Описание: Sor Juana Ines de la Cruz and the Gender Politics of Knowledge in Colonial Mexico analyzes a series of intellectual and cultural spheres in seventeenth-century Mexico-the library, anatomy and medicine, spirituality, education and classical learning, and publishing and printing-through the writings of the famous nun. Examining the masculine contours
Автор: Wagner Название: Domestic Fiction in Colonial Australia and New Zealand ISBN: 1848935161 ISBN-13(EAN): 9781848935167 Издательство: Taylor&Francis Рейтинг: Цена: 23734.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Colonial domestic literature has been largely overlooked and is due for a reassessment. This essay collection explores attitudes to colonialism, imperialism and race, as well as important developments in girlhood and the concept of the New Woman.
Автор: George Antony Thomas Название: The Politics and Poetics of Sor Juana Ines de la Cruz ISBN: 1409437698 ISBN-13(EAN): 9781409437697 Издательство: Taylor&Francis Рейтинг: Цена: 22968.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Examines the role of occasional verse in the works of the celebrated colonial Mexican nun. This book argues that they hold a particular interest for scholars of colonial Latin American literature. It demonstrates how this body of the famous nun`s writings, previously overlooked by scholars.
Hearing Voices takes a fresh look at sound in the poetry and prose of colonial Latin American poet and nun Sor Juana Inés de la Cruz (1648/51–95). A voracious autodidact, Sor Juana engaged with early modern music culture in a way that resonates deeply in her writing. Despite the privileging of harmony within Sor Juana’s work, however, links between the poet’s musical inheritance and subjects such as acoustics, cognition, writing, and visual art have remained unexplored. These lacunae have marginalized nonmusical aurality and contributed to the persistence of both ocularcentrism and a corresponding visual dominance in scholarship on Sor Juana—and indeed in early modern cultural production in general.
As in many areas of her work, Sor Juana’s engagement with acoustical themes restructures gendered discourses and transposes them to a feminine key. Hearing Voices focuses on these aural conceits in highlighting the importance of sound and—in most cases—its relationship with gender in Sor Juana’s work and early modern culture. Sarah Finley explores attitudes toward women’s voices and music making; intersections of music, rhetoric, and painting; aurality in Baroque visual art; sound and ritual; and the connections between optics and acoustics.
Finley demonstrates how Sor Juana’s striking aurality challenges ocularcentric interpretations and problematizes paradigms that pin vision to logos, writing, and other empirical models that traditionally favor men’s voices. Sound becomes a vehicle for women’s agency and responds to anxiety about the female voice, particularly in early modern convent culture.
Автор: Luis Castellvi Laukamp, Laukamp Название: Hispanic baroque ekphrasis: g ngora, cam ISBN: 1781888159 ISBN-13(EAN): 9781781888155 Издательство: Неизвестно Рейтинг: Цена: 22760.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Luis Castellvi Laukamp examines Gongora`s impact on the visual and artistic imagination of two major Spanish American authors: Hernando Dominguez Camargo (1606-1659) and Sor Juana Ines de la Cruz (1651-1695).
Описание: With Juana In?s de la Cruz and the Theology of Beauty, George H. Tavard presents the first thorough investigation of the theology of the greatest Latin American poet before our own time. HIs program is all the more important because she was the first woman of this continent to assert the right of women to study to the full extent of their capacities. An intelligent and intellectual woman, Juana In?s was eager to live a life of scholarship and felt "a great aversion to matrimony," which directed her to enter the convent in 1667. Tavard provides a thought-provoking analysis both of the theological ideas that Juana In?s expressed in poetry and prose and of the conclusions, provisional or definitive, she may have reached about herself and about humanity.
Through a close study of many of her clearly authenticated works—her didactic poem, Primero Sue?o (First Dream); her poems in honor of the saints; her religious drama; her poems in honor of Christ and the Virgin; her lyric verse on devotional themes; and her prose writings on religious topics--Tavard draws out Sor Juana’s conception of the world and the soul, her ideas about the saints, her understanding of the Virgin, and her Christology. He offers a coherent theological and spiritual argument for Juana’s renunciation of further writing in 1692. In discussing the shape of her theological imagination, Tavard concludes that for Juana, “the physical and spiritual beauty of creatures, a gift of God’s love, acts as a theopany” through which divine glory is perceived.
Описание: In this groundbreaking study, Mary Floyd-Wilson explores early modern occult beliefs and their relation to women and scientific knowledge in Renaissance drama, focusing on Twelfth Night, Arden of Faversham, A Warning for Fair Women, All`s Well that Ends Well, The Changeling and The Duchess of Malfi.
Описание: In this groundbreaking study, Mary Floyd-Wilson explores early modern occult beliefs and their relation to women and scientific knowledge in Renaissance drama, focusing on Twelfth Night, Arden of Faversham, A Warning for Fair Women, All`s Well that Ends Well, The Changeling and The Duchess of Malfi.
Автор: Anantharam, Anita Название: Bodies that remember : ISBN: 0815632630 ISBN-13(EAN): 9780815632634 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 4712.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Bodies That Remember explores the lives and works of four of the most recognized Hindu and Urdu female poets of the twentieth century. In contrast to much of the South Asian literary criticism and postcolonial theory that concentrates on the Indo–English novel, Anantharam highlights the poetry of these vernacular writers, connecting their critical voices with nationalist and religious revitalization movements in India and Pakistan. Focusing on Mahadevi Varma, Kishwar Naheed, Fahmida Riaz, and Gagan Gill, Bodies That Remember offers a powerful meditation on the alternative linguistic traditions found in the writings of these four poets, two from India and two from Pakistan. In doing so, the book illustrates the ways in which poetry locates the places where urban cosmopolitanism meets indigenous knowledge and produces a new understanding of identity, one that crosses traditional boundaries of caste, class, and religion. Going beyond an analysis of women’s creative expression in the Hindu and Urdu languages, Anantharam deftly traces the intersecting veins of nationalism, literary tradition, and religion as she details the complexity of gendered identity in modern South Asia.
Post-Mandarin offers an engaging look at a cohort of Vietnamese intellectuals who adopted European fields of knowledge, a new Romanized alphabet, and print media—all of which were foreign and illegible to their fathers. This new generation of intellectuals established Vietnam’s modern anticolonial literature. The term “post-mandarin” illuminates how Vietnam’s deracinated figures of intellectual authority adapted to a literary field moving away from a male-to-male literary address toward print culture. With this shift, post-mandarin intellectuals increasingly wrote for and about women. Post-Mandarin illustrates the significance of the inclusion of modern women in the world of letters: a more democratic system of aesthetic and political representation that gave rise to anticolonial nationalism. This conceptualization of the “post-mandarin” promises to have a significant impact on the fields of literary theory, postcolonial studies, East Asian and Southeast Asian studies, and modernist studies.
Winner, Katherine Singer Kovacs Prize, Modern Language Association, 2010
The Spectacular City, Mexico, and Colonial Hispanic Literary Culture tracks the three spectacular forces of New World literary culture—cities, festivals, and wonder—from the sixteenth to the seventeenth century, from the Old World to the New, and from Mexico to Colombia, Peru, and Bolivia. It treats a multitude of imperialist and anti-imperialist texts in depth, including poetry, drama, protofiction, historiography, and journalism. While several of the landmark authors studied, including Hernán Cortés and Sor Juana Inés de la Cruz, are familiar, others have received remarkably little critical attention. Similarly, in spotlighting creole writers, Merrim reveals an intertextual tradition in Mexico that spans two centuries. Because the spectacular city reaches its peak in the seventeenth century, Merrim's book also theorizes and details the spirited work of the New World Baroque. The result is the rich examination of a trajectory that leads from the Renaissance ordered city to the energetic revolts of the spectacular city and the New World Baroque.
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