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South Asian Folklore, Diamond, Sarah


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Автор: Diamond, Sarah
Название:  South Asian Folklore
ISBN: 9780415939195
Издательство: Taylor&Francis
Классификация:

ISBN-10: 0415939194
Обложка/Формат: Hardback
Страницы: 740
Вес: 1.53 кг.
Дата издания: 20.12.2002
Язык: English
Размер: 289 x 218 x 48
Читательская аудитория: Tertiary education (us: college)
Подзаголовок: An encyclopedia
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Поставляется из: Европейский союз


      Старое издание

Автор: Lawrence, Sandra Royal Botanic Gardens Kew
Название: Kew - the magic of mushrooms
ISBN: 1787399060 ISBN-13(EAN): 9781787399068
Издательство: Carlton Books
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Цена: 2374.00 р.
Наличие на складе: Есть (2 шт.)
Описание: Featuring images of over 100 species, this book explains the folklore, science and occult of fungi, showing that from saving lives to expanding the mind, the potential of these fascinating organisms should not be underestimated.

The Book of Yokai: Mysterious Creatures of Japanese Folklore

Автор: Foster Michael Dylan
Название: The Book of Yokai: Mysterious Creatures of Japanese Folklore
ISBN: 0520271025 ISBN-13(EAN): 9780520271029
Издательство: Wiley
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Цена: 3960.00 р.
Наличие на складе: Поставка под заказ.

Описание: Monsters, ghosts, fantastic beings, and supernatural phenomena of all sorts haunt the folklore and popular culture of Japan. Drawing on years of research in Japan, this book unpacks the history and cultural context of yokai, tracing their roots, interpreting their meanings, and introducing people who have hunted them through the ages.

Expressions of Sufi culture in Tajikistan /

Автор: Gatling, Benjamin,
Название: Expressions of Sufi culture in Tajikistan /
ISBN: 0299316807 ISBN-13(EAN): 9780299316808
Издательство: Mare Nostrum (Eurospan)
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Цена: 8772.00 р.
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Описание: This eloquent ethnography reveals the daily lives and religious practice of ordinary Muslim men in Tajikistan as they aspire to become Sufi mystics. Benjamin Gatling describes in vivid detail the range of expressive forms—memories, stories, poetry, artifacts, rituals, and other embodied practices—employed as they try to construct a Sufi life in twenty-first-century Central Asia.Gatling demonstrates how Sufis transcend the oppressive religious politics of contemporary Tajikistan by using these forms to inhabit multiple times: the paradoxical present, the Persian sacred past, and the Soviet era. In a world consumed with the supposed political dangers of Islam, Gatling shows the intricate, ground-level ways that Muslim expressive culture intersects with authoritarian politics, not as artful forms of resistance but rather as a means to shape Sufi experiences of the present.

Tales from the Basotho

Автор: Postma Minnie
Название: Tales from the Basotho
ISBN: 0292737300 ISBN-13(EAN): 9780292737303
Издательство: Marston Book Services
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Цена: 3166.00 р.
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Описание: A collection of folktales from southern Africa.

South Asian Folklore

Автор: Diamond, Sarah
Название: South Asian Folklore
ISBN: 0415866928 ISBN-13(EAN): 9780415866927
Издательство: Taylor&Francis
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Цена: 7501.00 р.
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Gender and Genre in the Folklore of Middle India

Автор: Joyce Burkhalter Flueckiger
Название: Gender and Genre in the Folklore of Middle India
ISBN: 1501727834 ISBN-13(EAN): 9781501727832
Издательство: Mare Nostrum (Eurospan)
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Цена: 2502.00 р.
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Описание:

In Gender and Genre in the Folklore of Middle India, Joyce Burkhalter Flueckiger analyzes six representative Indian folklore genres from a single regional repertoire to show the influence of their intertextual relations on the composition and interpretation of artistic performance. Placing special emphasis on women’s rituals, she looks at the relationship between the framework and organization of indigenous genres and the reception of folklore performance. The regional repertoire under examination presents a strikingly female-centered world. Female performers and characters are active, articulate, and frequently challenge or defy expectations of gender. Men also confound traditional gender roles. Flueckiger includes the translations of two full performance texts of narratives sung by female and male storytellers respectively.

Desi Divas: Political Activism in South Asian American Cultural Performances

Автор: Christine L. Garlough
Название: Desi Divas: Political Activism in South Asian American Cultural Performances
ISBN: 161703732X ISBN-13(EAN): 9781617037320
Издательство: Mare Nostrum (Eurospan)
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Цена: 8455.00 р.
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Описание: Explores how traditional cultural forms may be critically appropriated by marginalized groups and used as rhetorical tools to promote deliberation and debate, spur understanding and connection, broaden political engagement, and advance particular social identities.

South Asian Folklore in Transition

Автор: Korom, Frank J.
Название: South Asian Folklore in Transition
ISBN: 0367583763 ISBN-13(EAN): 9780367583767
Издательство: Taylor&Francis
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Цена: 6430.00 р.
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Rediasporization: African-Guyanese Kweh-Kweh

Автор: Gillian Richards-Greaves
Название: Rediasporization: African-Guyanese Kweh-Kweh
ISBN: 1496831152 ISBN-13(EAN): 9781496831156
Издательство: Mare Nostrum (Eurospan)
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Цена: 13794.00 р.
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Описание: Every year on the Friday before Labor Day, Guyanese from all over the world convene in Brooklyn, New York, to celebrate the accidental tradition of Come to My Kwe-Kwe and to connect or reconnect with other Guyanese. Since the fall of 2005, they have celebrated Come to My Kwe-Kwe (more recently, Kwe-Kwe Night), a reenactment of a uniquely African Guyanese prewedding ritual called kweh-kweh, also known as karkalay, mayan, kweh-keh, or pele. Come to My Kwe-Kwe has increasingly become a symbol of African Guyaneseness. In this volume, Rediasporization: African Guyanese Kwe-Kwe, Gillian Richards-Greaves examines the role of Come to My Kwe-Kwe in the construction of a secondary African Guyanese diaspora (a rediasporization) in New York City. She explores how African Guyanese in the United States draw on the ritual to articulate their tripartite cultural identities: African, Guyanese, and American. This work also investigates the factors that affect African Guyanese perceptions of their racial and gendered selves, and how these perceptions, in turn, impact their engagement with African-influenced cultural performances like Come to My Kwe-Kwe. This work demonstrates how the malleability of this celebration allows African Guyanese to negotiate, highlight, conceal, and even sometimes reject complex, shifting, overlapping, and contextual identities. Ultimately, this work explores how these performances in the United States facilitate African Guyanese transformation from an imagined community to a tangible community.

Storytime in India: Wedding Songs, Victorian Tales, and the Ethnographic Experience

Название: Storytime in India: Wedding Songs, Victorian Tales, and the Ethnographic Experience
ISBN: 0253041635 ISBN-13(EAN): 9780253041630
Издательство: Mare Nostrum (Eurospan)
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Цена: 6270.00 р.
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Описание: Stories are the backbone of ethnographic research. During fieldwork, subjects describe their lives through stories. Afterward ethnographers come home from their journeys with stories of their own about their experiences in the field.
Storytime in India is an exploration of the stories that come out of ethnographic fieldwork. Helen Priscilla Myers and Umesh Chandra Pandey examine the ways in which their research collecting Bhojpuri wedding songs became interwoven with the stories of their lives, their work together, and their shared experience reading The Eustace Diamonds by Anthony Trollope. Moving through these intertwined stories, the reader learns about the complete Bhojpuri wedding tradition through songs sung by Gangajali and access to the original song recordings and their translations. In the interludes, Pandey reads and interprets The Eustace Diamonds, confronting the reader with the ever-present influence of colonialism, both in India and in ethnographic fieldwork. Interwoven throughout are stories of the everyday, highlighting the ups and downs of the ethnographic experience.
Storytime in India combines the style of the Victorian novel with the structure of traditional Indian village tales, in which stories are told within stories. This book questions how we can and should present ethnography as well as what we really learn in the field. As Myers and Pandey ultimately conclude, writers of scholarly books are storytellers themselves and scholarly books are a form of art, just like the traditions they study.

Styling Blackness in Chile: Music and Dance in the African Diaspora

Автор: Wolf Juan Eduardo
Название: Styling Blackness in Chile: Music and Dance in the African Diaspora
ISBN: 0253041147 ISBN-13(EAN): 9780253041142
Издательство: Mare Nostrum (Eurospan)
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Цена: 4013.00 р.
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Описание: Chile had long forgotten about the existence of the country's Black population when, in 2003, the music and dance called the tumbe carnaval appeared on the streets of the city of Arica. Featuring turbaned dancers accompanied by a lively rhythm played on hide-head drums, the tumbe resonated with cosmopolitan images of what the African Diaspora looks like, and so helped bring attention to a community seeking legal recognition from the Chilean government which denied its existence.
Tumbe carnaval, however, was not the only type of music and dance that Afro-Chileans have participated in and identified with over the years. In Styling Blackness in Chile, Juan Eduardo Wolf explores the multiple ways that Black individuals in Arica have performed music and dance to frame their Blackness in relationship to other groups of performers—a process he calls styling. Combining ethnography and semiotic analysis, Wolf illustrates how styling Blackness as Criollo, Moreno, and Ind?gena through genres like the baile de tierra, morenos de paso, and caporales simultaneously offered individuals alternative ways of identifying and contributed to the invisibility of Afro-descendants in Chilean society. While the styling of the tumbe as Afro-descendant helped make Chile's Black community visible once again, Wolf also notes that its success raises issues of representation as more people begin to perform the genre in ways that resonate less with local cultural memory and Afro-Chilean activists' goals. At a moment when Chile's government continues to discuss whether to recognize the Afro-Chilean population and Chilean society struggles to come to terms with an increase in Latin American Afro-descendant immigrants, Wolf's book raises awareness of Blackness in Chile and the variety of Black music-dance throughout the African Diaspora, while also providing tools that ethnomusicologists and other scholars of expressive culture can use to study the role of music-dance in other cultural contexts.

Rediasporization: African-Guyanese Kweh-Kweh

Автор: Gillian Richards-Greaves
Название: Rediasporization: African-Guyanese Kweh-Kweh
ISBN: 1496831160 ISBN-13(EAN): 9781496831163
Издательство: Mare Nostrum (Eurospan)
Рейтинг:
Цена: 4389.00 р.
Наличие на складе: Есть у поставщика Поставка под заказ.

Описание: Every year on the Friday before Labor Day, Guyanese from all over the world convene in Brooklyn, New York, to celebrate the accidental tradition of Come to My Kwe-Kwe and to connect or reconnect with other Guyanese. Since the fall of 2005, they have celebrated Come to My Kwe-Kwe (more recently, Kwe-Kwe Night), a reenactment of a uniquely African Guyanese prewedding ritual called kweh-kweh, also known as karkalay, mayan, kweh-keh, or pele. Come to My Kwe-Kwe has increasingly become a symbol of African Guyaneseness. In this volume, Rediasporization: African Guyanese Kwe-Kwe, Gillian Richards-Greaves examines the role of Come to My Kwe-Kwe in the construction of a secondary African Guyanese diaspora (a rediasporization) in New York City. She explores how African Guyanese in the United States draw on the ritual to articulate their tripartite cultural identities: African, Guyanese, and American. This work also investigates the factors that affect African Guyanese perceptions of their racial and gendered selves, and how these perceptions, in turn, impact their engagement with African-influenced cultural performances like Come to My Kwe-Kwe. This work demonstrates how the malleability of this celebration allows African Guyanese to negotiate, highlight, conceal, and even sometimes reject complex, shifting, overlapping, and contextual identities. Ultimately, this work explores how these performances in the United States facilitate African Guyanese transformation from an imagined community to a tangible community.


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