothers acquired part of their schooling in colleges of post-Renaissance Italy under a precise copy of the Jesuit curriculum. When they created a school in Moscow, known as the Slavo-Greco-Latin Academy, they emulated the structural characteristics, pedagogical methods, and program of studies of Jesuit prototypes. In this original work, Nikolaos A. Chrissidis analyzes the academy's impact on Russian educational practice and situates it in the contexts of Russian-Greek cultural relations and increased contact between Russia and Western Europe in the seventeenth century. Chrissidis demonstrates that Greek academic and cultural influences on Russia in the second half of the seventeenth century were Western in character, though Orthodox in doctrinal terms. He also shows that Russian and Greek educational enterprises were part of the larger European pattern of Jesuit academic activities that impacted Roman Catholic and Eastern Orthodox educational establishments and curricular choices. An Academy at the Court of the Tsars is the first study of the Slavo-Greco-Latin Academy in English and the only one based on primary sources in Russian, Church Slavonic, Greek, and Latin. It will interest scholars and students of early modern Russian and Greek history, of early modern European intellectual history and the history of science, of Jesuit education, and of Eastern Orthodox history and culture.
Автор: Szentkuthy Miklos Название: Black Renaissance: St. Orpheus Breviary, Vol. II ISBN: 1940625262 ISBN-13(EAN): 9781940625263 Издательство: Неизвестно Рейтинг: Цена: 2946.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Название: Performance, subjectivity, and experimentation ISBN: 9462702314 ISBN-13(EAN): 9789462702318 Издательство: Неизвестно Рейтинг: Цена: 6667.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
Music reflects subjectivity and identity: that idea is now deeply ingrained in both musicology and popular media commentary. The study of music across cultures and practices often addresses the enactment of subjectivity in music - how music expresses or represents an individual or a group. However, a sense of selfhood is also formed and continually reformed through musical practices, not least performance. How does this take place? How might the work of practitioners reveal aspects of this process? In what sense is subjectivity performed in and through musical practices? This book explores these questions in relation to a range of artistic research involving contemporary musical practices, drawing on perspectives from performance studies, phenomenology, embodied cognition, and theories of gendered and cultural identity.
Contributors: Steve Benford (University of Nottingham), Richard Craig (freelance performer and researcher), David Gorton (Royal Academy of Music, London), Christopher Greenhalgh (University of Nottingham), Adrian Hazzard (University of Nottingham), Juliana Hodkinson (Grieg Academy, University of Bergen), Maria Kallionp (Aalborg University), Zubin Kanga (Royal Holloway, University of London), Catherine Laws (University of York/Orpheus Institute), Jin Hyung Lim (Keimyung University), Thanh Thy Nguyn (Malm Academy of Music, Lund University/Vietnam National Academy of Music), Stefan stersj (Pite School of Music, Lule University of Technology/Orpheus Institute), Deniz Peters (University of Music and Performing Arts, Graz), Eleanor Roberts (University of Roehampton), Anne Veinberg (Orpheus Institute)
This publication is GPRC-labeled (Guaranteed Peer-Reviewed Content).
Автор: Laws, Catherine Brooks, William Gorton, David Nguyen, Thanh Thuy Oestersjoe, Stefan Wells, Jeremy J. Название: Voices, bodies, practices ISBN: 9462702055 ISBN-13(EAN): 9789462702059 Издательство: Неизвестно Рейтинг: Цена: 6782.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
Who is the I that performs? The arts of the twentieth and twenty-first centuries have pushed us relentlessly to reconsider our notions of the self, expression, and communication: to ask ourselves, again and again, who we think we are and how we can speak meaningfully to one another. Although in other performing arts studies, especially of theatre, the performance of selfhood and identity continues to be a matter of lively debate in both practice and theory, the question of how a sense of self is manifested through musical performance has been neglected. The authors of Voices, Bodies, Practices are all musician-researchers: the book employs artistic research to explore how embodied performing voices can emerge from the interactions of individual performers and composers, musical materials, instruments, mediating technologies, and performance contexts.
This publication is GPRC-labeled (Guaranteed Peer-Reviewed Content).
In collaboration with Orpheus Institute
Автор: Cross, Jonathan Название: Harrison Birtwistle: The Mask of Orpheus ISBN: 0754653838 ISBN-13(EAN): 9780754653837 Издательство: Taylor&Francis Рейтинг: Цена: 23734.00 р. Наличие на складе: Поставка под заказ.
Описание: This element identifies the important role played by Jacques Offenbach`s musical stage works in Budapest musico-theatrical life in the twentieth century and how Offenbach`s stage works were performed/transformed in interwar and post-World War II Budapest.
Автор: Van Hyning, Victoria, Название: Convent autobiography : ISBN: 0197266576 ISBN-13(EAN): 9780197266571 Издательство: Oxford Academ Рейтинг: Цена: 13464.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Convent Autobiography explores the ways in which cloistered women evaluated and articulated their senses of self through letters, chronicles, accounts and other such genres. The book explores writings by women who composed under their own names and those who composed anonymously and considers three case studies devoted to anonymous chronicling.
Автор: Yongming, Xiao Название: Ancient Chinese Academy, Confucianism, and Society I ISBN: 103236405X ISBN-13(EAN): 9781032364056 Издательство: Taylor&Francis Рейтинг: Цена: 22202.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
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