Native Women`s History in Eastern North America before 1900: A Guide to Research and Writing, Lucy Eldersveld Murphy, Rebecca Kugel
Автор: Aby M. Warburg Название: Images from the Region of the Pueblo Indians of North America ISBN: 0801484359 ISBN-13(EAN): 9780801484353 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 2252.00 р. 2502.00-10% Наличие на складе: Есть (1 шт.) Описание:
Aby M. Warburg (1866–1929) is recognized not only as one of the century’s preeminent art and Renaissance historians but also as a founder of twentieth-century methods in iconology and cultural studies in general. Warburg’s 1923 lecture, first published in German in 1988 and now available in the first complete English translation, offers at once a window on his career, a formative statement of his cultural history of modernity, and a document in the ethnography of the American Southwest. This edition includes thirty-nine photographs, many of them originally presented as slides with the speech, and a rich interpretive essay by the translator.
Prophets of the Great Spirit offers an in-depth look at the work of a diverse group of Native American visionaries who forged new, syncretic religious movements that provided their peoples with the ideological means to resist white domination. By blending ideas borrowed from Christianity with traditional beliefs, they transformed “high” gods or a distant and aloof creator into a powerful, activist deity that came to be called the Great Spirit. These revitalization leaders sought to regain the favor of the Great Spirit through reforms within their societies and the inauguration of new ritual practices.
Among the prophets included in this study are the Delaware Neolin, the Shawnee Tenkswatawa, the Creek “Red Stick” prophets, the Seneca Handsome Lake, and the Kickapoo Kenekuk. Covering more than a century, from the early 1700s through the Kickapoo Indian removal of the Jacksonian Era, the prophets of the Great Spirit sometimes preached armed resistance but more often used nonviolent strategies to resist white cultural domination. Some prophets rejected virtually all aspects of Euro-American culture. Others sought to assure the survival of their culture through selective adaptation.
Alfred A. Cave explains the conditions giving rise to the millenarian movements in detail and skillfully illuminates the key histories, personalities, and legacies of the movement. Weaving an array of sources into a compelling narrative, he captures the diversity of these prophets and their commitment to the common goal of Native American survival.
Описание: Recounts a small portion of long-standing Cherokee traditions and their rich histories. The book aims to characterize Cherokee and indigenous women as independent and strong individuals through feminist and historical perspectives. Readers will find that these women were far ahead of their time and held their own in many remarkable ways.
Автор: Emma P?rez Название: Decolonial Imaginary: Writing Chicanas into History ISBN: 0253212839 ISBN-13(EAN): 9780253212832 Издательство: Wiley EDC Рейтинг: Цена: 2744.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: "The Decolonial Imaginary is a smart, challenging book that disrupts a great deal of what we think we know . . . it will certainly be read seriously in Chicano/a studies." —Women's Review of Books Emma P?rez discusses the historical methodology which has created Chicano history and argues that the historical narrative has often omitted gender. She poses a theory which rejects the colonizer's methodological assumptions and examines new tools for uncovering the hidden voices of Chicanas who have been relegated to silence.
Описание: Other Worlds Here: Honoring Native Women’s Writing in Contemporary Anarchist Movements examines the interaction of literature and radical social movement, exploring the limitations of contemporary anarchist politics through attentive engagement with Native women’s literatures. Tracing the rise of New Anarchism in the United States following protests against the World Trade Organization in 1999, interdisciplinary scholar Theresa Warburton argues that contemporary anarchist politics have not adequately accounted for the particularities of radical social movement in a settler colonial society. As a result, activists have replicated the structure of settlement within anarchist spaces. All is not lost, however. Rather than centering a critical indictment of contemporary anarchist politics, Other Worlds Here maintains that a defining characteristic of New Anarchism is its ability to adapt and transform. Through close readings of texts by Native women authors, Warburton argues that anarchists must shift the paradigm that another world is possible to one that recognizes other worlds already here: stories, networks, and histories that lay out methods of building reciprocal relationships with the land and its people. Analyzing memoirs, poetry, and novels by writers including Deborah Miranda, Elissa Washuta, Heid E. Erdrich, Janet Rogers, and Leslie Marmon Silko, Other Worlds Here extends the study of Native women’s literatures beyond ethnographic analysis of Native experience to advance a widely applicable, contemporary political critique.
Автор: Adriana Greci Green, Tricia Laughlin Bloom Название: Native Artists of North America ISBN: 093282840X ISBN-13(EAN): 9780932828408 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 4257.00 р. Наличие на складе: Нет в наличии.
Описание: Lavishly illustrated with over 80 full-color images, this book includes original art and artifacts from the distant past as well as modern work by Native American artists from a vast array of tribes — including Cherokee, Delaware, Iroquois, Mohawk, Cheyenne, Lakota, Zuni, Pueblo, Yup'ik, Huron, Ojibwa, Arapaho, and Nez Perce. Works included are clothing (such as robes, shoes, and hats), everyday items (such as blankets, pots, jugs, and baskets) and artwork (such as paintings on animal hide and colorful figurines). This publication, the first ever to document the Newark Museum's important Native American holdings in a significant way, is the result of more than one hundred years of collecting and an ambitious amount of new research and interpretation. John Cotton Dana, the museum's founding director, refused established museum hierarchies of art, believing that such stratification was used to privilege painting and sculpture over other media and to marginalize artistic traditions that were not necessarily old or European. Dana's drive to collect art globally and across media, underscoring the role art plays in the daily lives of real people, was all part of the same refrain: art is everything; art is everywhere; art is for everyone. The works here highlight the vitality and persistence of Indigenous people over time and across experiences, and the tenacity with which cultural knowledge and the mastery of skill are passed on from one generation to the next. They also reflect how Native American artists and communities have been and continue to be engaged in broader historical, artistic, and economic exchanges with outsiders. They demonstrate the originality, vision, and care with which artists from different tribal nations across the continent, each with their own history and artistic traditions, express both individual ideas and shared cultural principles. Native Artists of North America draws on the expertise of an outstanding group of internationally recognized scholars and artists. Expert commentary from Ulysses Grant Dietz, Adriana Greci Green, Tricia Laughlin Bloom, Adriana Greci Green, Susan Sekaquaptewa, Emil Her Many Horses, Wendy Red Star, Nadia Jackinsky-Sethi, D. Y. Begay, Mique'l Dangeli, and Sherrie Smith-Ferri provides important insights to help readers understand the nature and significance of the objects and artwork. Published by Newark Museum. Distributed worldwide by Rutgers University Press.
Описание: Before American History juxtaposes Mexico City’s famous carved Sun Stone with the mounded earthworks found throughout the Midwestern states of the U.S. to examine the project of settler nationalism from the 1780s to the 1840s in two North American republics usually studied separately. As the U.S. and Mexico transformed from European colonies into independent nations—and before war scarred them both—antiquarians and historians compiled and interpreted archives meant to document America’s Indigenous pasts. These settler-colonial understandings of North America’s past deliberately misappropriated Indigenous histories and repurposed them and their material objects as "American antiquities," thereby writing Indigenous pasts out of U.S. and Mexican national histories and national lands and erasing and denigrating Native peoples living in both nascent republics.Christen Mucher creatively recovers the Sun Stone and mounded earthworks as archives of nationalist power and Indigenous dispossession as well as objects that are, at their material base, produced by Indigenous people but settler controlled and settler interpreted. Her approach renders visible the foundational methodologies, materials, and mythologies that created an American history out of and on top of Indigenous worlds and facilitated Native dispossession continent-wide. By writing Indigenous actors out of national histories, Mexican and U.S. elites also wrote them out of their lands, a legacy of erasure and removal that continues when we repeat these eighteenth- and nineteenth-century settler narratives and that reverberates in discussions of immigration, migration, and Nativism today.
Автор: Daniel K. Richter Название: Trade, Land, Power: The Struggle for Eastern North America ISBN: 0812223802 ISBN-13(EAN): 9780812223804 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 4383.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
In this sweeping collection of essays, one of America's leading colonial historians reinterprets the struggle between Native peoples and Europeans in terms of how each understood the material basis of power. Throughout the seventeenth and eighteenth centuries in eastern North America, Natives and newcomers alike understood the close relationship between political power and control of trade and land, but they did so in very different ways. For Native Americans, trade was a collective act. The alliances that made a people powerful became visible through material exchanges that forged connections among kin groups, villages, and the spirit world. The land itself was often conceived as a participant in these transactions through the blessings it bestowed on those who gave in return. For colonizers, by contrast, power tended to grow from the individual accumulation of goods and landed property more than from collective exchange—from domination more than from alliance. For many decades, an uneasy balance between the two systems of power prevailed. Tracing the messy process by which global empires and their colonial populations could finally abandon compromise and impose their definitions on the continent, Daniel K. Richter casts penetrating light on the nature of European colonization, the character of Native resistance, and the formative roles that each played in the origins of the United States.
Автор: Leanne Trapedo Sims Название: Reckoning with Restorative Justice: Hawai`i Women`s Prison Writing ISBN: 1478020377 ISBN-13(EAN): 9781478020370 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 12910.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: In Reckoning with Restorative Justice, Leanne Trapedo Sims explores the experiences of women who are incarcerated at the Women’s Community Correctional Center, the only women’s prison in the state of Hawai‘i. Adopting a decolonial and pro-abolitionist lens, she focuses particularly on women’s participation in the Kailua Prison Writing Project and its accompanying Prison Monologues program. Trapedo Sims argues that while the writing project served as a vital resource for the inside women, it also remained deeply embedded within carceral logics at the institutional, state, and federal levels. She foregrounds different aspects of these programs, such as the classroom spaces and the dynamics that emerged between performers and audiences in the Prison Monologues. Blending ethnography, literary studies, psychological analysis, and criminal justice critique, Trapedo Sims centers the often-overlooked stories of incarcerated Native Hawaiian and Pacific Islander women in Hawai‘i in ways that resound with the broader American narrative: the disproportionate incarceration of people of color in the prison-industrial complex.
Описание: Before American History juxtaposes Mexico City’s famous carved Sun Stone with the mounded earthworks found throughout the Midwestern states of the U.S. to examine the project of settler nationalism from the 1780s to the 1840s in two North American republics usually studied separately. As the U.S. and Mexico transformed from European colonies into independent nations—and before war scarred them both—antiquarians and historians compiled and interpreted archives meant to document America’s Indigenous pasts. These settler-colonial understandings of North America’s past deliberately misappropriated Indigenous histories and repurposed them and their material objects as "American antiquities," thereby writing Indigenous pasts out of U.S. and Mexican national histories and national lands and erasing and denigrating Native peoples living in both nascent republics.Christen Mucher creatively recovers the Sun Stone and mounded earthworks as archives of nationalist power and Indigenous dispossession as well as objects that are, at their material base, produced by Indigenous people but settler controlled and settler interpreted. Her approach renders visible the foundational methodologies, materials, and mythologies that created an American history out of and on top of Indigenous worlds and facilitated Native dispossession continent-wide. By writing Indigenous actors out of national histories, Mexican and U.S. elites also wrote them out of their lands, a legacy of erasure and removal that continues when we repeat these eighteenth- and nineteenth-century settler narratives and that reverberates in discussions of immigration, migration, and Nativism today.
Автор: Leanne Trapedo Sims Название: Reckoning with Restorative Justice: Hawai`i Women`s Prison Writing ISBN: 1478025263 ISBN-13(EAN): 9781478025269 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 3380.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: In Reckoning with Restorative Justice, Leanne Trapedo Sims explores the experiences of women who are incarcerated at the Women’s Community Correctional Center, the only women’s prison in the state of Hawai‘i. Adopting a decolonial and pro-abolitionist lens, she focuses particularly on women’s participation in the Kailua Prison Writing Project and its accompanying Prison Monologues program. Trapedo Sims argues that while the writing project served as a vital resource for the inside women, it also remained deeply embedded within carceral logics at the institutional, state, and federal levels. She foregrounds different aspects of these programs, such as the classroom spaces and the dynamics that emerged between performers and audiences in the Prison Monologues. Blending ethnography, literary studies, psychological analysis, and criminal justice critique, Trapedo Sims centers the often-overlooked stories of incarcerated Native Hawaiian and Pacific Islander women in Hawai‘i in ways that resound with the broader American narrative: the disproportionate incarceration of people of color in the prison-industrial complex.
Описание: Other Worlds Here: Honoring Native Women’s Writing in Contemporary Anarchist Movements examines the interaction of literature and radical social movement, exploring the limitations of contemporary anarchist politics through attentive engagement with Native women’s literatures. Tracing the rise of New Anarchism in the United States following protests against the World Trade Organization in 1999, interdisciplinary scholar Theresa Warburton argues that contemporary anarchist politics have not adequately accounted for the particularities of radical social movement in a settler colonial society. As a result, activists have replicated the structure of settlement within anarchist spaces.
All is not lost, however. Rather than centering a critical indictment of contemporary anarchist politics, Other Worlds Here maintains that a defining characteristic of New Anarchism is its ability to adapt and transform. Through close readings of texts by Native women authors, Warburton argues that anarchists must shift the paradigm that another world is possible to one that recognizes other worlds already here: stories, networks, and histories that lay out methods of building reciprocal relationships with the land and its people. Analyzing memoirs, poetry, and novels by writers including Deborah Miranda, Elissa Washuta, Heid E. Erdrich, Janet Rogers, and Leslie Marmon Silko, Other Worlds Here extends the study of Native women’s literatures beyond ethnographic analysis of Native experience to advance a widely applicable, contemporary political critique.
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