Penelope Voyages: Women and Travel in the British Literary Tradition, Karen R. Lawrence
Автор: Ita Beausang, Jennifer O`Connor-Madsen, Laura Watson Название: Women and Music in Ireland ISBN: 1783277556 ISBN-13(EAN): 9781783277551 Издательство: Boydell & Brewer Рейтинг: Цена: от 11712.00 р. Наличие на складе: Есть
Описание: Explores the world of women`s professional and amateur musical activity as it developed on and beyond the island of Ireland.
Looking at travel writing by British women from the seventeenth century on, Karen R. Lawrence asks an intriguing question: What happens when, instead of waiting patiently for Odysseus, Penelope voyages and records her journey—when the woman who is expected to waitsets forth herself and traces an itinerary of her own?
Lawrence ranges widely, discussing both fiction and nonfiction and traversing the genres of travel letters, realistic and sentimental novels, ethnography, fantasy, and postmodern narrative. In examining works as dissimilar as Margaret Cavendish's rendition of the Renaissance adventure narrative and Christine Brooke-Rose's postmodernist Between, she explores not only the significance of gender for travel writing, but also the value of travel itself for testing the limits of women's social freedoms and restraints.
Lawrence shows how writings by Frances Burney, Mary Wollstonecraft, Sarah Lee, Mary Kingsley, Virginia Woolf, and Brigid Brophy reconceive the meanings of femininity in relation to such apparent oppositions as travel/home, other/self, and foreign/domestic. Despite the differences-historical, generic, political-among these writers, Lawrence maintains, they share common insights. Their accounts overturn the dichotomy between adventure and domesticity, demonstrating something illusory within both the stability of home and the freedom of travel.
Автор: Butler, Rebecca Название: Revisiting Italy ISBN: 0367768070 ISBN-13(EAN): 9780367768072 Издательство: Taylor&Francis Рейтинг: Цена: 6430.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Автор: Agorni, Mirella Название: Translating Italy for the Eighteenth Century ISBN: 1900650533 ISBN-13(EAN): 9781900650533 Издательство: Taylor&Francis Рейтинг: Цена: 6430.00 р. Наличие на складе: Поставка под заказ.
Автор: Siegel, Jonah Название: Haunted museum ISBN: 0691120870 ISBN-13(EAN): 9780691120874 Издательство: Wiley Рейтинг: Цена: 7128.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Offers a look at Italy from the late eighteenth to the early twentieth centuries focusing on a literary tradition. This book moves from a reframing of literature from the first half of the nineteenth century - including readings of works by Byron, de Stael, Barrett Browning, and others - to an examination of Henry James`s engagement with Europe.
Автор: Teoh, Karen M. Название: Schooling Diaspora ISBN: 0190495618 ISBN-13(EAN): 9780190495619 Издательство: Oxford Academ Рейтинг: Цена: 10296.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Schooling Diaspora looks into the motivations and strategies of missionaries, colonial authorities, and Chinese reformists and revolutionaries for educating girls, as well as the impact that this education had on identity formation among overseas Chinese women and larger society.
Wayang kulit, or shadow puppetry, connects a mythic past to the present through public ritual performance and is one of most important performance traditions in Bali. The dalang, or puppeteer, is revered in Balinese society as a teacher and spiritual leader. Recently, women have begun to study and perform in this traditionally male role, an innovation that has triggered resistance and controversy.
In Women in the Shadows, Jennifer Goodlander draws on her own experience training as a dalang as well as interviews with early women dalang and leading artists to upend the usual assessments of such gender role shifts. She argues that rather than assuming that women performers are necessarily mounting a challenge to tradition, "tradition" in Bali must be understood as a system of power that is inextricably linked to gender hierarchy. She examines the very idea of "tradition" and how it forms both an ideological and social foundation in Balinese culture. Ultimately, Goodlander offers a richer, more complicated understanding of both tradition and gender in Balinese society. Following in the footsteps of other eminent reflexive ethnographies, Women in the Shadows will be of value to anyone interested in performance studies, Southeast Asian culture, or ethnographic methods.
Автор: Addo Ping-Ann Название: Creating a Nation with Cloth ISBN: 0857458957 ISBN-13(EAN): 9780857458957 Издательство: Berghahn Рейтинг: Цена: 16988.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
Tongan women living outside of their island homeland create and use hand-made, sometimes hybridized, textiles to maintain and rework their cultural traditions in diaspora. Central to these traditions is an ancient concept of homeland or nation— fonua—which Tongans retain as an anchor for modern nation-building. Utilizing the concept of the “multi-territorial nation,” the author questions the notion that living in diaspora is mutually exclusive with authentic cultural production and identity. The globalized nation the women build through gifting their barkcloth and fine mats, challenges the normative idea that nations are always geographically bounded or spatially contiguous. The work suggests that, contrary to prevalent understandings of globalization, global resource flows do not always primarily involve commodities. Focusing on first-generation Tongans in New Zealand and the relationships they forge across generations and throughout the diaspora, the book examines how these communities centralize the diaspora by innovating and adapting traditional cultural forms in unprecedented ways.
Описание: In Women’s Literary Tradition and Twentieth-Century Hungarian Writers , Anna Menyhert presents the cases of five women writers whose legacy literary criticism has neglected or distorted, thereby depriving succeeding generations of vital cultural memory and inspiration. A best-selling novelist and poet in her time, Renee Erdos wrote innovatively about women's experience of sexual love. Minka Czobel wrote modern trauma texts only to pass into literary history branded, as a result of ideological pressure in communist times, as an 'ugly woman'. Agnes Nemes Nagy, celebrated for her ‘masculine’ poems, felt she must suppress her ‘feminine’ poems. Famous writer’s widow Ilona Harmos Kosztolanyi’s autobiographical writing tackles the physical challenges of girls' adolescence, and offers us a woman’s thoughtful Holocaust memoir. Anna Lesznai, emigree and visual artist, wove together memory and fiction using techniques from patchworking and embroidery.
Автор: Sophie Harwood Название: Medieval Women and War: Female Roles in the Old French Tradition ISBN: 1788315197 ISBN-13(EAN): 9781788315197 Издательство: Bloomsbury Academic Рейтинг: Цена: 15840.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: For the first time, Sophie Harwood uses the Old French tradition as a lens through which to examine women and warfare from the 12th to the 14th centuries. The result is a skilled analysis of gender roles in the medieval era, and a heightened awareness of how important literary texts are to our understanding of the historical period in which they circulated. Medieval Women and Warexamines both the text and illustrations of over 30 Old French manuscripts to highlight the ways in many of the texts differ from their traditionally assumed (usually classical) sources. Structured around five pivotal female types - women cited as causes for violence, women as victims of violence, women as ancillaries to warriors, women as warriors themselves, and women as political influences - this important book unpicks gendered boundaries to shed new light on the social, political and military structures of warfare as well as adding nuance to current debates on womanhood in the middle ages.
This book is openly available in digital formats thanks to a generous grant from the Andrew W. Mellon Foundation.
The Roman Catholic Church strictly forbids women's ordination, arguing that women priests defy God's will for the Church. Enter Roman Catholic Womenpriests (RCWP), an international movement that has ordained nearly 250 women worldwide, mostly in the United States and Canada. The Vatican insists that women have never and can never be priests; RCWP responds by ordaining womenpriests who lead worship communities, perform sacramental ministries, and embody Christ as women. RCWP transgresses official Roman Catholic teaching while seeking to uphold and redeem Roman Catholic traditions-all while provocatively claiming to be Roman Catholic. While some Catholics and even non-Catholics today are asking if priests are necessary, especially given the ongoing sex-abuse scandal, RCWP looks to reframe and reform Roman Catholic priesthood, starting with ordained women. Womanpriest is the first academic study of the RCWP movement. As an ethnography, Womanpriest analyzes the womenpriests' actions and lived theologies in order to explore ongoing tensions in Roman Catholicism around gender and sexuality, priestly authority, and religious change. In order to understand how womenpriests navigate tradition and transgression, this study situates RCWP within post-Vatican II Catholicism, apostolic succession, sacraments, ministerial action, and questions of embodiment. Womanpriest reveals RCWP to be a discrete religious movement in a distinct religious moment, with a small group of tenacious women defying the Catholic patriarchy, taking on the priestly role, and demanding reconsideration of Roman Catholic tradition. Doing so, the women inhabit and recreate the central tensions in Catholicism today.
In 1631, Marie Guyart stepped over the threshold of the Ursuline convent in Tours, leaving behind her eleven-year-old son, Claude, against the wishes of her family and her own misgivings. Marie concluded, “God was dearer to me than all that. Leaving him therefore in His hands, I bid adieu to him joyfully.” Claude organized a band of schoolboys to storm the convent, begging for his mother’s return. Eight years later, Marie made her way to Quebec, where over the course of the next thirty-three years she opened the first school for Native American girls, translated catechisms into indigenous languages, and served some eighteen years as superior of the first Ursuline convent in the New World. She would also maintain, over this same period, an extensive and intimate correspondence with the son she had abandoned to serve God. The Cruelest of All Mothers is, fundamentally, an explanation of Marie de l’Incarnation’s decision to abandon Claude for religious life. Complicating Marie’s own explication of the abandonment as a sacrifice carried out in imitation of Christ and in submission to God’s will, the book situates the event against the background of early modern French family life, the marginalization of motherhood in the Christian tradition, and seventeenth-century French Catholic spirituality. Deeply grounded in a set of rich primary sources, The Cruelest of All Mothers offers a rich and complex analysis of the abandonment.
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