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Counterpoint and Compositional Process in the Time of Dufay, Moll, Kevin N.


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Автор: Moll, Kevin N.
Название:  Counterpoint and Compositional Process in the Time of Dufay
ISBN: 9780815323464
Издательство: Taylor&Francis
Классификация:

ISBN-10: 0815323468
Обложка/Формат: Hardback
Страницы: 430
Вес: 0.64 кг.
Дата издания: 01.10.1997
Серия: Criticism and analysis of early music
Язык: English
Размер: 223 x 149 x 33
Подзаголовок: Perspectives from german musicology
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Поставляется из: Европейский союз


Compositional Process in Elliott Carter`s String Quartets: A Study in Sketches

Автор: Emmery Laura
Название: Compositional Process in Elliott Carter`s String Quartets: A Study in Sketches
ISBN: 1032084847 ISBN-13(EAN): 9781032084848
Издательство: Taylor&Francis
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Цена: 6583.00 р.
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Описание: This is an interdisciplinary study examining the evolution and compositional process in Elliott Carter`s five string quartets. The book`s narrative reveals new aspects of understanding these works and draws novel conclusions on their collective meaning and Carter`s place as the leading American modernist.

Upper-Voice Structures and Compositional Process in the Ars Nova Motet

Автор: Zayaruznaya, Anna
Название: Upper-Voice Structures and Compositional Process in the Ars Nova Motet
ISBN: 0367590751 ISBN-13(EAN): 9780367590758
Издательство: Taylor&Francis
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Цена: 5970.00 р.
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Compositional process in elliott carter`s string quartets

Автор: Emmery, Laura (emory University, Usa)
Название: Compositional process in elliott carter`s string quartets
ISBN: 0367151324 ISBN-13(EAN): 9780367151324
Издательство: Taylor&Francis
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Цена: 22202.00 р.
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Описание: This is an interdisciplinary study examining the evolution and compositional process in Elliott Carter`s five string quartets. The book`s narrative reveals new aspects of understanding these works and draws novel conclusions on their collective meaning and Carter`s place as the leading American modernist.

The New Bruckner

Автор: Gault, Dermot
Название: The New Bruckner
ISBN: 1409400913 ISBN-13(EAN): 9781409400912
Издательство: Taylor&Francis
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Цена: 22968.00 р.
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Compositional Artifice in the Music of Henry Purcell

Автор: Alan Howard
Название: Compositional Artifice in the Music of Henry Purcell
ISBN: 110700666X ISBN-13(EAN): 9781107006669
Издательство: Cambridge Academ
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Цена: 14256.00 р.
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Описание: Fugal invention has proved a successful line of analytical inquiry in recent studies of repertoires from Josquin to J. S. Bach. Alan Howard brings similar insights to the music of Henry Purcell, and proposes the first analytical approach to his music to examine compositional methods alongside historically contemporary theory, focusing particularly on Purcell's 'artificial' approach to imitative counterpoint. Through this methodology Howard challenges many misunderstandings about Purcell's music that led to him being categorized as old-fashioned and unimaginative. This study offers fresh insights into the musical world in which Purcell lived and worked and situates Purcell's compositional concerns in the broader context of notions of artifice in Restoration culture. Howard thereby offers both a fresh analytical approach - both to Purcell's early instrumental works and to his later concerted vocal music - and a critique of the reception history surrounding the fantazias and sonatas in particular.

Between romanticism and modernism

Автор: Raba, Boguslaw
Название: Between romanticism and modernism
ISBN: 3631662157 ISBN-13(EAN): 9783631662151
Издательство: Peter Lang
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Цена: 12214.00 р.
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Описание: This is the first monograph on the Polish composer Ignacy Jan Paderewski (1860–1941). It aspires to be part of the process of restoring his compositional legacy to European musical culture. Reinterpreting the legend surrounding the great Pole, the study is based on Paderewskis works that are listed in the Paderewski catalogue, but also includes sketches, unfinished pieces and student exercises. Raba’s analysis and interpretation of the composer’s work is carried out in formal-structural, stylistic-critical and aesthetic contexts, revising the image of the composer, that has been distorted in the historical reception of his ?uvre.

The New Bruckner

Автор: Gault
Название: The New Bruckner
ISBN: 1138246077 ISBN-13(EAN): 9781138246072
Издательство: Taylor&Francis
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Цена: 8114.00 р.
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Описание: The New Bruckner provides a valuable study of Bruckner's music, focusing on the interaction of biography, textual scholarship, reception history and analysis. Dr Dermot Gault conveys a broad chronological narrative of Bruckner's compositional development, interpolating analytical commentaries on the works and critical accounts of the notoriously complex and editorial issues. Gault corrects longstanding misconceptions about the composer's revision process, and its relationship with the early editions and widely-held critical opinions. Bruckner's constantly evolving engagement with symphonic form is traced by taking each revision in due order, rather than by taking each symphony on its own, and by relating the symphonies to other mature works such as the Te Deum, the three great Masses, and the Quintet, and argues that Bruckner's music became more organic and less schematic as the result of his revisions. The book will be essential reading for those studying Bruckner's compositions, the complex history of their reception, and late Romantic music in general.

Revisiting the Music of Medieval France

Автор: Ferreira, Manuel Pedro
Название: Revisiting the Music of Medieval France
ISBN: 1138375896 ISBN-13(EAN): 9781138375895
Издательство: Taylor&Francis
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Цена: 7042.00 р.
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Описание: This book presents together a number of path-breaking essays on different aspects of medieval music in France written by Manuel Pedro Ferreira, who is well known for his work on the medieval cantigas and Iberian liturgical sources. The first essay is a tour-de-force of detective work: an odd E-flat in two 16th-century antiphoners leads to the identification of a Gregorian responsory as a Gallican version of a seventh-century Hispanic melody. The second rediscovers a long-forgotten hypothesis concerning the microtonal character of some French 11th-century neumes. In the paper "Is it polyphony?" an even riskier hypothesis is arrived at: Do the origins of Aquitanian free organum lie on the instrumental accompaniment of newly composed devotional versus? The Cistercian attitude towards polyphonic singing, mirrored in musical sources kept in peripheral nunneries, is the subject of the following essay. The intellectual and sociological nature of the Parisian motet is the central concern of the following two essays, which, after a survey of concepts of temporality in the trouvиre and polyphonic repertories, establish it as the conceptual foundation of subsequent European schools of composition. It is possible then to assess the real originality of Philippe de Vitry and his Ars nova, which is dealt with in the following chapter. A century later, the role of Guillaume Dufay in establishing a chord-based alternative to contrapuntal writing is laboriously put into evidence. Finally, an informative synthesis is offered concerning the mathematical underpinnings of musical composition in the Middle Ages.

Chronology of the Works of Guillaume Dufay

Автор: Hamm Charles Edward
Название: Chronology of the Works of Guillaume Dufay
ISBN: 0691624674 ISBN-13(EAN): 9780691624679
Издательство: Wiley
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Цена: 4752.00 р.
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Описание: Although, according to the author, much sound research, has been done in the Dufay era in recent years," Charles Hamm`s book marks the first time an attempt has been made at a comprehensive chronology of the works of this composer. Professor Hamm approaches all Dufay`s compositions from the point of view of mensural practice, and has been able to d

Chronology of the Works of Guillaume Dufay

Автор: Hamm Charles Edward
Название: Chronology of the Works of Guillaume Dufay
ISBN: 069165123X ISBN-13(EAN): 9780691651231
Издательство: Wiley
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Цена: 12532.00 р.
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Описание:

Although, according to the author, much sound research, has been done in the Dufay era in recent years," Charles Hamm's book marks the first time an attempt has been made at a comprehensive chronology of the works of this composer. Professor Hamm approaches all Dufay's compositions from the point of view of mensural practice, and has been able to date each piece more precisely than would have been possible in a chronology based on manuscript studies or stylistic analyses. He has divided the works into nine groups, according to details of mensural usage, and on the basis of datable works and other evidence has suggested dates within which the pieces of each group were written. Based on his study of Dufay's mensural practice, the author suggests that the Missa Sancti Antoni and several other works attributed to Dufay may not have been written by him.

Originally published in 1964.

The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.


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