Struggles for Representation: African American Documentary Film and Video, Janet K. Cutler, Phyllis Rauch Klotman
Автор: Ames, Eric (Author) Название: Ferocious Reality: Documentary According to Werner Herzog ( Visible Evidence (Hardcover) #27 ) ISBN: 0816677638 ISBN-13(EAN): 9780816677634 Издательство: NBN International Рейтинг: Цена: 8279.00 р. 11827.00-30% Наличие на складе: Есть (1 шт.) Описание: Over the course of his career Werner Herzog, known for such visionary masterpieces as Aguirre: The Wrath of God (1972) and The Enigma of Kaspar Hauser (1974), has directed almost sixty films, roughly half of which are documentaries. And yet, in a statement delivered during a public appearance in 1999, the filmmaker declared: \u201cThere are deeper strata of truth in cinema, and there is such a thing as poetic, ecstatic truth. It is mysterious and elusive, and can be reached only through fabrication and imagination and stylization.\u201d Ferocious Reality is the first book to ask how this conviction, so hostile to the traditional tenets of documentary, can inform the work of one of the world\u2019s most provocative documentarians.Herzog, whose Cave of Forgotten Dreams was perhaps the most celebrated documentary of 2010, may be the most influential filmmaker missing from major studies and histories of documentary. Examining such notable films as Lessons of Darkness (1992) and Grizzly Man (2005), Eric Ames shows how Herzog dismisses documentary as a mode of filmmaking in order to creatively intervene and participate in it. In close, contextualized analysis of more than twenty-five films spanning Herzog\u2019s career, Ames makes a case for exploring documentary films in terms of performance and explains what it means to do so. Thus his book expands the field of cinema studies even as it offers an invaluable new perspective on a little studied but integral part of Werner Herzog\u2019s extraordinary oeuvre.
Since 2000, there has been a considerable effort in Turkish cinema to come to terms with the military's intervention in politics and subsequent national trauma. It has resulted in an outpouring of cinematic texts. This book focuses on women and Turkish cinema in the context of gender politics, cultural identity and representation.
The central proposition of this book is that enforced depolticisation introduced after the coup is responsible for uniting feminism and film in 1980s Turkey. The feminist movement was able to flourish precisely because it was not perceived as political or politically significant. In a parallel move in the films of the 1980s there was an increased tendency to focus on the individual, on women's issues and lives, in order to avoid the overtly political.
Women and Turkish Cinema provides a comprehensive view of cinema's approach to women in a country which straddles European and Middle Eastern cultural conceptions, identities and religious values and will be an invaluable resource for students and scholars of Film Studies, Gender Studies and Middle East Studies, amongst others.
«Questo volume […] non si limita a descrivere, ma ricompone un quadro finora assente. I 37 capitoli che compongono questo volume-monstre dettagliano aspetti, figure, momenti spesso messi da parte nel dibattito.?…?Attraverso i diversi capitoli il lettore percepisce la pervasivit? [dell’industria] che si fa ideologema, le sue diverse realizzazioni e simbolizzazioni artistiche (cinematografiche e letterarie), e si rende conto che non si tratta solo di una «moda» o un momentaneo interesse dovuto a qualche intellettuale innamorato degli operai.»
(Carlo Tirinanzi De Medici, University of Pisa, in SigMa 6 (2022))
«Il libro rappresenta senza dubbio un’indagine preziosa sulla rappresentazione del lavoro e dell’industria nell’Italia del dopoguerra. Molte sono le piste che esso ha il merito di aprire, cos? come le domande e le questioni che mette in gioco.»
(Federico Pierotti, University of Picardie Jules Verne, in SigMa 6 (2022))
«L'autorevolezza del volume risiede principalmente in tre ragioni: la cornice teorica chiara ma al tempo stesso originale; il contributo e l’apporto dei maggiori esperti sul tema; la capacit? di riflettere sulla letteratura industriale non solo a partire dalla cornice cronologica «classica» di questi saggi (che vanno grosso modo dall’inizio del boom economico alla fine degli anni Settanta), ma inserendola in un discorso che porta ai giorni nostri rendendo cos? tale letteratura una specificit? nel contesto letterario italiano.?…?Un coraggioso tentativo di creare un canone letterario e cinematografico delle produzioni culturali industriali italiane.»
(Daniele Comberieti, Paul Val?ry University Montpellier 3, in Annali d’Italianistica 40 (2022))
«…uno dei volumi pi? autorevoli sulla letteratura industriale.»
(Daniele Comberieti, Paul Val?ry University Montpellier 3, in Annali d’Italianistica 40 (2022))
This book explores the representation of industrial labor in Italian literature and film from the 1950s through the 1970s. The first article of the postwar Italian Constitution states that the Republic is founded on labor. Forces across the political spectrum, from Catholic to communist, invested labor with the power to build a new national community after Fascism and war. The 1950s-1970s saw dramatic transformations, in economic, social and cultural terms, as labor moved from agriculture to industry and a whole generation of Italian writers and filmmakers used literature and cinema to interpret – and influence – these changes and to capture the new experiences of industrial labor. The essays in this book offer a comprehensive panorama of this generation’s work, examining key questions and texts, set against the context of history and theory, gender and class, geography and the environment, as well as their precursors and present-day successors.
Описание: Nine actresses, from Madame Sul-Te-Wan in Birth of a Nation (1915) to Ethel Waters in Member of the Wedding (1952), are profiled in African American Actresses. Charlene Regester poses questions about prevailing racial politics, on-screen and off-screen identities, and black stardom and white stardom. She reveals how these women fought for their roles as well as what they compromised (or didn't compromise). Regester repositions these actresses to highlight their contributions to cinema in the first half of the 20th century, taking an informed theoretical, historical, and critical approach.
Автор: Phyllis Rauch Klotman Название: Frame by Frame I: A Black Filmography ISBN: 0253211263 ISBN-13(EAN): 9780253211262 Издательство: Wiley EDC Рейтинг: Цена: 6178.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: A reprint of the classic 1979 edition, containing listings of over 3000 film items with Black themes and subject matter from the period 1900–1977. For the past decade or so scholars have been looking at the role of Blacks in a medium that has profoundly influenced attitudes toward race and society. Here is a compendium of approximately 3,000 film items. Listed are films with black themes or subject matter (even before black actors appeared in them); films featuring substantial participation by Blacks as writers, actors, producers, directors, musicians, and consultants; and films in which Blacks play incidental roles. Productions by both American and foreign companies made between 1900 and 1977 are included. Each entry is categorized by type and fully identified and annotated, with complete cast lists. Because general information about many of the films is readily accessible, the emphasis in Frame by Frame—A Black Filmography is on the presence and participation of Blacks—an emphasis that brings to the fore their important contributions to the art of filmmaking.
Автор: Roy Armes Название: Postcolonial Images: Studies in North African Film ISBN: 025321744X ISBN-13(EAN): 9780253217448 Издательство: Wiley EDC Рейтинг: Цена: 3773.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Postcolonial Images is a comprehensive introduction to and resource for cinema of the Maghreb. In clear and accessible prose, Roy Armes examines the political and cultural context of the films and the film industry in the post-independence era. Since the birth of cinema, North Africa has been the site of countless European and U.S. film productions. This book, however, focuses on the postcolonial period, when indigenous filmmaking in each of the three Maghreb countries—Algeria, Morocco, and Tunisia—arose with the newly independent nations. Comparative analyses of each country's filmmaking in the decades following independence provide a historical portrait of the conditions and environment for the development of a postcolonial cinema. Armes then turns his attention to an in-depth examination of 10 key films produced between the 1970s and the 1990s, including Omar Gatlato, La Nouba, Halfaouine, Silences of the Palace, and Ali Zaoua. The book includes a dictionary of more than 135 North African filmmakers and a chronological filmography.
Автор: Jordan Название: African American Servitude and Historial Imaginings ISBN: 1403964971 ISBN-13(EAN): 9781403964977 Издательство: Springer Рейтинг: Цена: 12157.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: In African-American Servitude and Historical Imaginings Margaret Jordan initiates a new way of looking at the African American presence in American literature. Jordan contends that they do not read or misread history, they imagine history as meditations on social realties and reconstruct the past as a way to confront the present.
Описание: Contours of African American Politics chronicles the systematic study of African American politics and its subsequent recognition as an established field of scholarly inquiry
Автор: Shirley Moody-Turner Название: Black Folklore and the Politics of Racial Representation ISBN: 1617038857 ISBN-13(EAN): 9781617038853 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 8455.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Before the innovative work of Zora Neale Hurston, folklorists from the Hampton Institute collected, studied, and wrote about African American folklore. Like Hurston, these folklorists worked within but also beyond the bounds of white mainstream institutions. Shirley Moody-Turner analyses this output, along with the contributions of a disparate group of African American authors and scholars.
Описание: This book focuses on the collaborative illustrated volumes published during the Harlem Renaissance, in which African Americans used written and visual texts to shape ideas about themselves and to redefine African American identity. Anne Elizabeth Carroll argues that these volumes show how participants in the movement engaged in the processes of representation and identity formation in sophisticated and largely successful ways. Though they have received little scholarly attention, these volumes constitute an important aspect of the cultural production of the Harlem Renaissance. Word, Image, and the New Negro marks the beginning of a long-overdue recovery of this legacy and points the way to a greater understanding of the potential of texts to influence social change.
Unbought and Unbossed critically examines the ways black women writers in the 1970s and early 1980s deploy black female characters that transgress racial, gender, and especially sexual boundaries. Trimiko Melancon analyzes literary and cultural texts, including Toni Morrison’s Sula and Gloria Naylor’s The Women of Brewster Place, in the socio-cultural and historical moments of their production. She shows how representations of black women in the American literary and cultural imagination diverge from stereotypes and constructions of “whiteness,” as well as constructions of female identity imposed by black nationalism.
Drawing from black feminist and critical race theories, historical discourses on gender and sexuality, and literary criticism, Melancon explores the variety and complexity of black female identity. She illuminates how authors including Ann Allen Shockley, Alice Walker, and Gayl Jones engage issues of desire, intimacy, and independence to shed light on a more complex black identity, one ungoverned by rigid politics over-determined by race, gender and sexuality.
Описание: What accounts for the persistence of the figure of the black criminal in popular culture created by African Americans? This title explores the rationale behind this tradition of criminal self-representation from the Harlem Renaissance to the gangsta culture. It traces the legacy of badness in Rudolph Fisher and Chester Himes` detective fiction.
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