Like the ancient Roman Pantheon, the U.S. Capitol was designed by its political and aesthetic arbiters to memorialize the virtues, events, and persons most representative of the nation's ideals—an attempt to raise a particular version of the nation's founding to the level of myth.
American Pantheon examines the influences upon not only those virtues and persons selected for inclusion in the American pantheon, but also those excluded. Two chapters address the exclusion of slavery and African Americans from the art in the Capitol, a silence made all the more deafening by the major contributions of slaves and free black workers to the construction of the building. Two other authors consider the subject of women emerging as artists, subjects, patrons, and proponents of art in the Capitol, a development that began to emerge only in the second half of the nineteenth century.
The Rotunda, the Capitol's principal ceremonial space, was designed in part as an art museum of American history—at least the authorized version of it. It is explored in several of the essays, including discussions of the influence of the early-nineteenth-century Italian sculptors who provided the first sculptural reliefs for the room and the contributions of the mid-nineteenth-century Italian American artist Constantino Brumidi, to the mix of allegory, mythology, and history that permeates the space and indeed the Capitol itself.
Описание: Acknowledging and engaging with some of the innovative work being done by artists, activists, and academics around the issue of fat sex, this collection both challenges preconceptions regarding fatness and sexuality, but also critiques and debates various aspects of the fat activist approach. It draws on a wide range of disciplinary perspectives, b
The United States Capitol is a national cultural icon, and among the most visually recognized seats of government in the world. The past quarter century has witnessed an explosion of scholarly interest in the art and architectural history of the Capitol. The emergence of the historic preservation movement and the maturation of the discipline of art conservation have refocused attention on the Capitol as the American “temple of liberty.” Major restoration and conservation projects have made possible a better understanding and appreciation of the building and its decoration.
The United States Capitol: Designing and Decorating a National Icon is a product of this revival of scholarly interest. The book combines the papers from the U.S. Capitol Historical Society’s first two conferences dedicated to the visual history and appreciation of this most significant of public buildings in the United States.
The first six papers in the collection focus on the roles of the architects of the Capitol from the contentious and delay-ridden first decade of construction through the twentieth–century expansion and modernization. The six essays in the book’s second section examine a variety of topics relating to the Capitol's artistic decoration, including the origins of Statuary Hall, the mural Westward Ho! and other paintings and artistic embellishments.
Описание: The subject matter and iconography of much of the art in the U.S. Capitol forms a remarkably coherent program of the early course of North American empire, from discovery and settlement to the national development and westward expansion that necessitated the subjugation of the indigenous peoples.In
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