Birds and Other Creatures in Renaissance Literature, Bach, Rebecca Ann
Автор: Adamson, Peter (ludwig-maximilians-universitat Mun Название: Byzantine and renaissance philosophy ISBN: 0192856413 ISBN-13(EAN): 9780192856418 Издательство: Oxford Academ Рейтинг: Цена: 3960.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Peter Adamson presents an engaging and wide-ranging introduction to two great intellectual cultures: Byzantium and the Italian Renaissance. First he tells the story of philosophy in the Eastern Christian world, from the 8th century to the 15th century, then he explores the rebirth of philosophy in Italy in the era of Machiavelli and Galileo.
Автор: Lewis Название: The Discarded Image ISBN: 1107604702 ISBN-13(EAN): 9781107604704 Издательство: Cambridge Academ Рейтинг: Цена: 2533.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Paints a lucid picture of the medieval world view, providing the historical and cultural background to the literature of the Middle Ages and Renaissance. This, Lewis`s last book, has been hailed as `the final memorial to the work of a great scholar and teacher and a wise and noble mind`.
Описание: Interested in the ways in which medieval and early modern communities have acted as participants, observers, and interpreters of events and how they ascribed meaning to them, the essays in this interdisciplinary collection explore the concept of beholding and the experiences of individual and collective beholders of violence during the period. Addressing a range of medieval and early modern art forms, including visual images, material objects, literary texts, and performances, the contributors examine the complexities of viewing and the production of knowledge within cultural, political, and theological contexts. In considering new methods to examine the process of beholding violence and the beholder's perspective, this volume addresses such questions as: How does the process of beholding function in different aesthetic conditions? Can we speak of such a thing as the 'period eye' or an acculturated gaze of the viewer? If so, does this particularize the gaze, or does it risk universalizing perception? How do violence and pleasure intersect within the visual and literary arts? How can an understanding of violence in cultural representation serve as means of knowing the past and as means of understanding and potentially altering the present?
Автор: Campbell, Gordon Название: The Oxford Illustrated History of the Renaissance ISBN: 0198862660 ISBN-13(EAN): 9780198862666 Издательство: Oxford Academ Рейтинг: Цена: 3721.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: The story of the `long Renaissance` for a new generation from Giotto and Dante in thirteenth-century Italy to the English literary Renaissance in the first half of the seventeenth century.
Название: New cambridge companion to aquinas ISBN: 1009044338 ISBN-13(EAN): 9781009044332 Издательство: Cambridge Academ Рейтинг: Цена: 4275.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: A welcome resource for a new generation of readers studying Aquinas, this entirely new Companion explores his philosophical thought in relation to the worldview he inherited, developed, altered, and argued for. To contemporary philosophers, the book reveals the strong connections between Aquinas`s interests and views and their own.
Автор: Joseph Gamble Название: Sex Lives: Intimate Infrastructures in Early Modernity ISBN: 1512824607 ISBN-13(EAN): 9781512824605 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 6897.00 р. Наличие на складе: Нет в наличии.
Описание:
In Sex Lives, Joseph Gamble draws from literature, art, and personal testimonies from sixteenth- and seventeenth-century Europe to uncover how early moderns learned to have sex. In the early modern period, Gamble contends, everyone from pornographers to Shakespeare recognized that sex requires knowledge of both logistics (how to do it) and affect (how to feel about it). And knowledge, of course, takes practice. Gamble turns to a wide range of early modern texts and images from England, France, and Italy, ranging from personal accounts to closet dramas to visual art in order to excavate and analyze a variety of sexual practices in early modernity. Using an intersectional, phenomenological approach to bring historical light to the quotidian sexual experiences of early modern subjects, the book develops the critical concept of the “sex life”—a colloquialism that opens up methodological avenues for understanding daily lived experience in granular detail, both in the distant past and today. Through this lens, Gamble explores how sex organized and permeated everyday life and experiences of gender and race in early modernity. He shows how affects around sex structure the plays of Shakespeare and his contemporaries, revealing the role of sexual feeling and sexual racism in early modern English drama. Sex Lives reshapes how we understand Renaissance literature, the history of sexuality, and the meaning of sex in both early modern Europe and our own moment.
No matter when or where one starts telling the story of the battle of al-Qasr al-Kabir (August 4, 1578), the precipitating event for the formation of the Iberian Union, one always stumbles across dead bodies—rotting in the sun on abandoned battlefields, publicly displayed in marketplaces, exhumed and transported for political uses. A Grammar of the Corpse: Necroepistemology in the Early Modern Mediterranean proposes an approach to understanding how dead bodies anchored the construction of knowledge within early modern Mediterranean historiography. A Grammar of the Corpse argues that the presence of the corpse in historical narrative is not incidental. It fills a central gap in testimonial narrative: providing tangible evidence of the narrator’s reliability while provoking an affective response in the audience. The use of corpses as a source of narrative authority mobilizes what cultural historians, philosophers, and social anthropologists have pointed to as the latent power of the dead for generating social and political meaning and knowledge. A Grammar of the Corpse analyzes the literary, semiotic, and epistemological function these bodies serve within text and through language. It finds that corpses are indexically present and yet disturbingly absent, a tension that informs their fraught relationship to their narrators’ own bodies and makes them useful but subversive tools of communication and knowledge. A Grammar of the Corpse complements recent work in medieval and early modern Iberian and Mediterranean studies to account for the confessional, ethnic, linguistic, and political diversity of the region. By reading Arabic texts alongside Portuguese and Spanish accounts of this key event, the book responds to the fundamental provocation of Mediterranean studies to work beyond the linguistic limitations of modern national boundaries.
Автор: Crean Thomas, Fimister Alan Название: Integralism ISBN: 3868382259 ISBN-13(EAN): 9783868382259 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 10256.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: A handbook for those who seek to understand the consequences of the integration of faith and reason for political, economic and individual civic life. The book also serves as a scholastic introduction to political philosophy for those new to the subject. Each chapter finishes with a list of the principal theses proposed.
During the middle years of Queen Elizabeth’s reign, the number of books published with titles that described themselves as flowers, gardens, or forests more than tripled. During those same years, English printers turned out scores of instructional manuals on gardening and husbandry, retailing useful knowledge to a growing class of literate landowners and pleasure gardeners. Both trends, Jessica Rosenberg shows, reflected a distinctive style of early modern plant-thinking, one that understood both plants and poems as composites of small pieces—slips or seeds to be recirculated by readers and planters. Botanical Poetics brings together studies of ecology, science, literary form, and the material text to explore how these developments transformed early modern conceptions of nature, poetic language, and the printed book. Drawing on little-studied titles in horticulture and popular print alongside poetry by Shakespeare, Spenser, and others, Rosenberg reveals how early modern print used a botanical idiom to anticipate histories of its own reading and reception, whether through replanting, uprooting, or fantasies of common property and proliferation. While our conventional narratives of English literary culture in this period see reading as an increasingly private practice, and literary production as more and more of an authorial domain, Botanical Poetics uncovers an alternate tradition: of commonplaces and common ground, of slips of herbs and poetry circulated, shared, and multiplied.
Описание: The Darker Vision of the Renaissance explores political, literary, social, religious, medical, and artistic events between 1300 and 1670 that led beyond the bounds of reason into the nonrational, irrational, and suprarational phenomena of the European Renaissance. Robert S. Kinsman's introduction examines Renaissance uses of ratio, "fancy" and "folly," melancholy, anxietas, and alienation. Lynn White Jr. presents the essential thesis of the collection in his view that the years 1300-1650 constituted one of the most psychically disturbed eras ever in European history. The "world-alienation" of the period is analyzed by Donald R. Howard, illustrated by two poems of the late fourteenth century: Gawain and the Green Knight and Toilus and Criseyde. The flourishing of hermetic, magical, cabalistic, and astrological practices in the Renaissance is described by John G. Burke. The gentleman and courtier's physical and psychological tensions resulting from literal exile or from psychic alienation from his lesser fellows are investigated by Lauro Martines. An analysis of the "structures" of Renaissance mysticism is provided by Kees W. Bolle. Gilbert Reaney's essay examines ratio as the basis for the "measured" music of the fourteenth century, against which the newer duple and triple rhythms that came into prominence in the later half of the century were assessed. An essay by Marc Bensimon concerns itself with Renaissance modes of perception--as illustrated in works of art, of literature, and of philosophic speculation--that seem shaped by primordial anxieties caused by the passing of time and the fear of death. The reflections of theological notions about the "dreadful hidden will of God" in such pieces as Marlowe's Dr. Faustus are given full background and perceptive treatment by Paul R. Sellin. Robert Kinsman concludes with his study "Folly, Melancholy, and Madness: Shifting Styles of Medical Analysis and Treatment, 1450-1675." This title is part of UC Press's Voices Revived program, which commemorates University of California Press's mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1974.
Автор: Anna Maria Montanari Название: Cleopatra in Italian and English Renaissance Drama ISBN: 9462985995 ISBN-13(EAN): 9789462985995 Издательство: NBN International Рейтинг: Цена: 27034.00 р. Наличие на складе: Нет в наличии.
Описание: This book analyses the earliest representations of Cleopatra in drama produced across Italy and England over the sixteenth and seventeenth centuries.
Автор: Ficino, Marsilio Название: Platonic Theology Volume 1, Books I-IV (S) ISBN: 0674003454 ISBN-13(EAN): 9780674003453 Издательство: Wiley Рейтинг: Цена: 4744.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Platonic Theology is the visionary and philosophical masterpiece of Marsilio Ficino (1433-1499), the Florentine scholar-philosopher-magus largely responsible for the Renaissance revival of Plato. This work, translated into English for the first time, is a key to understanding the art, thought, culture, and spirituality of the Renaissance.
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