Автор: Lewsey Название: Who`s Who and What`s What in Wagner ISBN: 1859282857 ISBN-13(EAN): 9781859282854 Издательство: Taylor&Francis Рейтинг: Цена: 4439.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: In the belief that the opera composer`s starting point is always the text, this volume aims solely to elucidate the text of Wagner`s work and the concepts which underlie it. Reference is made to the music only when it is considered necessary.
Автор: Smith Marian Название: Ballet and Opera in the Age of "Giselle " ISBN: 0691146497 ISBN-13(EAN): 9780691146492 Издательство: Wiley Цена: 5544.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Focusing on the age of Giselle at the Paris Opera (from the 1830s through the 1840s), this book looks at the structural and thematic relationship between ballet and opera. It argues that an understanding of both the genres - and of nineteenth-century theater-going culture in general - may be gained by examining them within the same framework.
Название: The Cambridge Companion to Operetta ISBN: 1316633349 ISBN-13(EAN): 9781316633342 Издательство: Cambridge Academ Рейтинг: Цена: 4435.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: The subject of musical theatre usually brings to mind the Broadway musical, but this collection of essays reveals that operetta was the pre-eminent musical-theatrical entertainment on the urban stage from the 1850s to the early 1930s. The authors explore operetta`s production and reception in more than a dozen countries.
Описание: This new approach to the operas of Handel examines the vital and intertwined roles of singers, audiences and local cultural context in creating eighteenth-century opera. It emphasises cultural context and aspects of performance, offering a range of interpretative tools not previously exploited in studies of the century`s opera before Mozart.
Описание: Performing Arts in Changing Societies is a detailed exploration of genre development within the fields of dance, theatre and opera in selected European countries during the decades before and after 1800.
Описание: A study of a neglected but crucial part of the history of the West End and Broadway. The stage works presented here connect to major topics of the twentieth century including modernity, cosmopolitanism and media technology. This book is also available as Open Access on Cambridge Core.
Автор: Glasenapp Название: Revival: Life of Richard Wagner Vol. IV (1904) ISBN: 1138551279 ISBN-13(EAN): 9781138551275 Издательство: Taylor&Francis Рейтинг: Цена: 44405.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Fourth volume of Carl Francis Glasenapp`s Life of Richard Wagner.
Название: Melodramatic Voices: Understanding Music Drama ISBN: 1138274011 ISBN-13(EAN): 9781138274013 Издательство: Taylor&Francis Рейтинг: Цена: 8114.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: The genre of melodrame A grand spectacle that emerged in the boulevard theatres of Paris in the 1790s - and which was quickly exported abroad - expressed the moral struggle between good and evil through a drama of heightened emotions. Physical gesture, mise en scene and music were as important in communicating meaning and passion as spoken dialogue. The premise of this volume is the idea that the melodramatic aesthetic is central to our understanding of nineteenth-century music drama, broadly defined as spoken plays with music, operas and other hybrid genres that combine music with text and/or image. This relationship is examined closely, and its evolution in the twentieth century in selected operas, musicals and films is understood as an extension of this nineteenth-century aesthetic. The book therefore develops our understanding of opera in the context of melodrama's broader influence on musical culture during the nineteenth and twentieth centuries. This book will appeal to those interested in film studies, drama, theatre and modern languages as well as music and opera.
The representation of non-Western cultures in opera has long been a focus of critical inquiry. Within this field, the diverse relationships between opera and First Nations and Indigenous cultures, however, have received far less attention. Opera Indigene takes this subject as its focus, addressing the changing historical depictions of Indigenous cultures in opera and the more contemporary practices of Indigenous and First Nations artists. The use of 're/presenting' in the title signals an important distinction between how representations of Indigenous identity have been constructed in operatic history and how Indigenous artists have more recently utilized opera as an interface to present and develop their cultural practices.
This volume explores how operas on Indigenous subjects reflect the evolving relationships between Indigenous peoples, the colonizing forces of imperial power, and forms of internal colonization in developing nation-states. Drawing upon postcolonial theory, ethnomusicology, cultural geography and critical discourses on nationalism and multiculturalism, the collection brings together experts on opera and music in Canada, the Americas and Australia in a stimulating comparative study of operatic re/presentation.
Автор: Roesner Название: Musicality in Theatre ISBN: 1409461017 ISBN-13(EAN): 9781409461012 Издательство: Taylor&Francis Рейтинг: Цена: 22202.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Music continues to be immensely influential in key developments of theatrical practices. In this study of musicality in the theatre, David Roesner offers a revised view of the nature of the relationship between music and theatre. The theoretical scope of the book is developed from a wide range of case studies.
Автор: Joe Название: Opera as Soundtrack ISBN: 1138251526 ISBN-13(EAN): 9781138251526 Издательство: Taylor&Francis Рейтинг: Цена: 8114.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
Filmmakers' fascination with opera dates back to the silent era but it was not until the late 1980s that critical enquiries into the intersection of opera and cinema began to emerge. Jeongwon Joe focusses primarily on the role of opera as soundtrack by exploring the distinct effects opera produces in film, effects which differ from other types of soundtrack music, such as jazz or symphony. These effects are examined from three perspectives: peculiar qualities of the operatic voice; various properties commonly associated with opera, such as excess, otherness or death; and multifaceted tensions between opera and cinema - for instance, opera as live, embodied, high art and cinema as technologically mediated, popular entertainment.
Joe argues that when opera excerpts are employed on soundtracks they tend to appear at critical moments of the film, usually associated with the protagonists, and the author explores why it is opera, not symphony or jazz, that accompanies poignant scenes like these. Joe's film analysis focuses on the time period of the post-1970s, which is distinguished by an increase of opera excerpts on soundtracks to blockbuster titles, the commercial recognition of which promoted the production of numerous opera soundtrack CDs in the following years. Joe incorporates an empirical methodology by examining primary sources such as production files, cue-sheets and unpublished interviews with film directors and composers to enhance the traditional hermeneutic approach. The films analysed in her book include Woody Allen's Match Point, David Cronenberg's M. Butterfly, and Wong Kar-wai's 2046.
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