The Viola da Gamba Society Index of Manuscripts containing Consort Music, Ashbee, Andrew

Автор: Holman Peter
Название: Life After Death: The Viola da Gamba in Britain from Purcell
ISBN: 1843838206 ISBN-13(EAN): 9781843838203
Издательство: Boydell & Brewer
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Описание: New research throws light on the history of the viol after Purcell, including its revival in the late eighteenth century through Charles Frederick Abel.

Автор: Hoffmann, Bettina
Название: The viola da gamba- pbd paperback d
ISBN: 0367443759 ISBN-13(EAN): 9780367443757
Издательство: Taylor&Francis
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Описание: The viola da gamba was a central instrument in European music from the late fifteenth century well into the late eighteenth. Bettina Hoffmann offers an introduction to the instrument-its construction, technique and history-for the non-specialist with a wealth of original archival scholarship that experts will relish.

Автор: Robertson, Michael (university Of Leeds, Uk)
Название: Consort suites and dance music by town musicians in german-speaking europe, 1648-1700 pbd
ISBN: 1138481904 ISBN-13(EAN): 9781138481909
Издательство: Taylor&Francis
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Описание:

This companion volume to The Courtly Consort Suite in German-Speaking Europe surveys an area of music neglected by modern scholars: the consort suites and dance music by musicians working in the seventeenth-century German towns. Conditions of work in the German towns are examined in detail, as are the problems posed by the many untrained travelling players who were often little more than beggars. The central part of the book explores the organisation, content and assembly of town suites into carefully ordered printed collections, which refutes the concept of the so-called 'classical' suite. The differences between court and town suites are dealt with alongside the often-ignored variation suite from the later decades of the seventeenth century and the separate suite-writing traditions of Leipzig and Hamburg. While the seventeenth-century keyboard suite has received a good deal of attention from modern scholars, its often symbiotic relationship with the consort suite has been ignored. This book aims to redress the balance and to deal with one very important but often ignored aspect of seventeenth-century notation: the use of blackened notes, which are rarely notated in a meaningful way in modern editions, with important implications for performance.