Hans Urs von Balthasar`s Theology of Representation: God, Drama, and Salvation, Jacob Lett
Автор: Oglesby, Les Название: C.g. jung and hans urs von balthasar ISBN: 0415791782 ISBN-13(EAN): 9780415791786 Издательство: Taylor&Francis Рейтинг: Цена: 7654.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: This book brings together the work of Carl Gustav Jung and Hans Urs von Balthasar, two of the most creative thinkers in psychology and theology in the twentieth century, to critically compare their ideas on the perennial question of God`s involvement with evil.
This study presents Hans Urs von Balthasar’s theology of the Eucharist and shows its significance for contemporary sacramental theology.
Anyone who seeks to offer a systematic account of Hans Urs von Balthasar’s theology of the Eucharist and the liturgy is confronted with at least two obstacles. First, his reflections on the Eucharist are scattered throughout an immense and complex corpus of writings. Second, the most distinctive feature of his theology of the Eucharist is the inseparability of his sacramental theology from his speculative account of the central mysteries of the Christian faith. In The Eucharistic Form of God, the first book-length study to explore Balthasar’s eucharistic theology in English, Jonathan Martin Ciraulo brings together the fields of liturgical studies, sacramental theology, and systematic theology to examine both how the Eucharist functions in Balthasar’s theology in general and how it is in fact generative of his most unique and consequential theological positions. He demonstrates that Balthasar is a eucharistic theologian of the highest caliber, and that his contributions to sacramental theology, although little acknowledged today, have enormous potential to reshape many discussions in the field.
The chapters cover a range of themes not often included in sacramental theology, including the doctrine of the Trinity, the Incarnation, and soteriology. In addition to treating Balthasar’s own sources—Origen, Gregory of Nyssa, Pascal, Catherine of Siena, and Bernanos—Ciraulo brings Balthasar into conversation with contemporary Catholic sacramental theology, including the work of Louis-Marie Chauvet and Jean-Yves Lacoste. The overall result is a demanding but satisfying presentation of Balthasar’s contribution to sacramental theology. The audience for this volume is students and scholars who are interested in Balthasar’s thought as well as theologians who are working in the area of sacramental and liturgical theology.
Hans Urs von Balthasar, one of the preeminent theologians of Roman Catholic theology in the modern era, constructed a theological world suffused by the literary, a vision carried across over 16 volumes of his magnum opus. A Generous Symphony offers a balanced appraisal of Balthasars literary achievement and explicates Balthasars literary criticism as a distinctive theology of revelation, which offers possibilities for understanding how divine presence may be manifested outside the canonical boundaries of Christian tradition.
The structure of A Generous Symphony is a chronological presentation of the Balthasarian canon of imaginative literature, which allows readers to see how social and historical interests guide Balthasars readings in the pre-Christian, medieval, and modern eras. While other books have examined the systematic theology of Balthasar, this book will examine the important question of how students of literature, like Balthasar, can be transformed into theologians by attending to the implicit presence of Christ in what Gerard Manley Hopkins poem "As kingfishers catch fire . . ." called "the ten thousand places." Balthasars deep investment in the uniqueness of Christian revelation is underlined, while, at the same time, his aesthetic sympathies cause him to invest literature with quasi-sacramental status.
This study presents Hans Urs von Balthasar’s theology of the Eucharist and shows its significance for contemporary sacramental theology.
Anyone who seeks to offer a systematic account of Hans Urs von Balthasar’s theology of the Eucharist and the liturgy is confronted with at least two obstacles. First, his reflections on the Eucharist are scattered throughout an immense and complex corpus of writings. Second, the most distinctive feature of his theology of the Eucharist is the inseparability of his sacramental theology from his speculative account of the central mysteries of the Christian faith. In The Eucharistic Form of God, the first book-length study to explore Balthasar’s eucharistic theology in English, Jonathan Martin Ciraulo brings together the fields of liturgical studies, sacramental theology, and systematic theology to examine both how the Eucharist functions in Balthasar’s theology in general and how it is in fact generative of his most unique and consequential theological positions. He demonstrates that Balthasar is a eucharistic theologian of the highest caliber, and that his contributions to sacramental theology, although little acknowledged today, have enormous potential to reshape many discussions in the field.
The chapters cover a range of themes not often included in sacramental theology, including the doctrine of the Trinity, the Incarnation, and soteriology. In addition to treating Balthasar’s own sources—Origen, Gregory of Nyssa, Pascal, Catherine of Siena, and Bernanos—Ciraulo brings Balthasar into conversation with contemporary Catholic sacramental theology, including the work of Louis-Marie Chauvet and Jean-Yves Lacoste. The overall result is a demanding but satisfying presentation of Balthasar’s contribution to sacramental theology. The audience for this volume is students and scholars who are interested in Balthasar’s thought as well as theologians who are working in the area of sacramental and liturgical theology.
Описание: This book brings together the work of Carl Gustav Jung and Hans Urs von Balthasar, two of the most creative thinkers in psychology and theology in the twentieth century, to critically compare their ideas on the perennial question of God`s involvement with evil.
Описание: The two-fold task of A Symphony of Distances is to provide an overview of Hans Urs von Balthasar's use of distance imagery with regard to personal distinctions in the Holy Trinity and to offer a critical analysis of him as a modern Catholic theologian.A metaphor of "distance" integrates all of Balthasar's theological thought as a primary cipher for the many symbols through which he reads the Christian theological tradition in a trinitarian and eschatological mode. The book follows a chronological, four-stage development of Balthasar's trinitarianism through the lens of this distance metaphor as it occurs across representative texts. The critical analysis employs the conceit of a symphony of four musical movements that correspond to four varieties of theological distance. These distances show certain correspondences of God's creation and redemption of the world—marked by the first two "distances"—with the relations of the divine persons to each other in the economy of salvation and in the eternal Trinity itself—marked by the third and fourth distances. "Listening" to the four movements of Balthasar's theological distances enables his readers to "hear" the themes of all four movements in the ascending order of richness, complexity, and inclusivity over the long development of his thought.This fundamentally positive approach of A Symphony of Distances allows for a thorough critique of the internal consistency of Balthasar's applied method, of the controversial use of gendered trinitarian notions in his speculations on divine pathos, and of his adequacy to the tasks of modern theology. The final judgment is that Balthasar's theology of distance can be accepted, with reservations, as a positive element of his contribution to contemporary trinitarian theology. The book can thus serve as a critical reference for readers who find Balthasar's notion of trinitarian distance, and indeed his trinitarianism as a whole, to be compelling, confusing, or frustrating.
Описание: The most valuable aspect of A Trinitarian Anthropology may be that it presents us with a method of engaging theological difference that makes cuts and divisions when necessary, but never departs from a truly Catholic understanding of orthodoxy and always keeps an eye towards ecclesial harmony." - Theological Studies"Schumacher's work is a detailed, competent study of one of the important issues in contemporary Catholic theology: a careful comparison of the theological anthropology of Hans Urs von Balthasar and Adrienne von Speyr with that of Thomas Aquinas. Such a serene, objective treatment, combined with Schumacher's respect and empathy for all three theologians, is indeed rare... Schumacher's magnum opus is undeniably a milestone in the ever-expanding and deepening research evaluating the immense theological and spiritual heritage of Hans Urs von Balthasar and Adrienne von Speyr within the Catholic theological tradition." -The Thomist
Описание: although Hans Urs von Balthasar’s earliest publication is from 1925, and although he was a mature forty years old in 1945, there is a deficiency in the secondary literature regarding his early literature, its historical backgrounds and non-theological sources. In this study Balthasar is presented in relation to the various contexts in which he was both drawing upon and responding to from the 1920s to the 1940s. The major contexts analyzed here are the broad central European Germanophone cultural context, the Germanophone Catholic cultural context, the German studies context, the French Catholic renewal literature and theology of the early 20th-century, the popular journal Stimmen der Zeit, Neo-Scholasticism, early 20th-century French Catholic culture, Swiss fascism, National Socialist literature, the Renouveau Catholique, the George-Kreis and many others. Balthasar’s early anti-Semitism and some of the problematic aspects of his early work are also addressed in this study. His understanding of the modern age, his relationships with some key intellectual figures and his later reflections on his early work are also introduced. The book offers a comprehensive study of Balthasar’s early intellectual development.
Автор: Carpenter Anne M. Название: Theo-Poetics: Hans Urs Von Balthasar and Thet Risk of Art and Being ISBN: 0268023786 ISBN-13(EAN): 9780268023782 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 4013.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
Swiss theologian Hans Urs von Balthasar (1905–1988) originated much of twentieth- and twenty-first-century theology's renewed interest in aesthetics. Von Balthasar's theology is both poetic and philosophical, and while this combination is often recognized, it calls for an explanation. In Theo-Poetics: Hans Urs von Balthasar and the Risk of Art and Being, Anne M. Carpenter explores von Balthasar's use of poetry and poetic language, and she offers a detailed analysis of his philosophical presuppositions. Carpenter argues that von Balthasar uses poets and poetic language to make theological arguments because this poetic way of speaking expresses metaphysical truth without reducing one to the other.
Carpenter begins with von Balthasar's very early interests in music, literature, and philosophy, in particular his work, Apocalypse of the German Soul. She explores Glory of the Lord and the trilogy, moving through his despair over the possibility of reconciling art and theology. She uncovers the major characteristics of von Balthasar's metaphysical thinking, discussing his interactions with Thomas Aquinas, Karl Barth, and Martin Heidegger to firmly link Christology, metaphysics, and the expressiveness of language. The book concludes by marshaling its themes into a focused evaluation of von Balthasar's "redeemed" theo-poetic as it comes to expression in the poetry of G. M. Hopkins. Carpenter resituates and reevaluates Hopkins's poetry in a new context, placing him in the school of Aquinas rather than Scotus, and shows us how metaphysics is necessary for a vigorous understanding of language.
Описание: What role do novels, drama, and tragedy play within Christian thought and living? The twentieth century Catholic theologian Hans Urs von Balthasar addressed these questions using tragic drama. For him, Christ was the true tragic hero of the world who exceeded all tragic literature and experience. Balthasar demonstrated how ancient, pre-Christian tragedy and Renaissance works contained important Christian concepts, but he critiqued modern novels as failing to be either truly tragic or Christian. By examining the tragic novels of Thomas Hardy on their own terms, we have an important counterpoint to Balthasar's argument that the novel is too prosaic for theological reflection. Hardy's novels are an apt pairing for examination and critique, as they are both classically and biblically influenced, as well as contemporary.The larger implication for Balthasar's theology is that his innovations in theological aesthetics and tragedy must be expanded in the light of modernity and the tragic novel.
Описание: What role do novels, drama, and tragedy play within Christian thought and living? The twentieth century Catholic theologian Hans Urs von Balthasar addressed these questions using tragic drama. For him, Christ was the true tragic hero of the world who exceeded all tragic literature and experience. Balthasar demonstrated how ancient, pre-Christian tragedy and Renaissance works contained important Christian concepts, but he critiqued modern novels as failing to be either truly tragic or Christian. By examining the tragic novels of Thomas Hardy on their own terms, we have an important counterpoint to Balthasar's argument that the novel is too prosaic for theological reflection. Hardy's novels are an apt pairing for examination and critique, as they are both classically and biblically influenced, as well as contemporary.The larger implication for Balthasar's theology is that his innovations in theological aesthetics and tragedy must be expanded in the light of modernity and the tragic novel.
Although scholarship has long recognized the centrality of the Trinity in the theology of Hans Urs von Balthasar, no sustained treatment of this theme has been published until now. In this insightful new book, The Trinitarian Theology of Hans Urs von Balthasar, Brendan McInerny fills this gap, situating Balthasar’s trinitarian theology in conversation with both the wider Christian theological tradition and his non-Christian intellectual contemporaries. Drawing from across Balthasar’s extensive body of works, McInerny argues that Balthasar’s vivid description of the immanent Trinity provides a way to speak of how “God is love” in himself, beyond his relationship to creatures. He then shows how Balthasar’s speculation into the immanent Trinity serves as the substructure of his theology of deification. For Balthasar, what we say about the inner life of God matters because we are called to share in that very life through Christ and the Holy Spirit, to the glory of God the Father. Finally, responding to the criticisms that Balthasar’s speculations into the inner life of God are without warrant, McInerny argues that Balthasar’s bold trinitarian claims are actually a vehicle for apophatic theology. Balthasar’s vivid description of the triune God does not transgress the boundaries of theological discourse. Rather, it manifests God’s ever-greater incomprehensibility through verbal excess, oxymoron, and paradox.
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