Автор: Lewis Название: The Discarded Image ISBN: 1107604702 ISBN-13(EAN): 9781107604704 Издательство: Cambridge Academ Рейтинг: Цена: 2533.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Paints a lucid picture of the medieval world view, providing the historical and cultural background to the literature of the Middle Ages and Renaissance. This, Lewis`s last book, has been hailed as `the final memorial to the work of a great scholar and teacher and a wise and noble mind`.
Автор: Olson Rjm Roberta J.M., Burke Caroline, Reilly Pl Название: Biography of the Object in Late Medieval and Renaissance Italy ISBN: 1405139552 ISBN-13(EAN): 9781405139557 Издательство: Wiley Рейтинг: Цена: 3445.00 р. Наличие на складе: Есть (1 шт.) Описание: * An investigation of the way objects are created, used and re-used in the context of Italian Renaissance art. * Discusses a variety of objects, from glassware, through sculpture and prostitutes` jewellery, to miraculous painted images.
Автор: Paoletti, John T. Название: Art in Renaissance Italy ISBN: 1856697975 ISBN-13(EAN): 9781856697972 Издательство: Laurence King Рейтинг: Цена: 7590.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: With a freshness and breadth of approach that sets the art in its context, this book explores why works were created and who commissioned the palaces, cathedrals, paintings, and sculptures. This revised edition contains around 200 new pictures and nearly all colour images. The chapter structure has also been improved.
Автор: Mccall, Timothy Название: Making the renaissance man ISBN: 1789147859 ISBN-13(EAN): 9781789147858 Издательство: Неизвестно Рейтинг: Цена: 3960.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Автор: Welch Название: Art in Renaissance Italy 1350-1500 ISBN: 019284279X ISBN-13(EAN): 9780192842794 Издательство: Oxford Academ Рейтинг: Цена: 3721.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: The Italian Renaissance is a pivotal episode in the history of Western culture. This book discusses a range of works from across Italy, examines the issues of materials, workshop practices and artist-patron relationships, and explores the ways in which visual imagery related to contemporary sexual, social and political behaviour.
Автор: Wisch Название: Confraternities and the Visual Arts in Renaissance Italy ISBN: 1107403405 ISBN-13(EAN): 9781107403406 Издательство: Cambridge Academ Рейтинг: Цена: 6494.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: This 2000 book was the first to consider the role of Italian confraternities in the patronage of art. Eleven interdisciplinary essays analyze confraternal painting, sculpture, architecture, and dramatic spectacles by documenting the unique historical and ritual contexts in which they were experienced.
Автор: Roy Strong Название: The Stuart Image: English Portraiture 1603 to 1649 ISBN: 1783277203 ISBN-13(EAN): 9781783277209 Издательство: Boydell & Brewer Рейтинг: Цена: 4752.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Based on a lifetime's work in the field, Sir Roy Strong offers an expert and engaging new look at portrait painting in Stuart England, studying the sitters as much as the artists.Sir Roy Strong has been writing for over half a century on the painters of the courts of James I and Charles I. While taking account of the mass of scholarly work that has appeared during that time, this book offers a very different approach to the subject. Until now, the universal method has been to look at the artists, in particular van Dyck, and to see half a century of painting through the six years when the latter was in England. Instead, we are offered a view based on portraits and their sitters, and particularly on the dramatic change in their attitudes, from the still medieval (if Protestant) aesthetic of the Elizabethan age to the ambiguity of one which replaced that aesthetic by one based on the Catholic baroque of European art.Portraits after all are permanent records of how a sitter wished to be seen by posterity as well as in his or her own period. The obsession with the painter and with attribution has tended to obscure that very basic fact. They are inevitably self-fashioning images that chart the new mythology not only of a new dynasty, the Stuarts, but also of a burgeoning and assertive aristocracy. Unlike their spectacular court masques, however, which were gone in an evening of glory, the portraits are still with us - or, rather, those that have survived. Through them we are able to trace a new iconography for a new dynasty and also an aesthetic revolution which moved away from the Elizabethan world of ambiguity and hieroglyphs to one set in space defined by the new optics of the Renaissance. But the title, The Stuart Image, is designed to emphasise that above all what we see is the image and not the reality.
Автор: Elizabeth Currie Название: Fashion and Masculinity in Renaissance Florence ISBN: 1350031631 ISBN-13(EAN): 9781350031630 Издательство: Bloomsbury Academic Рейтинг: Цена: 3166.00 р. Наличие на складе: Нет в наличии.
Описание:
Dress became a testing ground for masculine ideals in Renaissance Italy. With the establishment of the ducal regime in Florence in 1530, there was increasing debate about how to be a nobleman. Was fashionable clothing a sign of magnificence or a source of mockery? Was the graceful courtier virile or effeminate? How could a man dress for court without bankrupting himself? This book explores the whole story of clothing, from the tailor's workshop to spectacular court festivities, to show how the male nobility in one of Italy's main textile production centers used their appearances to project social, sexual, and professional identities.
Sixteenth-century male fashion is often associated with swagger and ostentation but this book shows that Florentine clothing reflected manhood at a much deeper level, communicating a very Italian spectrum of male virtues and vices, from honor, courage, and restraint to luxury and excess. Situating dress at the heart of identity formation, Currie traces these codes through an array of sources, including unpublished archival records, surviving garments, portraiture, poetry, and personal correspondence between the Medici and their courtiers. Addressing important themes such as gender, politics, and consumption, Fashion and Masculinity in Renaissance Florence sheds fresh light on the sartorial culture of the Florentine court and Italy as a whole.
Описание: Taking as axiomatic the concept that artistic output does not simply reflect culture but also shapes it, the essays in this interdisciplinary collection take a holistic approach to the cultural fashioning of sexualities, drawing on visual art, theatre, music, and literature, in sacred and secular contexts. Although there is diversity in disciplinary approach, the interpretations and readings offered in each essay have a historical basis. Approaching the topic from the point of view of both visual and auditory media, this volume paints a comprehensive picture of artists’ challenges to erotic boundaries, and contributes to new historicizing thinking on sexualities. Collectively, the essays demonstrate the role played by artistic production-visual arts, literature, theatre and music-in fashioning, policing, and challenging early modern sexual boundaries, and thus help to identify the ways in which the arts contributed to both the disciplining and the exploration of a range of sexualities.
Автор: Perez-Romero, Antonio Название: The subversive tradition in Spanish Renaissance writing ISBN: 0838755895 ISBN-13(EAN): 9780838755891 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 10534.00 р. Наличие на складе: Нет в наличии.
Описание: This book samples a cross-section of literature from the Spanish Renaissance, and discovers ferment, discontent, and subversion often masked by the pervasive perfumes of stability - church, state, and wealth. This slice of time includes writings from the battlefield, the village square, and the intellectual`s ivory tower.
Описание: In Courtly Mediators, Leah R. Clark investigates the exchange of a range of materials and objects, including metalware, ceramic drug jars, Chinese porcelain, and aromatics, across the early modern Italian, Mamluk, and Ottoman courts. She provides a new narrative that places Aragonese Naples at the center of an international courtly culture, where cosmopolitanism and the transcultural flourished, and in which artists, ambassadors, and luxury goods actively participated. By articulating how and why transcultural objects were exchanged, displayed, copied, and framed, she provides a new methodological framework that transforms our understanding of the Italian Renaissance court. Clark's volume provides a multi-sensorial, innovative reading of Italian Renaissance art. It demonstrates that the early modern culture of collecting was more than a humanistic enterprise associated with the European roots of the Renaissance. Rather, it was sustained by interactions with global material cultures from the Islamic world and beyond.
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