Breaking the Frame: Film Language and the Experience of Limits, Inez Hedges
Автор: Hansen, Miriam Название: Cinema and experience ISBN: 0520265602 ISBN-13(EAN): 9780520265608 Издательство: Wiley Рейтинг: Цена: 4752.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Siegfried Kracauer, Walter Benjamin, and Theodor W Adorno - affiliated through friendship, professional ties, and argument - developed an astute philosophical critique of modernity in which technological media played a key role. This book explores their reflections on cinema and photography from the Weimar period up to the 1960s.
Описание: Analysing a wide set of TV and film genres - including crime, legal and medical dramas, comedies, horror, and reality programming - this book covers the complex ways that media responds to social movements, sometimes giving voice to brand-new or previously silenced stories, but just as often making facile references that can fuel cultural backlash.
Автор: Goulding, Daniel J. Название: Liberated cinema, revised and expanded edition ISBN: 025321582X ISBN-13(EAN): 9780253215826 Издательство: Wiley EDC Рейтинг: Цена: 2915.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Originally published in 1985, Liberated Cinema: The Yugoslav Experience received the first annual "Close-up" award from the Yugoslav Film Institute in 1986 for "outstanding scholarship and for promoting the values of Yugoslav film art internationally." This new edition has been revised and updated throughout. It has been expanded to complete the story of the new Yugoslav cinema of the 1980s and to address major film developments that have taken place in the former Yugoslavia's five successor states. As in his analysis of past periods of Yugoslav cinema, Goulding situates the most recent developments within the context of film economics, state subsidies, and changing patterns of political control. Most significantly, however, he provides an insightful discussion of the ways in which critically important domestic feature films produced or co-produced from 1991 to 2001 reflect on recent brutal internecine warfare and other contemporary social, cultural, and political realities after the breakup of Yugoslavia.
Описание: In Spirit and Sport: Religion and the Fragile Athletic Body in Popular Culture, Sean O’Neil studies the intersectionality of religion and disability as it exists within contemporary sports. To do so, he calls to the forefront various contemporary stories about trauma and disability—some fictional, others biographical—and examines how we tell and interpret these stories within the frameworks of athletic activity, competition, failure, and success. O’Neil studies a wide range of perspectives, from John Irving’s A Prayer for Owen Meany and the big-screen’s Signs to the experiences of real-life athletes like Tim Tebow, Muhammad Ali, and Bethany Hamilton. Woven throughout his examination of each is a consideration of religious belief and practice, especially within Christianity, as it relates to athletic ability—the lighthearted stories of victory and overcoming, the inspiring triumph over fragility and limitation so often couched in religious terms.O’Neil’s study draws upon his experiences as a hospital chaplain and his own battle with skin cancer. By blending personal experience with sociological observation, O’Neil argues that the intersection of religion, sports, and disability in popular culture is a revealing site of cultural struggle over competing myths, identities, and values related to the body—both the physical bodies we inhabit as well as the broader social bodies to which we subscribe.Spirit and Sport is a study with broad appeal: from O’Neil’s autoethnographic storytelling to the wide range of narrative media he examines, religious scholars, sports historians, and general audiences alike are sure to find it a thought-provoking and engaging read.
Описание: ". . . vital to understanding this period of East European Jewish history. As Hyman promises, the memoir . . . read[s] like a novel." —Russian Review In this striking autobiography Puah Rakovsky (1865-1955) tells of her experiences as a Jewish woman in late 19th- and early 20th-century Poland who broke with her traditional upbringing to become a professional educator, Zionist activist, and feminist leader. Her passionate account offers unprecedented entr?e into the life experience of East European Jewry in a period of massive social change. Published in the original Yiddish in 1954, the work appears here in English for the first time, annotated and with a historical introduction by Paula E. Hyman. Born into a rabbinic family in 1865 in Bialystok, then within the Russian Empire, Rakovsky witnessed the flourishing of a variety of radical political movements, the birth of Zionism, and the devastation of World War I. No mere bystander, she was an activist who assumed leadership roles in the public arenas of education and politics: she founded a pioneering Jewish girls' school in Warsaw and a national Jewish women's organization in 1920s Poland. In her memoir Rakovsky reflects on the position of Jewish women in her time and gives her personal and political perspective on central events of modern Jewish history from her childhood until her emigration to the Land of Israel in 1935.
Описание: This book is about American films from the late sixties and early seventies, how they use music and sound to foreground an imagined engagement with the lived immediacy of experience, and how this experience is related to the idea of the historical past.
Описание: Blindness, or vision loss, is a major medical concern that has also drawn the attention of artists, writers, musicians, mythologists, filmmakers, religions, philosophers and others. Covering everything from pop culture to high culture, this text is an illuminating anthology of essays examining various representations of blindness.
Comprehensive in scope, this collection of essays analyzes depictions and explorations of blindness in many pieces of media. Essays explore blindness in horror films, science fiction literature, high art, superhero fiction, Jewish and indigenous traditions, music and more. This book aims to show how a world of darkness can hold so much light.
Описание: This book is about American films from the late sixties and early seventies, how they use music and sound to foreground an imagined engagement with the lived immediacy of experience, and how this experience is related to the idea of the historical past.
Описание: Documenting the Black Experience is motivated by two primary concerns:Versions of history taught at the elementary, middle, high school, and at times college levels often exclude significant events from African American history, such as the murder of Emmett Till or the Ku Klux Klan's murder of four black girls when it bombed the Sixteenth Street Baptist Church in Birmingham, Alabama. Such events are integral aspects of history that continue to inform America's racial politics. Their exclusion from traditional accounts of history is a problem that this project addresses by bringing more visibility to documentaries focusing on such stories, and thus the events themselves.Notable cinema books chronicling the history of documentary films and filmmaking follow a similar pattern, omitting the efforts of documentarians who have chronicled and continue to recount black-oriented stories. Therefore, this book also works to make documentary discourse more complete.Hence, Documenting the Black Experience works to bring attention to non-narrative films chronicling the African American experience in four areas - Civil Rights, Sports, Electronic Media, and And Beyond: The Contemporary Black Struggle - demonstrating how the issues that the films address continue to inform America's racial politics.
Название: Shakespeare and the `Live` Theatre Broadcast Experience ISBN: 1350030465 ISBN-13(EAN): 9781350030466 Издательство: Bloomsbury Academic Рейтинг: Цена: 15840.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
This ground breaking collection of essays is the first to examine the phenomenon of how, in the twenty-first century, Shakespeare has been experienced as a 'live' or 'as-live' theatre broadcast by audiences around the world. Shakespeare and the 'Live' Theatre Broadcast Experience explores the precursors of this phenomenon and its role in Shakespeare's continuing globalization. It considers some of the most important companies that have produced such broadcasts since 2009, including NT Live, Globe on Screen, RSC Live from Stratford-upon-Avon, Stratford Festival HD, Kenneth Branagh Theatre Company Live, and Cheek by Jowl, and examines the impact these broadcasts have had on branding, ideology, style and access to Shakespeare for international audiences. Contributors from around the world reflect on how broadcasts impact on actors' performances, changing viewing practices, local and international Shakespearean fan cultures and the use of social media by audience members for whom "liveness" is increasingly tied up in the experience economy.
The book tackles vexing questions regarding the 'presentness' and 'liveness' of performance in the 21st century, the reception of Shakespeare in a globally-connected environment, the challenges of sustaining an audience for stage Shakespeare, and the ideological implications of consuming theatre on screen. It will be crucial reading for scholars of the 'live' theatre broadcast, and enormously helpful for scholars of Shakespeare on screen and in performance more broadly.
Описание: Film is often conceived as a medium that is watched rather than experienced. Existing studies of film audiences, and of media reception more broadly, have revealed the complexity of viewing practices and cultures surrounding cinema-going and its exhibition spaces. Experiencing Cinema offers the first in-depth study of participant engagement with a range of experiential media forms derived from cinema culture. From sing-a-long screenings to theatrical extravaganzas, a broad spectrum of alternative film-going practices and immersive spaces are explored and analysed in this original audience study.
Moving from intimate community gatherings to blockbuster urban venues, from isolated farmhouses to Olympic stadia, Experiencing Cinema considers the lure and value of these popular events. Often attracting a diverse, intergenerational range of participants, from early-adopter urban hipsters to DIY rural communities, the growing demand for participatory cinema within the contemporary marketplace is analysed alongside broader debates circulating around the move away from traditional tiered seating and increased audience mobility and the de-centring of the film text.
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