Описание: This book tackles the intersections of postcolonial and postsocialist imaginaries and sensibilities focusing on the ways they are reflected in contemporary art, fiction, theater and cinema.
Автор: Madina Tlostanova Название: Postcolonialism and Postsocialism in Fiction and Art ISBN: 3319484443 ISBN-13(EAN): 9783319484440 Издательство: Springer Рейтинг: Цена: 11878.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: This book tackles the intersections of postcolonial and postsocialist imaginaries and sensibilities focusing on the ways they are reflected in contemporary art, fiction, theater and cinema.
Автор: Hann, C.M. Название: Postsocialism ISBN: 0415262585 ISBN-13(EAN): 9780415262583 Издательство: Taylor&Francis Рейтинг: Цена: 7195.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Автор: Hann, C.M. Название: Postsocialism ISBN: 0415262577 ISBN-13(EAN): 9780415262576 Издательство: Taylor&Francis Рейтинг: Цена: 22202.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
How China's art students develop their aesthetic styles and enter the nation's creative economy
The last three decades have seen a massive expansion of China's visual culture industries, from architecture and graphic design to fine art and fashion. New ideologies of creativity and creative practices have reshaped the training of a new generation of art school graduates. Creativity Class is the first book to explore how Chinese art students develop, embody, and promote their own personalities and styles as they move from art school entrance test preparation, to art school, to work in the country's burgeoning culture industries. Lily Chumley shows the connections between this creative explosion and the Chinese government's explicit goal of cultivating creative human capital in a new "market socialist" economy where value is produced through innovation. Drawing on years of fieldwork in China's leading art academies and art test prep schools, Chumley combines ethnography and oral history with analyses of contemporary avant-garde and official art, popular media, and propaganda. Examining the rise of a Chinese artistic vanguard and creative knowledge-based economy, Creativity Class sheds light on an important facet of today's China.
Scholars of state socialism have frequently invoked “nostalgia” to identify an uncritical longing for the utopian ambitions and lived experience of the former Eastern Bloc. However, this concept seems insufficient to describe memory cultures in the Czech Republic and other contexts in which a “retro” fascination with the past has proven compatible with a steadfast critique of the state socialist era. This innovative study locates a distinctively retro aesthetic in Czech literature, film, and other cultural forms, enriching our understanding of not only the nation’s memory culture, but also the ways in which popular culture can structure collective memory.
In Postsocialism and Cultural Politics, Xudong Zhang offers a critical analysis of China’s “long 1990s,” the tumultuous years between the 1989 Tiananmen Square crackdown and China’s entry into the World Trade Organization in 2001. The 1990s were marked by Deng Xiaoping’s market-oriented reforms, the Taiwan missile crisis, the Asian financial crisis, and the end of British colonial rule of Hong Kong. Considering developments including the state’s cultivation of a market economy, the aggressive neoliberalism that accompanied that effort, the rise of a middle class and a consumer culture, and China’s entry into the world economy, Zhang argues that Chinese socialism is not over. Rather it survives as postsocialism, which is articulated through the discourses of postmodernism and nationalism and through the co-existence of multiple modes of production and socio-cultural norms. Highlighting China’s uniqueness, as well as the implications of its recent experiences for the wider world, Zhang suggests that Chinese postsocialism illuminates previously obscure aspects of the global shift from modernity to postmodernity.
Zhang examines the reactions of intellectuals, authors, and filmmakers to the cultural and political conflicts in China during the 1990s. He offers a nuanced assessment of the changing divisions and allegiances within the intellectual landscape, and he analyzes the postsocialist realism of the era through readings of Mo Yan’s fiction and the films of Zhang Yimou. With Postsocialism and Cultural Politics, Zhang applies the same keen insight to China’s long 1990s that he brought to bear on the 1980s in Chinese Modernism in the Era of Reforms.
In Postsocialism and Cultural Politics, Xudong Zhang offers a critical analysis of China’s “long 1990s,” the tumultuous years between the 1989 Tiananmen Square crackdown and China’s entry into the World Trade Organization in 2001. The 1990s were marked by Deng Xiaoping’s market-oriented reforms, the Taiwan missile crisis, the Asian financial crisis, and the end of British colonial rule of Hong Kong. Considering developments including the state’s cultivation of a market economy, the aggressive neoliberalism that accompanied that effort, the rise of a middle class and a consumer culture, and China’s entry into the world economy, Zhang argues that Chinese socialism is not over. Rather it survives as postsocialism, which is articulated through the discourses of postmodernism and nationalism and through the co-existence of multiple modes of production and socio-cultural norms. Highlighting China’s uniqueness, as well as the implications of its recent experiences for the wider world, Zhang suggests that Chinese postsocialism illuminates previously obscure aspects of the global shift from modernity to postmodernity.
Zhang examines the reactions of intellectuals, authors, and filmmakers to the cultural and political conflicts in China during the 1990s. He offers a nuanced assessment of the changing divisions and allegiances within the intellectual landscape, and he analyzes the postsocialist realism of the era through readings of Mo Yan’s fiction and the films of Zhang Yimou. With Postsocialism and Cultural Politics, Zhang applies the same keen insight to China’s long 1990s that he brought to bear on the 1980s in Chinese Modernism in the Era of Reforms.
Автор: S. Springer Название: Violent Neoliberalism ISBN: 1349503630 ISBN-13(EAN): 9781349503636 Издательство: Springer Рейтинг: Цена: 11179.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Violent Neoliberalism explores the complex unfolding relationship between neoliberalism and violence. Employing a series of theoretical dialogues on development, discourse and dispossession Cambodia, this study sheds significant empirical light on the vicious implications of free market ideology and practice.
This book examines Chinese culture under the age of market reforms. Beginning in the early 1990s and on into the new century, fields such as literature and film have been fundamentally transformed by the forces of the market as China is integrated ever more closely into the world economic system. As a result, the formerly unified revolutionary culture has been changed into a pluralized state that reflects the diversity of individual experience in the reform era. New autonomous forms of culture that have arisen include avant-garde as well as commercial literature, and independent film as well as a new entertainment cinema. Chinese people find their experiences of postsocialist modernity reflected in all kinds of new cultural forms as well as critical debates that often question the direction of Chinese society in the midst of comprehensive and rapid change.
Автор: Regis Machart; Fred Dervin; Minghui Gao Название: Intercultural Masquerade ISBN: 3662470551 ISBN-13(EAN): 9783662470558 Издательство: Springer Рейтинг: Цена: 13974.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
Introduction: Dis-Orient to Re-Orient Ourselves?.- 1- Reconceptualising the 'Other' in Australian universities.- 2- Encountering 'the West' through academic mobility: Shifting representations and reinforced stereotypes.- 3- The PRC "foreign talent" scholars and their Singaporean "Other" Neo-Occidentalism amidst intercultural contact in the context of higher education student mobility.- 4- French media critics of Asian education: A systematic quest for the cultural Other.- 5- Crate-Digging Columbuses and Vinyl Vespuccis - Exoticism in world music vinyl collections.- 6- East Blurs West: Global Crusaders in Amin Maalouf's L'Amour de loin.- 7- Using Diaspora: Orientalism, Japanese nationalism, and the Japanese Brazilian diaspora.- 8- The rise of the Chinese villain: Demonic representation of the Asian character in popular literature (1880-1950).- 9- Writing ambivalence: Visions of the West in Republican and Post-Maoist Chinese literature.- About the authors.
Описание: This book explores the resurgence of racial masquerade in Western popular media. Through a close examination of science fiction, horror, and fantasy texts and films, it contemplates the fundamental, albeit changing, role that ethnic simulation plays in American and British cultures in a putatively postracial and postcolonial era.
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