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Music as Philosophy: Adorno and Beethoven`s Late Style, Michael Spitzer


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Автор: Michael Spitzer
Название:  Music as Philosophy: Adorno and Beethoven`s Late Style
ISBN: 9780253347244
Издательство: Wiley EDC
Классификация:

ISBN-10: 0253347246
Обложка/Формат: Hardback
Страницы: 392
Вес: 0.78 кг.
Дата издания: 2006-06-14
Язык: English
Иллюстрации: 2 b&w photos, 85 figures, 1 index
Размер: 238 x 166 x 31
Читательская аудитория: Professional & vocational
Основная тема: Music, MUSIC / General
Подзаголовок: Adorno and beethoven`s late style
Ссылка на Издательство: Link
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Поставляется из: Англии
Описание: Beethovens late style is the language of his ninth symphony, the Missa Solemnis, the last piano sonatas and string quartets, the Diabelli Variations, the Bagatelles, as well as five piano sonatas, five string quartets, and several smaller piano works. Historically, these works are seen as forging a bridge between the Classical and Romantic traditions: in terms of their musical structure, they continue to be regarded as revolutionary.
Spitzers book examines these late works in light of the musical and philosophical writings of the German intellectual Theodor Adorno, and in so doing, attempts to reconcile the conflicting approaches of musical semiotics and critical theory. He draws from various approaches to musical, linguistic, and aesthetic meaning, relating Adorno to such writers as Derrida, Benjamin, and Habermas, as well as contemporary music theorists. Through analyses of Beethovens use of specific musical techniques (including neo-Baroque fugues and counterpoint), Spitzer suggests that the composers last works offer a philosophical and musical critique of the Enlightenment, and in doing so created the musical language of premodernism.

Дополнительное описание: Acknowledgments
1. Away with All Rules?
2. Styles
3. Adorno's Beethoven
4. Late Landscapes
5. Invisible Cities
6. Ways of World Making
7. Kunstvereinigung
8. Caesura of the Classical Style
9. The Persistence of




Creation of Beethoven`s 35 Piano Sonatas

Автор: Cooper Barry
Название: Creation of Beethoven`s 35 Piano Sonatas
ISBN: 1472414322 ISBN-13(EAN): 9781472414328
Издательство: Taylor&Francis
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Описание: Beethoven’s piano sonatas are a cornerstone of the piano repertoire and favourites of both the concert hall and recording studio. The sonatas have been the subject of much scholarship, but no single study gives an adequate account of the processes by which these sonatas were composed and published. With source materials such as sketches and correspondence increasingly available, the time is ripe for a close study of the history of these works. Barry Cooper, who in 2007 produced a new edition of all 35 sonatas, including three that are often overlooked, examines each sonata in turn, addressing questions such as: Why were they written? Why did they turn out as they did? How did they come into being and how did they reach their final form? Drawing on the composer’s sketches, autograph scores and early printed editions, as well as contextual material such as correspondence, Cooper explores the links between the notes and symbols found in the musical texts of the sonatas, and the environment that brought them about. The result is a biography not of the composer, but of the works themselves.

From Silence to Sound: Beethoven`s Beginnings

Автор: Jeremy Yudkin
Название: From Silence to Sound: Beethoven`s Beginnings
ISBN: 1783274794 ISBN-13(EAN): 9781783274796
Издательство: Boydell & Brewer
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Описание: "No classical composer put more drama or originality into his opening ideas than Beethoven, so this first special study of these musical beginnings is particularly welcome." LEWIS LOCKWOOD This book discusses the myriad ways in which Beethoven begins his works and the structural, rhetorical, and emotional implications of these beginnings for listeners. Examining the opening moments of nearly 200 compositions, it offers a new method of analysis of Beethoven's music. At the same time, it sets Beethoven's work in context through a close study of beginnings in the compositions of Haydn, Mozart, and many other, lesser-known composers of the Classical Era. The book opens by examining how a beginning works in musical and rhetorical theory and by looking at findings from neuroscience and psychology to show how a beginning is received by our brains. It then considers categories of beginnings in depth: their structure, sonority, texture, and dynamics; the establishment of a beginning as a "storehouse" or for wit or humor; beginnings as public statements, as attention getters, as sneaky fade-ins; beginnings that deceive, puzzle, or pretend; beginnings that are endings; and beginnings that nod to another composer. The author carefully and sensitively observes the strategies that Beethoven and others employed, enabling consideration of issues of originality, emulation, influence, competition, and cross-fertilization. Analysis of the composer's manuscript scores shows how Beethoven can be seen in the process of refining his ideas of how to open a work. The book closes by examining the correlation between the psychology of listening and the creative ways composers of the eighteenth and early nineteenth centuries, especially Beethoven, crafted their opening gestures. It will appeal not only to Beethoven scholars but to all those interested in listening closely to music of the Classical Era. JEREMY YUDKIN is Professor of Music and Co-Director of the Center for Beethoven Research at Boston University.

Beethoven`s Theatrical Quartets

Автор: November
Название: Beethoven`s Theatrical Quartets
ISBN: 1107035457 ISBN-13(EAN): 9781107035454
Издательство: Cambridge Academ
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Описание: In the first detailed contextual study of Beethoven`s middle-period quartets, Nancy November explores reception history, early performance practices and aesthetic contexts. Detailed analyses provide new historical understanding of physical, visual, social, ideological and theatrical aspects of this music, offering a fresh critique of key paradigms in current Beethoven studies.

Beethoven`s Conversation Books: Volume 2: Nos. 9 to 16 (March 1820 to September 1820)

Автор: Theodore Albrecht
Название: Beethoven`s Conversation Books: Volume 2: Nos. 9 to 16 (March 1820 to September 1820)
ISBN: 1783271515 ISBN-13(EAN): 9781783271511
Издательство: Boydell & Brewer
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Описание: A complete new edition of Beethoven`s conversation books, now translated into English in their entirety for the first time, covering a period associated with the revolutionary style of what we call "late Beethoven".

Beethoven`s conversation books

Название: Beethoven`s conversation books
ISBN: 1783271507 ISBN-13(EAN): 9781783271504
Издательство: Boydell & Brewer
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Описание: A complete new edition of Beethoven`s conversation books, now translated into English in their entirety for the first time. Covering a period associated with the revolutionary style of what we call "late Beethoven", these often lively and compelling conversations are now finally accessible in English for the scholar and Beethoven-lover.

Автор: Theodore Albrecht
Название: Beethoven`s Conversation Books: Volume 3: Nos. 17 to 31 (May 1822 to May 1823)
ISBN: 1783271523 ISBN-13(EAN): 9781783271528
Издательство: Boydell & Brewer
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Цена: 7128.00 р.
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Описание: A complete new edition of Beethoven`s conversation books, now translated into English in their entirety for the first time. Covering a period associated with the revolutionary style of what we call "late Beethoven", these often lively and compelling conversations are now finally accessible in English for the scholar and Beethoven-lover.

Beethoven`s Theatrical Quartets

Автор: November
Название: Beethoven`s Theatrical Quartets
ISBN: 1316639592 ISBN-13(EAN): 9781316639597
Издательство: Cambridge Academ
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Цена: 5069.00 р.
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Описание: In the first detailed contextual study of Beethoven`s middle-period quartets, Nancy November explores reception history, early performance practices and aesthetic contexts. Detailed analyses provide new historical understanding of physical, visual, social, ideological and theatrical aspects of this music, offering a fresh critique of key paradigms in current Beethoven studies.

Beethoven`s lives - the biographical tradition

Автор: Lockwood, Lewis
Название: Beethoven`s lives - the biographical tradition
ISBN: 1783275510 ISBN-13(EAN): 9781783275519
Издательство: Boydell & Brewer
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Цена: 3166.00 р.
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Описание: Beethoven`s Lives will be required reading for anyone interested in understanding how Beethoven biography has evolved through the ages.

Cultivating string quartets in beethoven`s vienna

Автор: November, Nancy
Название: Cultivating string quartets in beethoven`s vienna
ISBN: 1783272325 ISBN-13(EAN): 9781783272327
Издательство: Boydell & Brewer
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Описание: The first detailed contextual study of chamber music in Beethoven`s Vienna, at a time when the string quartet reigned supreme among the different chamber genres

Beethoven`s Orchestral Music: An Owner`s Manual

Автор: Hurwitz David
Название: Beethoven`s Orchestral Music: An Owner`s Manual
ISBN: 1538135604 ISBN-13(EAN): 9781538135600
Издательство: Rowman & Littlefield Publishers
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Цена: 7392.00 р.
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Описание: Veteran music critic David Hurwitz provides an accessible, comprehensive, and fresh survey of Beethoven's symphonies, overtures, concertos, theatrical music, his single ballet and other music for the dance, and several short pieces worth getting to know. Beethoven's orchestral works include some of the most iconic and popular pieces of classical music ever written. This book offers chapters on Beethoven's handling of the symphony orchestra and his contributions to its evolution, as well as his approach to musical form in creating large, multi-movement works. The musical descriptions provide helpful strategies for listening that invite both beginners and experienced enthusiasts to treat even the best known pieces as something fresh, new and relevant. In addition, Hurwitz provides extensive lists of recommended recordings of all of the music surveyed, highlighting the wide range of issues in Beethoven interpretation and performance, as well as the history of his music. He encourages readers to listen actively and critically, as they build their own Beethoven discographies according to their personal tastes and preferences. The book is accompanied by online audio tracks of Beethoven works selected by Hurwitz.

Beethoven`s Symphonies Arranged for the Chamber: Sociability, Reception, and Canon Formation

Автор: November Nancy
Название: Beethoven`s Symphonies Arranged for the Chamber: Sociability, Reception, and Canon Formation
ISBN: 1108831753 ISBN-13(EAN): 9781108831758
Издательство: Cambridge University Press
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Цена: 20714.00 р.
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Описание: Classical symphonies are often considered as works for full orchestra, demanding fidelity to the composers` orchestral scores in performance, listening and study. This book resituates the cultural context, uncovering a largely untapped wealth of early nineteenth-century domestic music-making and chamber ensemble arrangements of Beethoven`s works.

Beethoven and the Grosse Fuge: Music, Meaning, and Beethoven`s Most Difficult Work

Автор: Kahn Robert S.
Название: Beethoven and the Grosse Fuge: Music, Meaning, and Beethoven`s Most Difficult Work
ISBN: 0810874180 ISBN-13(EAN): 9780810874183
Издательство: Rowman & Littlefield Publishers
Цена: 13306.00 р.
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Описание: The Grosse Fuge, composed by Ludwig van Beethoven in his late period, has an involved and complicated history. Written for a string quartet but published as an independent work, the piece raises interesting questions about whether music without words can have meaning, and invokes speculation about the composer and his frame of mind when he wrote it. Kahn looks closely at the musical, aesthetic, philosophical, and historical problems the work raises, considering its history, structure and development, meaning, and response among critics and contemporaries. Kahn also studies Beethoven's difficulties with publishers and sponsors, his everyday life, and his character in light of recent advances in the pharmacology of depressive illness. The book places both Beethoven and the Grosse Fuge in their historic and social contexts, arguing that Beethoven intended the Fuge as the finale of his String Quartet Opus 130 and created a substitute finale for the quartet at his publisher's urging; not because he was unhappy with the work. Beethoven is examined as a freelance musician: a vocation whose members were frequently excluded from society and the protection of its laws, including respect for copyright. Viewed in this light, Beethoven's famous quirks and resentments become understandable, even rational. Kahn also devotes a chapter to the phenomenon of synesthesia-a sense of motion through three-dimensional volumes of space-examining how some works of Western music can evoke synesthesia in listeners. He also speculates that Beethoven's creative dry spell in his late 40s was caused by an extended bout with clinical depression. Written for a general audience and including a bibliography and index, this fascinating study will interest scholars and fans of classical music and Beethoven.


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