The Routledge Research Companion to the Works of Sor Juana In?s de la Cruz, Bergmann, Emilie L.
Автор: Bryce Traister Название: The Cambridge companion to early american literature ISBN: 1108793495 ISBN-13(EAN): 9781108793490 Издательство: Cambridge Academ Рейтинг: Цена: 3483.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: This Companion covers American literary history from European colonization to the early republic. It provides a succinct introduction to the major themes and concepts in the field of early American literature.
Автор: Traister Bryce Название: The Cambridge Companion to Early American Literature ISBN: 1108840043 ISBN-13(EAN): 9781108840040 Издательство: Cambridge University Press Рейтинг: Цена: 24036.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: This Companion covers American literary history from European colonization to the early republic. It provides a succinct introduction to the major themes and concepts in the field of early American literature.
Автор: John E. Schwiebert Название: Walt Whitman: A Companion ISBN: 1476676585 ISBN-13(EAN): 9781476676586 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 8593.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Walt Whitman over many years created various editions of Leaves of Grass. The first A to Z Whitman reference to incorporate 21st Century scholarship, this book provides a comprehensive introduction to his major poems and prose and to the people, places and topics that were central to his life.
Название: The Edinburgh Companion to Irish Modernism ISBN: 1474456693 ISBN-13(EAN): 9781474456692 Издательство: Bloomsbury Academic Рейтинг: Цена: 28512.00 р. Наличие на складе: Нет в наличии.
Описание: The Edinburgh Companion to Irish Modernism presents a fresh perspective on received understandings of Irish modernism.
Описание: This book provides students and academic researchers with a high-level introduction to major issues in the study of contemporary American poetry. These original essays survey African American, Asian American, Latinx, and Indigenous poetry, as well as the intersection of poetry and the environment, disability, bioethics, and capitalism.
Автор: Brown Catherine, Reid Susan Название: The Edinburgh Companion to D. H. Lawrence and the Arts ISBN: 1474456626 ISBN-13(EAN): 9781474456623 Издательство: Bloomsbury Academic Рейтинг: Цена: 28512.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
A detailed assessment of D. H. Lawrence's wide-ranging engagements across the verbal, visual and performance arts
Offers the most comprehensive assessment yet of Lawrence's relationship with the arts
Places Lawrence in the context of the latest developments in fields including life writing, posthumanism, queer theory, and technology studies
Considers Lawrence's continued reception in other people's art, and the nature of his relevance today
This book includes twenty-eight innovative chapters by specialists from across the arts, reassessing Lawrence's relationship to aesthetic categories and specific art forms in their historical and critical contexts. A new picture of Lawrence as an artist emerges, expanding from traditional areas of enquiry in prose and poetry into the fields of drama, painting, sculpture, music, architecture, dance, historiography, life writing and queer aesthetics. The Companion presents original research on topics such as Lawrence's politics in his art, his representations of technology, his practice of revising and rewriting, and the relationship between his criticism and creation of prose, poetry and painting. This interdisciplinary Companion also makes a strong case for Lawrence's continuing relevance and aesthetic power, as represented by case studies of his afterlives in biofiction, cinema, musical settings and portraiture.
Автор: F. Pinion Название: A Tennyson Companion ISBN: 0333336046 ISBN-13(EAN): 9780333336045 Издательство: Springer Рейтинг: Цена: 23757.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Though it gives separate treatment to genres such as idylls, epistolary poems, and popular dramatic monologues, this major assessment of Tennyson`s work is broadly chronological.
Описание: Sor Juana Ines de la Cruz and the Gender Politics of Knowledge in Colonial Mexico analyzes a series of intellectual and cultural spheres in seventeenth-century Mexico-the library, anatomy and medicine, spirituality, education and classical learning, and publishing and printing-through the writings of the famous nun. Examining the masculine contours
Hearing Voices takes a fresh look at sound in the poetry and prose of colonial Latin American poet and nun Sor Juana Inés de la Cruz (1648/51–95). A voracious autodidact, Sor Juana engaged with early modern music culture in a way that resonates deeply in her writing. Despite the privileging of harmony within Sor Juana’s work, however, links between the poet’s musical inheritance and subjects such as acoustics, cognition, writing, and visual art have remained unexplored. These lacunae have marginalized nonmusical aurality and contributed to the persistence of both ocularcentrism and a corresponding visual dominance in scholarship on Sor Juana—and indeed in early modern cultural production in general.
As in many areas of her work, Sor Juana’s engagement with acoustical themes restructures gendered discourses and transposes them to a feminine key. Hearing Voices focuses on these aural conceits in highlighting the importance of sound and—in most cases—its relationship with gender in Sor Juana’s work and early modern culture. Sarah Finley explores attitudes toward women’s voices and music making; intersections of music, rhetoric, and painting; aurality in Baroque visual art; sound and ritual; and the connections between optics and acoustics.
Finley demonstrates how Sor Juana’s striking aurality challenges ocularcentric interpretations and problematizes paradigms that pin vision to logos, writing, and other empirical models that traditionally favor men’s voices. Sound becomes a vehicle for women’s agency and responds to anxiety about the female voice, particularly in early modern convent culture.
Автор: Thomas, George Antony Название: Politics and poetics of sor juana ines de la cruz ISBN: 113810907X ISBN-13(EAN): 9781138109070 Издательство: Taylor&Francis Рейтинг: Цена: 8114.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: The Politics and Poetics of Sor Juana Ines de la Cruz examines the role of occasional verse in the works of the celebrated colonial Mexican nun. The poems that Sor Juana wrote for special occasions (birthdays, funerals, religious feasts, coronations, and the like) have been considered inconsequential by literary historians; but from a socio-historical perspective, George Antony Thomas argues they hold a particular interest for scholars of colonial Latin American literature. For Thomas, these compositions establish a particular set of rhetorical strategies, which he labels the author's 'political aesthetics.' He demonstrates how this body of the famous nun's writings, previously overlooked by scholars, sheds new light on Sor Juana's interactions with individuals in colonial society and throughout the Spanish Empire.
“What the women I write about have in common is that they are all rebels with a cause, and I see myself represented in their mirror,” asserts Alicia Gaspar de Alba. Looking back across a career in which she has written novels, poems, and scholarly works about Sor Juana Inés de la Cruz, la Malinche, Coyolxauhqui, the murdered women of Juárez, the Salem witches, and Chicana lesbian feminists, Gaspar de Alba realized that what links these historically and socially diverse figures is that they all fall into the category of “bad women,” as defined by their place, culture, and time, and all have been punished as well as remembered for rebelling against the “frames” imposed on them by capitalist patriarchal discourses.
In [Un]Framing the “Bad Woman,” Gaspar de Alba revisits and expands several of her published articles and presents three new essays to analyze how specific brown/female bodies have been framed by racial, social, cultural, sexual, national/regional, historical, and religious discourses of identity—as well as how Chicanas can be liberated from these frames. Employing interdisciplinary methodologies of activist scholarship that draw from art, literature, history, politics, popular culture, and feminist theory, she shows how the “bad women” who interest her are transgressive bodies that refuse to cooperate with patriarchal dictates about what constitutes a “good woman” and that queer/alter the male-centric and heteronormative history, politics, and consciousness of Chicano/Mexicano culture. By “unframing” these bad women and rewriting their stories within a revolutionary frame, Gaspar de Alba offers her compañeras and fellow luchadoras empowering models of struggle, resistance, and rebirth.