Название: Cambridge companion to plato ISBN: 1108457266 ISBN-13(EAN): 9781108457262 Издательство: Cambridge Academ Рейтинг: Цена: 4275.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: The chapters in this volume cover the full range of Plato`s interests, including ethics, political philosophy, epistemology, metaphysics, aesthetics, religion, mathematics, and psychology. The introduction provides general guidance to approaching Plato`s corpus and the chapters introduce key ideas and scholarly debates.
Название: New cambridge companion to plotinus ISBN: 1108726232 ISBN-13(EAN): 9781108726238 Издательство: Cambridge Academ Рейтинг: Цена: 4275.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Plotinus was a key figure in the Platonic tradition and the starting-point for the developments in ancient philosophy that followed. This new Companion offers chapters on topics including mathematics, fate and determinism, happiness, the theory of forms, categories of reality, matter and evil, and Plotinus` legacy.
Название: Neoplatonic aesthetics ISBN: 0820471119 ISBN-13(EAN): 9780820471112 Издательство: Peter Lang Рейтинг: Цена: 14047.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: This book offers a range of perspectives on European integration from different scientific disciplines. It aims to give its readers the opportunity to look at European integration from various scientific angles, such as history, political science, philosophy of science, economics, legal theory, social ontology, and evolutionary psychology.
Название: Routledge Companion to Philosophy and Music ISBN: 0415858399 ISBN-13(EAN): 9780415858397 Издательство: Taylor&Francis Рейтинг: Цена: 10104.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: The Routledge Companion to Philosophy and Music is an outstanding guide and reference source to the key topics, subjects, thinkers and debates in philosophy and music. Essential reading for anyone interested in philosophy, music and musicology.
Автор: Joao Pedro Cachopo, Patrick Nickleson, Chris Stover Название: Ranciere and Music ISBN: 1474440223 ISBN-13(EAN): 9781474440226 Издательство: Bloomsbury Academic Рейтинг: Цена: 15840.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: A rich exploration of the meaning and consequences of Jacques Ranciиre's work in relation to music and the aesthetic
15 essays by scholars from a variety of music and sound-related fields
With an Afterword by Ranciиre, newly written specially for this volume, on the role of music in his thought and writing
Considers many aspects of Ranciиre's thought, conceived through musical lenses
Develops of key Ranciиrian concepts including the distribution of the sensible, the aesthetic regime of art, politics and the police, speech and noise, disagreement, equality and more
The place of music in Ranciиre's thought has long been underestimated or unrecognised. Ranciиre and Music responds to this absence with a collection of 15 essays by scholars from a variety of music- and sound-related fields, including an Afterword by Ranciиre on the role of music in his thought and writing. The essays engage closely with Ranciиre's existing commentary on music and its relationship to other arts in the aesthetic regime, revealed through detailed case studies around music, sound and listening.
Ranciиre's thought is explored along a number of music-historical trajectories, including Italian and German opera, Romantic and modernist music, Latin American and South African music, jazz, and contemporary popular music. Ranciиre's work is also set creatively in dialogue with other key contemporary thinkers including Adorno, Althusser, Badiou and Deleuze.
Contributors
Loпc Bertrand, Universitй Paris Diderot, France. Kjetil Klette B hler, Oslo Metropolitan University, Norway. Joгo Pedro Cachopo, Universidade Nova de Lisboa, Portugal, and University of Chicago, USA. Katharina Clausius, Universitй de Montrйal, Canada. Sarah Collins, University of Western Australia. Murray Dineen, University of Ottawa, Canada. Dan DiPiero, Miami University of Ohio, USA. William Fourie, Stellenbosch University, South Africa. Daniel Frappier, Universitй du Quйbec а Montrйal, Canada. Martin Kaltenecker, Universitй Paris Diderot, France. Patrick Nickleson, Queen's University at Kingston, Ontario, Canada. Jacques Ranciиre, University of Paris VIII, France. Chris Stover, University of Oslo, Norway. Danick Trottier, Universitй du Quйbec а Montrйal, Canada. Carina Venter, Stellenbosch University, South Africa. Erik Vogt, Trinity College, CT, USA and University of Vienna, Austria.
Автор: Paola Crespi, Sunil Manghani Название: Rhythm and Critique: Technics, Modalities, Practices ISBN: 1474447554 ISBN-13(EAN): 9781474447553 Издательство: Bloomsbury Academic Рейтинг: Цена: 3483.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Rhythm and Critique presents 12 new essays from a range of specialists to define, contextualise and challenge the concepts of rhythm and rhythmanalysis. It includes newly translated materials from Rudolf Laban and Henri Meschonnic.
Автор: Stephen Graham Название: Becoming Noise Music: Style, Aesthetics, and History ISBN: 150137866X ISBN-13(EAN): 9781501378669 Издательство: Bloomsbury Academic Рейтинг: Цена: 14256.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Becoming Noise Music tells the story of noise music in its first 50 years, using a focus on the music’s sound and aesthetics to do so. Part One focuses on the emergence and stabilization of noise music across the 1980s and 1990s, whilst Part Two explores noise in the twenty-first century. Each chapter contextualizes – tells the story – of the music under discussion before describing and interpreting its sound and aesthetic. Stephen Graham uses the idea of ‘becoming’ to capture the unresolved ‘dialectical’ tension between ‘noise’ disorder and ‘musical’ order in the music itself; the experiences listeners often have in response; and the overarching ‘story’ or ‘becoming’ of the genre that has taken place in this first fifty or so years. The book therefore doubles up on becoming: it is about both the becoming it identifies in, and the larger, genre-making process of the becoming of, noise music. On the latter count, it is the first scholarly book to focus in such depth and breadth on the sound and story of noise music, as opposed to contextual questions of politics, history or sociology. Relevant to both musicology and noise audiences, Becoming Noise Music investigates a vital but analytically underexplored area of avant-garde musical practice.
Автор: Van Maas Sander Название: Thresholds of Listening: Sound, Technics, Space ISBN: 0823264378 ISBN-13(EAN): 9780823264377 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 15675.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
Thresholds of Listening addresses recent and historical changes in the ways listening has been conceived. Listening, having been emancipated from the passive, subjected position of reception, has come to be asserted as an active force in culture and in collective and individual politics. The contributors to this volume show that the exteriorization of listening— brought into relief by recent historical studies of technologies of listening—involves a re-negotiation of the theoretical and pragmatic distinctions that underpin the notion of listening. Focusing on the manifold borderlines between listening and its erstwhile others, such as speaking, reading, touching, seeing, or hearing, the book maps new frontiers in the history of aurality. They suggest that listening’s finitude— defined in some of the essays as its death or deadliness—should be considered as a heuristic instrument rather than as a mere descriptor. Listening emerges where it appears to end or to run up against thresholds and limits—or when it takes unexpected turns. Listening’s recent emergence on the cultural and theoretical scene may therefore be productively read against contemporary recurrences of the motifs of elusiveness, finitude, and resistance to open up new politics, discourses, and technologies of aurality.
Автор: Hutchinson Название: Coherence in New Music: Experience, Aesthetics, Analysis ISBN: 1472446658 ISBN-13(EAN): 9781472446657 Издательство: Taylor&Francis Рейтинг: Цена: 23734.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: What does it mean to talk about musical coherence at the end of a century characterised by fragmentation and discontinuity? How can the diverse influences which stand behind the works of many late twentieth-century composers be reconciled with the singular immediacy of the experiences that they can create? How might an awareness of the distinctive ways in which these experiences are generated and controlled affect the way we listen to, reflect upon and write about this music? Mark Hutchinson outlines a novel concept of coherence within Western art music from the 1980s to the turn of the millennium as a means of understanding the work of a number of contemporary composers, including Thomas Ad s, Kaija Saariaho, Tōru Takemitsu and Gy rgy Kurt g, whose music cannot be fitted easily into a particular compositional school or analytical framework. Coherence is understood as a multi-layered phenomenon experienced, above all, in the act of listening, but reliant upon a variety of other aspects of musical experience, including compositional statements, analysis, and connections of aesthetic, as well as listeners' own, imaginative conceptualisations. Accordingly, the approach taken here is similarly multi-faceted: close analytical readings of a number of specific works are combined with insights drawn from philosophy and aesthetics, music perception, and critical theory, with a particular openness to novel metaphorical presentations of basic musical ideas about form, language and time.
Автор: Napolin Julie Beth Название: The Fact of Resonance: Modernist Acoustics and Narrative Form ISBN: 0823288161 ISBN-13(EAN): 9780823288168 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 4138.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
Shortlisted, 2021 Memory Studies Association First Book Award The Fact of Resonance returns to the colonial and technological contexts in which theories of the novel developed, seeking in sound an alternative premise for theorizing modernist narrative form. Arguing that narrative theory has been founded on an exclusion of sound, the book poses a missing counterpart to modernism’s question “who speaks?” in the hidden acoustical questions “who hears?” and “who listens?” For Napolin, the experience of reading is undergirded by the sonic. The book captures and enhances literature’s ambient sounds, sounds that are clues to heterogeneous experiences secreted within the acoustical unconscious of texts. The book invents an oblique ear, a subtle and lyrical prose style attuned to picking up sounds no longer hearable. “Resonance” opens upon a new genealogy of modernism, tracking from Joseph Conrad to his interlocutors—Sigmund Freud, Frantz Fanon, W. E. B. Du Bois, William Faulkner, and Chantal Akerman—the racialized, gendered, and colonial implications of acoustical figures that “drift” through and are transformed by narrative worlds in writing, film, and music. A major synthesis of resources gleaned from across the theoretical humanities, the book argues for “resonance” as the traversal of acoustical figures across the spaces of colonial and technological modernity, figures registering and transmitting transformations of “voice” and “sound” across languages, culture, and modalities of hearing. We have not yet sufficiently attended to relays between sound, narrative, and the unconscious that are crucial to the ideological entailments and figural strategies of transnational, transatlantic, and transpacific modernism. The breadth of the book’s engagements will make it of interest not only to students and scholars of modernist fiction and sound studies, but to anyone interested in contemporary critical theory.
Описание: The aesthetics of imperfectionemphasises spontaneity, disruption, process and energy over formal perfection and is often ignored by many commentators or seen only in improvisation. This comprehensive collection is the first time imperfection has been explored across all kinds of musical performance, whether improvisation or interpretation of compositions.
Covering music, visual art, dance, comedy, architecture and design, it addresses the meaning, experience, and value of improvisation and spontaneous creation across different artistic media. A distinctive feature of the volume is that it brings together contributions from theoreticians and practitioners, presenting a wider range of perspectives on the issues involved. Contributors look at performance and practice across Western and non-Western musical, artistic and craft forms. Composers and non-performing artists offer a perspective on what is 'imperfect' or improvisatory within their work, contributing further dimensions to the discourse.
The Aesthetics of Imperfection in Music and the Artsfeatures 39 chapters organised into eight sections and written by adiverse group ofscholars and performers. They consider divergent definitions of aesthetics, employing both 18th-century philosophy and more recent socially and historically situated conceptions making this an essential, up-to-date resource for anyone working on either side of the perfection-imperfection debate.
Автор: Voegelin Salome Название: The Political Possibility of Sound: Fragments of Listening ISBN: 1501312162 ISBN-13(EAN): 9781501312168 Издательство: Bloomsbury Academic Рейтинг: Цена: 4592.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
The essay is the perfect format for a crisis. Its porous and contingent nature forgives a lack of formality, while its neglect of perfection and virtuosity releases the potential for the incomplete and the unrealizable. These seven essays on The Political Possibility of Sound present a perfectly incomplete form for a discussion on the possibility of the political that includes creativity and invention, and articulates a politics that imagines transformation and the desire to embrace a connected and collaborative world.
The themes of these essays emerge from and deepen discussions started in Voegelin's previous books, Listening to Noise and Silence and Sonic Possible Worlds. Continuing the methodological juxtaposition of phenomenology and logic and writing from close sonic encounters each represents a fragment of listening to a variety of sound works, to music, the acoustic environment and to poetry, to hear their possibilities and develop words for what appears impossible. As fragments of writing they respond to ideas on geography and migration, bring into play formless subjectivities and trans-objective identities, and practice collectivity and a sonic cosmopolitanism through the hearing of shared volumes. They involve the unheard and the in-between to contribute to current discussions on new materialism, and perform vertical readings to reach the depth of sound.
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