Aesthetics, Imagination and the Unity of Experience, Elliott, R.K.
Автор: Swale Название: Anime Aesthetics ISBN: 1349553573 ISBN-13(EAN): 9781349553570 Издательство: Springer Рейтинг: Цена: 11319.00 р. 12577.00-10% Наличие на складе: Есть (2 шт.) Описание: Japanese animation has been given fulsome academic commentary in recent years. However, there is arguably a need for a more philosophically consistent and theoretically integrated engagement. While this book covers the key thinkers of contemporary aesthetic theory, it aims to reground reflection on anime within the aesthetics of R.G. Collingwood.
Автор: Chiara Bottici, Benoit Challand Название: The Politics of Imagination ISBN: 0415815282 ISBN-13(EAN): 9780415815284 Издательство: Taylor&Francis Рейтинг: Цена: 8573.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: The Politics of Imagination offers a multidisciplinary perspective on the contemporary relationship between politics and the imagination.
Автор: Elliott, R.K. , Crowther, edited by Paul Название: Aesthetics, Imagination and the Unity of Experience ISBN: 1138263486 ISBN-13(EAN): 9781138263482 Издательство: Taylor&Francis Рейтинг: Цена: 6123.00 р. Наличие на складе: Нет в наличии.
Описание: R.K. Elliott`s essays on aesthetics put forward a number of common themes that together constitute a unified approach to aesthetics. Throughout his writing, Elliott combines analytic rigour with sympathy for ideas in continental philosophy. This book, the first to gather together Elliott`s key essays, powerfully illuminates the unifying role of imagination and the aesthetic in human experience.
Much current theorizing about literature involves efforts to renew our sense of aesthetic values in reading. Such is the case with new formalism as well as recent appeals to the notion of "surface reading." While sympathetic to these efforts, Charles Altieri believes they ultimately fall short because too often they fail to account for the values that engage literary texts in the social world. In Reckoning with the Imagination, Altieri argues for a reconsideration of the Kantian tradition of Idealist ethics, which he believes can restore much of the power of the arguments for the role of aesthetics in art. Altieri finds a perspective for that restoration in a reading of Wittgenstein’s later work that stresses Wittgenstein’s parallel criticisms of the spirit of empiricism. Altieri begins by offering a phenomenology of imagination, because we cannot fully honor art if we do not link it to a distinctive, socially productive force. That force emerges in two quite different but equally powerful realizations in his reading of John Ashbery’s "Instruction Manual," which explicitly establishes a model for a postromantic view of imagination, and William Butler Yeats’s "Leda and the Swan." He then turns to Wittgenstein with chapters on the role of display as critique of Enlightenment thinking, the honoring of qualities like sensitivity and the ability to attune to the actions of others, the role of expression in the building of models, and the contrast between ethical and confessional modes of judgment. Finally, Altieri produces his own model of aesthetic experience as participatory valuation and makes an extended argument for the social significance of appreciation as a way to escape the patterns of resentment fundamental to our current mode of politics. A masterful work by one of our foremost literary and philosophical theorists, Reckoning with the Imagination will breathe new life into ongoing debates over the value of aesthetic experience.
Much current theorizing about literature involves efforts to renew our sense of aesthetic values in reading. Such is the case with new formalism as well as recent appeals to the notion of "surface reading." While sympathetic to these efforts, Charles Altieri believes they ultimately fall short because too often they fail to account for the values that engage literary texts in the social world. In Reckoning with the Imagination, Altieri argues for a reconsideration of the Kantian tradition of Idealist ethics, which he believes can restore much of the power of the arguments for the role of aesthetics in art. Altieri finds a perspective for that restoration in a reading of Wittgenstein’s later work that stresses Wittgenstein’s parallel criticisms of the spirit of empiricism. Altieri begins by offering a phenomenology of imagination, because we cannot fully honor art if we do not link it to a distinctive, socially productive force. That force emerges in two quite different but equally powerful realizations in his reading of John Ashbery’s "Instruction Manual," which explicitly establishes a model for a postromantic view of imagination, and William Butler Yeats’s "Leda and the Swan." He then turns to Wittgenstein with chapters on the role of display as critique of Enlightenment thinking, the honoring of qualities like sensitivity and the ability to attune to the actions of others, the role of expression in the building of models, and the contrast between ethical and confessional modes of judgment. Finally, Altieri produces his own model of aesthetic experience as participatory valuation and makes an extended argument for the social significance of appreciation as a way to escape the patterns of resentment fundamental to our current mode of politics. A masterful work by one of our foremost literary and philosophical theorists, Reckoning with the Imagination will breathe new life into ongoing debates over the value of aesthetic experience.
Автор: Jothen, Peder Название: Kierkegaard, Aesthetics, and Selfhood: The Art of Subjectivity ISBN: 1409470164 ISBN-13(EAN): 9781409470168 Издательство: Taylor&Francis Рейтинг: Цена: 22202.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: In the digital world, Kierkegaard`s thought is valuable in thinking about aesthetics as a component of human development, both including but moving beyond the religious context as its primary center of meaning. Contributing to the debate about Kierkegaard`s conception of the aesthetic.
Описание: An authoritative study of Casey`s major themes and ideas, exploring and confirming his contribution to contemporary philosophy. Structured into four major parts, the volume reflects key concerns of Casey`s writings: phenomenological and psychoanalytic foundations; the philosophy of place; painting and scapes, and edges, glances, and voices.
Автор: Christopher Yates Название: The Poetic Imagination in Heidegger and Schelling ISBN: 147422296X ISBN-13(EAN): 9781474222969 Издательство: Bloomsbury Academic Рейтинг: Цена: 6018.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: By investigating the importance of the imagination in the thought of Schelling and Heidegger, Yate`s study argues that Heidegger`s later, more poetic, philosophy cannot be understood properly without appreciating Schelling`s central importance for him.
Автор: Anne Sheppard Название: The Poetics of Phantasia: Imagination in Ancient Aesthetics ISBN: 1474257593 ISBN-13(EAN): 9781474257596 Издательство: Bloomsbury Academic Рейтинг: Цена: 6018.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
With a thorough examination of ancient views of literary and artistic realism, allegory and symbolism, The Poetics of Phantasia brings together a study of the ways in which the concept of imagination (phantasia in Greek) was used in ancient aesthetics and literary theory. The Greeks and Romans tended to think of the production of works of art in terms of imitation, either of the world around us or of a transcendent ideal world, rather than in terms of originality and creativity. Study of the way phantasia is used in ancient writing about literature and art reveals important features of the ancient approach to the arts and in doing so will also shed light on modern concepts of imagination and the literary and artistic differences between realism and allegory. Covering a range of literary and philosophical material from the beginnings of Greek literature down to the Neoplatonist philosophers of late antiquity, The Poetics of Phantasia discusses three discrete senses of imagination in ancient thought. Firstly, phantasia as visualization is explored: when a writer 'brings before his eyes' what he is describing and enables his audience or reader to visualise it likewise. The second theory of phantasia is that which is capable not only of conveying images from sense-perception but also of receiving images from intellectual and supra-intellectual faculties in the soul, and thus helping people grasp mathematical, metaphysical or even mystical concepts. Finally, phantasia is seen as a creative power which can conjure up an image that points beyond itself and to express ideas outside our everyday experience.
Автор: Douglas Hedley Название: The Iconic Imagination ISBN: 1441172173 ISBN-13(EAN): 9781441172174 Издательство: Bloomsbury Academic Рейтинг: Цена: 22176.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Is it merely an accident of English etymology that ‘imagination’ is cognate with ‘image’? Despite the iconoclasm shared to a greater or lesser extent by all Abrahamic faiths, theism tends to assert a link between beauty, goodness and truth, all of which are viewed as Divine attributes. Douglas Hedley argues that religious ideas can be presented in a sensory form, especially in aesthetic works. Drawing explicitly on a Platonic metaphysics of the image as a bearer of transcendence, The Iconic Imagination shows the singular capacity and power of images to represent the transcendent in the traditions of Christianity, Judaism, Hinduism and Islam. In opposition to cold abstraction and narrow asceticism, Hedley shows that the image furnishes a vision of the eternal through the visible and temporal.
Автор: Michael L. Thompson Название: Imagination in Kant`s Critical Philosophy ISBN: 3110481650 ISBN-13(EAN): 9783110481655 Издательство: Walter de Gruyter Рейтинг: Цена: 3710.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Kant's critical philosophy is rife with conflicting and aporetic doctrines. Amongst several difficult doctrines, one of the most salient and obscure discussions surrounds Kant's view of the imagination, Einbildungskraft. One finds Kant's initial discussion of the imagination in the section entitled the Transcendental Deduction in his Critique of Pure Reason; by Kant's own admission, the section that cost him the most labor. Instrumental in these most critical passagesis Kant's discussion of the imagination, but, due to revisions and emendations and a seeming change in doctrine from the 1st to the 3rd Critique, Kant's considered view of the imagination remains unclear. Many scholars eschew the discussion altogether, considering it arcana of an obsolete faculty pyschology. Even prominent Kant scholars have typically overlooked or marginalized pivotal sections in Kant's works in order to avoid dealing with this issue. Recently, however, a new interest in the imagination has resurfaced. This volume is a collection of essays that addresses the many uses of imagination throughout Kant's entire critical corpus, and intends to gain a better understanding of this lacuna.
Автор: Anne Sheppard Название: The Poetics of Phantasia: Imagination in Ancient Aesthetics ISBN: 1472507657 ISBN-13(EAN): 9781472507655 Издательство: Bloomsbury Academic Рейтинг: Цена: 20592.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
With a thorough examination of ancient views of literary and artistic realism, allegory and symbolism, The Poetics of Phantasia brings together a study of the ways in which the concept of imagination (phantasia in Greek) was used in ancient aesthetics and literary theory. The Greeks and Romans tended to think of the production of works of art in terms of imitation, either of the world around us or of a transcendent ideal world, rather than in terms of originality and creativity. Study of the way phantasia is used in ancient writing about literature and art reveals important features of the ancient approach to the arts and in doing so will also shed light on modern concepts of imagination and the literary and artistic differences between realism and allegory. Covering a range of literary and philosophical material from the beginnings of Greek literature down to the Neoplatonist philosophers of late antiquity, The Poetics of Phantasia discusses three discrete senses of imagination in ancient thought. Firstly, phantasia as visualization is explored: when a writer 'brings before his eyes' what he is describing and enables his audience or reader to visualise it likewise. The second theory of phantasia is that which is capable not only of conveying images from sense-perception but also of receiving images from intellectual and supra-intellectual faculties in the soul, and thus helping people grasp mathematical, metaphysical or even mystical concepts. Finally, phantasia is seen as a creative power which can conjure up an image that points beyond itself and to express ideas outside our everyday experience.
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