Collective Management of Music Copyright, Xu, Qinqing
Автор: Richard Osborne Название: Owning the Masters: A History of Sound Recording Copyright ISBN: 1501345907 ISBN-13(EAN): 9781501345906 Издательство: Bloomsbury Academic Рейтинг: Цена: 3642.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Owning the Masters provides the first in-depth history of sound recording copyright. It is this form of intellectual property that underpins the workings of the recording industry. Rather than being focused on the manufacture of goods, this industry is centred on the creation, exploitation and protection of rights. The development and control of these rights has not been straightforward. This book explores the lobbying activities of record companies: the principal creators, owners and defenders of sound recording copyright. It addresses the counter-activity of recording artists, in particular those who have fought against the legislative and contractual practices of record companies to claim these master rights for themselves. In addition, this book looks at the activities of the listening public, large numbers of whom have been labelled ‘pirates’ for trespassing on these rights. The public has played its own part in shaping copyright legislation. This is an essential subject for an understanding of the economic, artistic and political value of recorded sound.
Описание: Simone argues that a recalibration of copyright law is necessary and proposes an inclusive and contextual approach to joint authorship that is true to the legal concept of authorship but is also more aligned with creative reality.
Описание: This book analyzes regulatory models established in the field of online music distribution, and examines their consistency with the overarching objectives of copyright law. In turn, Part II will above all appeal to scholars interested in "law and economics" and in the theoretical foundations of online music copyright.
Автор: Richard Osborne Название: Owning the Masters: A History of Sound Recording Copyright ISBN: 1501345915 ISBN-13(EAN): 9781501345913 Издательство: Bloomsbury Academic Рейтинг: Цена: 11405.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Owning the Masters provides the first in-depth history of sound recording copyright. It is this form of intellectual property that underpins the workings of the recording industry. Rather than being focused on the manufacture of goods, this industry is centred on the creation, exploitation and protection of rights. The development and control of these rights has not been straightforward. This book explores the lobbying activities of record companies: the principal creators, owners and defenders of sound recording copyright. It addresses the counter-activity of recording artists, in particular those who have fought against the legislative and contractual practices of record companies to claim these master rights for themselves. In addition, this book looks at the activities of the listening public, large numbers of whom have been labelled ‘pirates’ for trespassing on these rights. The public has played its own part in shaping copyright legislation. This is an essential subject for an understanding of the economic, artistic and political value of recorded sound.
Описание: Democracy of Sound tells the story of the pirates, radicals, jazzbos, Deadheads, and DJs who challenged the record industry for control of recorded sound throughout the twentieth century. A political and cultural history, it shows how the primacy of "intellectual property" gradually eclipsed an American political tradition that was suspicious of monopolies and favored free competition.
Автор: Veit Erlmann Название: Lion`s Share: Remaking South African Copyright ISBN: 1478016329 ISBN-13(EAN): 9781478016328 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 13788.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: In the aftermath of apartheid, South Africa undertook an ambitious revision of its intellectual property system. In Lion’s Share Veit Erlmann traces the role of copyright law in this process and its impact on the South African music industry. Although the South African government tied the reform to its postapartheid agenda of redistributive justice and a turn to a postindustrial knowledge economy, Erlmann shows how the persistence of structural racism and Euro-modernist conceptions of copyright threaten the viability of the reform project. In case studies ranging from antipiracy police raids and the crafting of legislation to protect indigenous expressive practices to the landmark lawsuit against Disney for its appropriation of Solomon Linda’s song "Mbube" for its hit “The Lion Sleeps Tonight” from The Lion King, Erlmann follows the intricacies of musical copyright through the criminal justice system, parliamentary committees, and the offices of a music licensing and royalty organization. Throughout, he demonstrates how copyright law is inextricably entwined with race, popular music, postcolonial governance, indigenous rights, and the struggle to create a more equitable society.
Автор: Chen Wei Zhu, Enrico Bonadio Название: Music Borrowing and Copyright Law: A Genre-by-Genre Analysis ISBN: 1509949380 ISBN-13(EAN): 9781509949380 Издательство: Bloomsbury Academic Рейтинг: Цена: 22968.00 р. Наличие на складе: Нет в наличии.
Описание: This ground-breaking book examines the multifaceted dynamics between copyright law and music borrowing within a rich diversity of music genres from across the world. It evaluates how copyright laws under different generic conventions may influence, or are influenced by, time-honoured creative borrowing practices.Leading experts from around the world scrutinise a carefully selected range of musical genres, including pop, jazz, blues, hip-hop, electronic and dance, punk-rock and hardcore, choral and classical music, as well as a diversity of region-specific genres, such as flamenco, tango, Irish, Hungarian, Greek, Israeli, Arabic, Jamaican, Cuban, Maori, Australian aboriginal, African, Chinese, Indian, Sri Lankan, Vietnamese, Japanese, and Canadian music. This genre-specific analysis builds on a theoretical section in which musicologists and lawyers offer their insights into fundamental issues concerning music genre categorisation, copyright’s struggle with musical genres, and the typology of music borrowing practice under different generic conventions. The chapters are threaded together by a central theme, ie, that the cumulative nature of music creativity is precisely the result of collective bargaining processes among many “musicking” parties that have socially constructed creative music authorship under a rich mix of generic conventions.
CHEAP PROTECTION: COPYRIGHT HANDBOOK FOR MUSIC is a MUST-HAVE book for any musician, songwriter, beat maker or student to copyright and protect your music, beats, lyrics and songs.
Автор: Montgomery, Robert Название: Music and Copyright: The Case of Delius and His Publishers ISBN: 0754658465 ISBN-13(EAN): 9780754658467 Издательство: Taylor&Francis Рейтинг: Цена: 22202.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Introduces the history of music as property in commerce; technological and business milestones affecting all aspects of the creative process; legal protections for those who create music, those who own it, and those who use it; and policy debates from the past century that have influenced the way creative participants interact with one another.
Название: Copyright and the Value of Performance, 1770–1911 ISBN: 1108425887 ISBN-13(EAN): 9781108425889 Издательство: Cambridge Academ Рейтинг: Цена: 14256.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Copyright for performances of theater and music was invented in the nineteenth century. Courtroom battles over new laws helped define the value of dramatic and musical performances both economically and artistically. Scholars of theater and performance, music, and law will learn how copyright changes the artistic forms it seeks to control.
Автор: Veit Erlmann Название: Lion`s Share: Remaking South African Copyright ISBN: 1478018968 ISBN-13(EAN): 9781478018964 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 3756.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: In the aftermath of apartheid, South Africa undertook an ambitious revision of its intellectual property system. In Lion’s Share Veit Erlmann traces the role of copyright law in this process and its impact on the South African music industry. Although the South African government tied the reform to its postapartheid agenda of redistributive justice and a turn to a postindustrial knowledge economy, Erlmann shows how the persistence of structural racism and Euro-modernist conceptions of copyright threaten the viability of the reform project. In case studies ranging from antipiracy police raids and the crafting of legislation to protect indigenous expressive practices to the landmark lawsuit against Disney for its appropriation of Solomon Linda’s song "Mbube" for its hit “The Lion Sleeps Tonight” from The Lion King, Erlmann follows the intricacies of musical copyright through the criminal justice system, parliamentary committees, and the offices of a music licensing and royalty organization. Throughout, he demonstrates how copyright law is inextricably entwined with race, popular music, postcolonial governance, indigenous rights, and the struggle to create a more equitable society.
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