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Tombs in Shakespearean Drama, Whitver, H. Austin


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Автор: Whitver, H. Austin
Название:  Tombs in Shakespearean Drama
ISBN: 9781032343082
Издательство: Taylor&Francis
Классификация:





ISBN-10: 1032343087
Обложка/Формат: Hardback
Страницы: 212
Вес: 0.43 кг.
Дата издания: 30.12.2022
Серия: Routledge studies in shakespeare
Иллюстрации: 2 halftones, black and white; 2 illustrations, black and white
Размер: 158 x 235 x 18
Читательская аудитория: Tertiary education (us: college)
Подзаголовок: Monumental theater
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Поставляется из: Европейский союз


Oxford Dictionary of Original Shakespearean Pronunciation

Автор: Crystal David
Название: Oxford Dictionary of Original Shakespearean Pronunciation
ISBN: 0199668426 ISBN-13(EAN): 9780199668427
Издательство: Oxford Academ
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Цена: 4592.00 р.
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Описание: This dictionary is the first comprehensive description of Shakespearean original pronunication (OP), enabling practitioners to deal with any queries about the pronunciation of individual words. It includes all the words in the First Folio, transcribed using IPA, and the accompanying website hosts sound files as a further aid to pronunciation.

Costuming the Shakespearean Stage

Автор: Lublin
Название: Costuming the Shakespearean Stage
ISBN: 1138259810 ISBN-13(EAN): 9781138259812
Издательство: Taylor&Francis
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Цена: 8114.00 р.
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Описание: Although scholars have long considered the material conditions surrounding the production of early modern drama, until now, no book-length examination has sought to explain what was worn on the period's stages and, more importantly, how articles of apparel were understood when seen by contemporary audiences. Robert Lublin's new study considers royal proclamations, religious writings, paintings, woodcuts, plays, historical accounts, sermons, and legal documents to investigate what Shakespearean actors actually wore in production and what cultural information those costumes conveyed. Four of the chapters of Costuming the Shakespearean Stage address 'categories of seeing': visually based semiotic systems according to which costumes constructed and conveyed information on the early modern stage. The four categories include gender, social station, nationality, and religion. The fifth chapter examines one play, Thomas Middleton's A Game at Chess, to show how costumes signified across the categories of seeing to establish a play's distinctive semiotics and visual aesthetic.

Shakespearean Charity and the Perils of Redemptive Performance

Автор: Todd Landon Barnes
Название: Shakespearean Charity and the Perils of Redemptive Performance
ISBN: 1108743161 ISBN-13(EAN): 9781108743167
Издательство: Cambridge Academ
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Цена: 2851.00 р.
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Описание: Examining documentaries depicting youths who are redeemed by Shakespeare. These films emerged in response to four historical developments: the rise of reality television; the rise of neoliberalism and emotional capitalism; the privatization of public education and the rise of charter schools; and the emergence of new modes of address.

Double Vision: Moral Philosophy and Shakespearean Drama

Автор: Zamir Tzachi
Название: Double Vision: Moral Philosophy and Shakespearean Drama
ISBN: 0691155453 ISBN-13(EAN): 9780691155456
Издательство: Wiley
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Цена: 4752.00 р.
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Описание: Hamlet tells Horatio that there are more things in heaven and earth than are dreamt of in his philosophy. In this book, the author argues that there are more things in "Hamlet" than are dreamt of - or at least conceded - by philosophers. He suggests that certain important philosophical insights can be gained only through literature.

Stage Directions and Shakespearean Theatre

Автор: Sarah Dustagheer, Gillian Woods
Название: Stage Directions and Shakespearean Theatre
ISBN: 147425747X ISBN-13(EAN): 9781474257473
Издательство: Bloomsbury Academic
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Цена: 17424.00 р.
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Описание: Stage directions offer a unique glimpse of what actually happened in the early modern playhouse. They constitute first-hand evidence of the movements, gestures, and spectacles that took place on the stage, as well as the shape and use of it. Stage Directions and Shakespearean Theatre illustrates the creative possibilities of these understudied but crucial parts of play-texts. It brings together the most recent and innovative research from a range of established and emerging scholars. Essays illuminate the function of stage directions on both the stage and the page, considering issues such as the playwrights’ shaping of space, the actor’s body, the audience’s gaze and the reader’s imagination. In asking how stage directions impact on the dialogue they frame, this collection provides new insights into a range of Renaissance plays.

Old Age, Masculinity, and Early Modern Drama

Автор: Ellis
Название: Old Age, Masculinity, and Early Modern Drama
ISBN: 1138261998 ISBN-13(EAN): 9781138261990
Издательство: Taylor&Francis
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Цена: 8114.00 р.
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Описание: This first book-length study to trace the evolution of the comic old man in Italian and English Renaissance comedy shows how English dramatists adopted and reimagined an Italian model to reflect native concerns about and attitudes toward growing old. Anthony Ellis provides an in-depth study of the comic old man in the erudite comedy of sixteenth-century Florence; the character's parallel development in early modern Venice, including the commedia dell'arte; and, along with a consideration of Anglo-Italian intertextuality, the character's subsequent flourishing on the Elizabethan and Jacobean stage. In outlining the character's development, Ellis identifies and describes the physical and behavioral characteristics of the comic old man and situates these traits within early modern society by considering prevailing medical theories, sexual myths, and intergenerational conflict over political and economic circumstances. The plays examined include Italian dramas by Bernardo Dovizi da Bibbiena, NiccolA? Machiavelli, Donato Giannotti, Lorenzino de' Medici, Andrea Calmo, and Flaminio Scala, and English works by William Shakespeare, Ben Jonson, and Thomas Dekker, along with Middleton, Rowley, and Heywood's The Old Law. Besides providing insight into stage representations of aging, this book illuminates how early modern people conceived of and responded to the experience of growing old and its social, economic, and physical challenges.

Engagements with Shakespearean Drama

Автор: Walker
Название: Engagements with Shakespearean Drama
ISBN: 0815392737 ISBN-13(EAN): 9780815392736
Издательство: Taylor&Francis
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Цена: 22202.00 р.
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Описание: Rather than treating the plays as objects to be studied, described and interpreted, Engagements with Shakespeare examines precisely what about Shakespeare`s plays is so special - why they continue to be discussed and performed all around the world.

Автор: Nigel Wood
Название: Shakespearean Language and the Public Sphere: Performance and Staged Meaning
ISBN: 1350105724 ISBN-13(EAN): 9781350105720
Издательство: Bloomsbury Academic
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Цена: 11880.00 р.
Наличие на складе: Нет в наличии.

Описание: Through a close reading of Shakespeare's works, Nigel Wood argues for the power of Shakespeare's dramatic language to shape the consciousness of the audiences of his time and to play a role in the development of a public sphere in early modern England. He traces the verbal patterning and repetition of a range of keywords across plays, distinguishing between their accepted meaning and the potency of performance to introduce fluid nuances of meaning and significance. It takes seriously therefore the plays’ status as oral performances and the ways in which his language would have resonated with early modern audiences. Beginning by establishing an approach to Shakespeare’s playtexts from the perspective of an audience witnessing a gradually unfolding action, Wood addresses the power of language to create episodes of shock or revelation. Uniting this with Habermas's sense of a Public Sphere, he explores the role of the theatre and early modern audiences in contributing to the Public Sphere by challenging pre-set conventions and ideologies. In chapters on the social, the state, notions of kind and gentility, the human and ceremony/ritual, crucial shades of meaning are uncovered with special reference to a wide range of plays: the Histories, including Coriolanus and Henry V; the Tragedies, such as Hamlet and Othello, and the Comedies, including Much Ado About Nothing and The Merchant of Venice. This is a unique exploration of how Shakespeare in dramatizing and so challenging conventions of language, thereby questioned static cultural assumptions about gender, class and racial difference. Deep-seated critical approaches to canonical texts are thereby questioned in the service of re-capturing their initial public validity.

Cosmetics in Shakespearean and Renaissance Drama

Автор: Farah Karim-Cooper
Название: Cosmetics in Shakespearean and Renaissance Drama
ISBN: 147445271X ISBN-13(EAN): 9781474452717
Издательство: Bloomsbury Academic
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Цена: 15048.00 р.
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Описание:

Revised and updated critical survey of the field of cosmetics and adornment studies

This revised edition examines how the plays of Shakespeare and his contemporaries dramatise the Renaissance preoccupation with cosmetics. Farah Karim-Cooper explores the then-contentious issue of female beauty and identifies a 'culture of cosmetics', which finds its visual identity on the early modern stage. She also examines cosmetic recipes and anti-cosmetic literature focusing on their relationship to drama in its representations of gender, race, politics and beauty.

Key Features

  • Offers a new analysis of the construction of whiteness as a racial signifier
  • Provides an original insight into women's cosmetic practice through an exploration of ingredients, methods and materials used to create cosmetics and the perception of make up in Shakespeare's time
  • Includes numerous cosmetic recipes from the early modern period found in printed books and never published in a modern edition

The Hand on the Shakespearean Stage: Gesture, Touch and the Spectacle of Dismemberment

Автор: Farah Karim-Cooper
Название: The Hand on the Shakespearean Stage: Gesture, Touch and the Spectacle of Dismemberment
ISBN: 1474234267 ISBN-13(EAN): 9781474234269
Издательство: Bloomsbury Academic
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Цена: 4434.00 р.
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Описание: This ground-breaking new book uncovers the way Shakespeare draws upon the available literature and visual representations of the hand to inform his drama. Providing an analysis of gesture, touch, skill and dismemberment in a range of Shakespeare's works, it shows how the hand was perceived in Shakespeare’s time as an indicator of human agency, emotion, social and personal identity. It demonstrates how the hand and its activities are described and embedded in Shakespeare's texts and about its role on the Shakespearean stage: as part of the actor’s body, in the language as metaphor, and as a morbid stage-prop. Understanding the cultural signifiers that lie behind the early modern understanding of the hand and gesture, opens up new and sometimes disturbing ways of reading and seeing Shakespeare's plays.

Shakespearean drama, disability, and the filmic stare

Автор: Mccarthy, Grace
Название: Shakespearean drama, disability, and the filmic stare
ISBN: 0367756471 ISBN-13(EAN): 9780367756475
Издательство: Taylor&Francis
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Цена: 19906.00 р.
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Описание: This volume synthesizes Laura Mulvey`s male gaze and Rosemarie Garland-Thomson`s stare into a new critical lens, the filmic stare, in order to understand and analyze the visual construction of disability in adaptations of Shakespearean drama.

The Hand on the Shakespearean Stage: Gesture, Touch and the Spectacle of Dismemberment

Автор: Farah Karim-Cooper
Название: The Hand on the Shakespearean Stage: Gesture, Touch and the Spectacle of Dismemberment
ISBN: 1474234275 ISBN-13(EAN): 9781474234276
Издательство: Bloomsbury Academic
Рейтинг:
Цена: 15840.00 р.
Наличие на складе: Есть у поставщика Поставка под заказ.

Описание: This ground-breaking new book uncovers the way Shakespeare draws upon the available literature and visual representations of the hand to inform his drama. Providing an analysis of gesture, touch, skill and dismemberment in a range of Shakespeare's works, it shows how the hand was perceived in Shakespeare’s time as an indicator of human agency, emotion, social and personal identity. It demonstrates how the hand and its activities are described and embedded in Shakespeare's texts and about its role on the Shakespearean stage: as part of the actor’s body, in the language as metaphor, and as a morbid stage-prop. Understanding the cultural signifiers that lie behind the early modern understanding of the hand and gesture, opens up new and sometimes disturbing ways of reading and seeing Shakespeare's plays.


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