Art and Empire: The Politics of Ethnicity in the United States Capitol, 1815–1860, Vivien Green Fryd
Автор: Howe, Daniel Walker Название: What hath god wrought ISBN: 0195392434 ISBN-13(EAN): 9780195392432 Издательство: Oxford Academ Рейтинг: Цена: 3999.00 р. Наличие на складе: Есть (2 шт.) Описание: Historian Howe illuminates the period of American history from the battle of New Orleans to the end of the Mexican-American War, an era when the United States expands to the Pacific and wins control over the richest part of the North American continent.
Описание: Focusing on the years between 1750 and 1860, this study follows the creation and perpetuation of an imperial culture, from the London metropole to the Great Plains.
Автор: Bashi Treitler Vilna Название: Ethnic Project ISBN: 0804757712 ISBN-13(EAN): 9780804757713 Издательство: Wiley EDC Рейтинг: Цена: 15616.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
Race is a known fiction—there is no genetic marker that indicates someone's race—yet the social stigma of race endures. In the United States, ethnicity is often positioned as a counterweight to race, and we celebrate our various hyphenated-American identities. But Vilna Bashi Treitler argues that we do so at a high cost: ethnic thinking simply perpetuates an underlying racism.
In The Ethnic Project, Bashi Treitler considers the ethnic history of the United States from the arrival of the English in North America through to the present day. Tracing the histories of immigrant and indigenous groups—Irish, Chinese, Italians, Jews, Native Americans, Mexicans, Afro-Caribbeans, and African Americans—she shows how each negotiates America's racial hierarchy, aiming to distance themselves from the bottom and align with the groups already at the top. But in pursuing these "ethnic projects" these groups implicitly accept and perpetuate a racial hierarchy, shoring up rather than dismantling race and racism. Ultimately, The Ethnic Project shows how dangerous ethnic thinking can be in a society that has not let go of racial thinking.
In the wake of the Mexican-American War, competing narratives of religious conquest and re-conquest were employed by Anglo American and ethnic Mexican Californians to make sense of their place in North America. These “invented traditions” had a profound impact on North American religious and ethnic relations, serving to bring elements of Catholic history within the Protestant fold of the United States’ national history as well as playing an integral role in the emergence of the early Chicano/a movement.
Many Protestant Anglo Americans understood their settlement in the far Southwest as following in the footsteps of the colonial project begun by Catholic Spanish missionaries. In contrast, Californios—Mexican-Americans and Chicana/os—stressed deep connections to a pre-Columbian past over to their own Spanish heritage. Thus, as Anglo Americans fashioned themselves as the spiritual heirs to the Spanish frontier, many ethnic Mexicans came to see themselves as the spiritual heirs to a southwestern Aztec homeland.
Like the ancient Roman Pantheon, the U.S. Capitol was designed by its political and aesthetic arbiters to memorialize the virtues, events, and persons most representative of the nation's ideals—an attempt to raise a particular version of the nation's founding to the level of myth.
American Pantheon examines the influences upon not only those virtues and persons selected for inclusion in the American pantheon, but also those excluded. Two chapters address the exclusion of slavery and African Americans from the art in the Capitol, a silence made all the more deafening by the major contributions of slaves and free black workers to the construction of the building. Two other authors consider the subject of women emerging as artists, subjects, patrons, and proponents of art in the Capitol, a development that began to emerge only in the second half of the nineteenth century.
The Rotunda, the Capitol's principal ceremonial space, was designed in part as an art museum of American history—at least the authorized version of it. It is explored in several of the essays, including discussions of the influence of the early-nineteenth-century Italian sculptors who provided the first sculptural reliefs for the room and the contributions of the mid-nineteenth-century Italian American artist Constantino Brumidi, to the mix of allegory, mythology, and history that permeates the space and indeed the Capitol itself.
Like the ancient Roman Pantheon, the U.S. Capitol was designed by its political and aesthetic arbiters to memorialize the virtues, events, and persons most representative of the nation's ideals—an attempt to raise a particular version of the nation's founding to the level of myth.
American Pantheon examines the influences upon not only those virtues and persons selected for inclusion in the American pantheon, but also those excluded. Two chapters address the exclusion of slavery and African Americans from the art in the Capitol, a silence made all the more deafening by the major contributions of slaves and free black workers to the construction of the building. Two other authors consider the subject of women emerging as artists, subjects, patrons, and proponents of art in the Capitol, a development that began to emerge only in the second half of the nineteenth century.
The Rotunda, the Capitol's principal ceremonial space, was designed in part as an art museum of American history—at least the authorized version of it. It is explored in several of the essays, including discussions of the influence of the early-nineteenth-century Italian sculptors who provided the first sculptural reliefs for the room and the contributions of the mid-nineteenth-century Italian American artist Constantino Brumidi, to the mix of allegory, mythology, and history that permeates the space and indeed the Capitol itself.
While the majority of scholarship on early Washington focuses on its political and physical development, in Incidental ArchitectGordon S. Brown describes the intellectual and social scene of the 1790s and early 1800s through the lives of a prominent couple whose cultural aspirations served as both model and mirror for the city’s own.
When William and Anna Maria Thornton arrived in Washington, D.C., in 1794, the new nation’s capital was little more than a raw village. The Edinburgh–educated Thornton and his accomplished wife brought with them the values of the Scottish Enlightenment, an enthusiasm for the arts, and a polished urbanity that was lacking in the little city emerging from the swamps along the Potomac. Thornton’s talents were manifold: He is perhaps best known as the original architect of the Capitol building, but he also served as a city commissioner and as director of the Patent Office, where his own experimentation in steam navigation embroiled him in a long-running dispute with inventor Robert Fulton.
In spite of their general preoccupation with politics and real estate development, Washington’s citizens gradually created a network of cultural institutions—theaters, libraries and booksellers, music venues, churches, schools, and even colleges and intellectual associations—that began to satisfy their aspirations.
Incidental Architect is a fascinating account of how the city’s cultural and social institutions were shaped by its earliest citizens.
While the majority of scholarship on early Washington focuses on its political and physical development, in Incidental ArchitectGordon S. Brown describes the intellectual and social scene of the 1790s and early 1800s through the lives of a prominent couple whose cultural aspirations served as both model and mirror for the city’s own.
When William and Anna Maria Thornton arrived in Washington, D.C., in 1794, the new nation’s capital was little more than a raw village. The Edinburgh–educated Thornton and his accomplished wife brought with them the values of the Scottish Enlightenment, an enthusiasm for the arts, and a polished urbanity that was lacking in the little city emerging from the swamps along the Potomac. Thornton’s talents were manifold: He is perhaps best known as the original architect of the Capitol building, but he also served as a city commissioner and as director of the Patent Office, where his own experimentation in steam navigation embroiled him in a long-running dispute with inventor Robert Fulton.
In spite of their general preoccupation with politics and real estate development, Washington’s citizens gradually created a network of cultural institutions—theaters, libraries and booksellers, music venues, churches, schools, and even colleges and intellectual associations—that began to satisfy their aspirations.
Incidental Architect is a fascinating account of how the city’s cultural and social institutions were shaped by its earliest citizens.
Описание: This is the first Houston history book to be written from the business perspective, where the stories behind the successes are told.
"Houston Legends" contains extrapolations into business culture innovators. Each chapter features historical perspectives in several key industries in the area's dynamic growth. Each topic is reviewed on the economic impact, the business contributions and the people involved and creative activities will be chronicled.
Recurring themes include entrepreneurial spirit, business survival, strategies, growth and vision. The names, dates and events are intertwined with anecdotes, applicable to modern business. Common themes include giving back generously to the community, stages in the evolution of a business, creativity and mentoring the next generation of leaders. This is a methodical way of reviewing Houston history in terms of the pioneers and their legacies for free enterprise.
Автор: Sims Marcie Название: Capitol Hill Pages: Young Witnesses to 200 Years of History ISBN: 1476669724 ISBN-13(EAN): 9781476669724 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 6653.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Capitol Pages in the Senate, House, and Supreme Court have been an integral part of US politics and history from the earliest days of American Government. The page program itself mirrors the values, successes, and failures of our government and of our country as a whole, including our ever-evolving stances on race, gender, and equal opportunity for all. Though we now only have Senate Pages who serve after the controversial closing of the House Page Program in 2011, former pages have a unique perspective on American politics and give back not only during their service to our country’s leaders, but afterwards as prominent and engaged leaders in the fields of politics, business, military, education, art, and culture. The author, a former Senate Page herself, shares first-hand accounts along with interviews of former pages, some notable public figures today, and in-depth research on the history of Capitol Pages, their duties, schooling, experiences, victories, and downfalls. Many first-hand interviews with former pages, including some of the first African American and female pages, reveal surprising discoveries of the importance of the Capitol Page Program, including the discovery that Capitol Page School was the first integrated public school after Brown Versus Board of Education thanks to Chief Warren’s determination to set an example for the country using this page school of less than 100 students. Pages were there as first-hand witnesses on the Senate and House Floors when our country declared war, during acts of violence including 9/11, and for our many victories and tragedies in US politics and history. Senate Pages today are carrying on an important role as an essential part of a 200+ year tradition of young ambassadors working alongside our politicians in the US Capitol.
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