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Time of the Crime: Phenomenology, Psychoanalysis, Italian Film, Domietta Torlasco


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Автор: Domietta Torlasco
Название:  Time of the Crime: Phenomenology, Psychoanalysis, Italian Film
ISBN: 9780804758024
Издательство: Wiley EDC
Классификация:

ISBN-10: 0804758026
Обложка/Формат: Hardback
Страницы: 144
Вес: 0.30 кг.
Дата издания: 2008-04-16
Язык: English
Размер: 224 x 146 x 16
Читательская аудитория: General (us: trade)
Основная тема: Film theory & criticism,Psychoanalytical theory (Freudian psychology), PERFORMING ARTS / Film / History & Criticism,PSYCHOLOGY / Movements / Psychoanalysis
Подзаголовок: Phenomenology, psychoanalysis, italian film
Ссылка на Издательство: Link
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Поставляется из: Англии
Описание:

The Time of the Crime interrogates the relationship between time and vision as it emerges in five Italian films from the sixties and seventies: Antonionis Blow-Up and The Passenger, Bertoluccis The Spiders Stratagem, Cavanis The Night Porter, and Pasolinis Oedipus Rex. The center around which these films revolve is the image of the crime scene—the spatial and temporal configuration in which a crime is committed, witnessed, and investigated. By pushing the detective story to its extreme limits, they articulate forms of time that defy any clear-cut distinction between past, present, and future—presenting an uncertain temporality that can be made visible but not calculated, and challenging notions of visual mastery and social control. If the detective story proper begins with a death that has already taken place, the death that seems to count the most in these films is the one that is yet to occur—the investigators own death. In a time of relentless anticipation, what appears in front of the investigators eyes is not the past as it was, but the past as it will have been in relation to the time of his or her search.




Film Festivals, Ideology and Italian Art Cinema: Politics, Histories and Cultural Value

Автор: Rachel Johnson
Название: Film Festivals, Ideology and Italian Art Cinema: Politics, Histories and Cultural Value
ISBN: 9463720367 ISBN-13(EAN): 9789463720366
Издательство: NBN International
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Цена: 24922.00 р.
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Описание: Film Festivals, Ideology and Italian Art Cinema is the first systematic study of the role ideology plays in film festivals’ construction of dominant ideas about art cinema.

Film festivals are considered the driving force of the film industry outside Hollywood, disseminating ideals of cinematic art and humanist politics. However, the question of what drives them remains highly contentious.

In a rare consideration of the European competitive film festival circuit as a whole, this book analyses the shared economic, geopolitical and cultural histories that characterise ‘European A festivals’. It offers, too, the first extensive analysis of such festivals’ role in the canonisation of select Italian films, from Rome, Open City to The Great Beauty and Gomorrah.

The book proposes a new approach to ideology critique, one that enables detailed examination of how film festivals construct ideas about not only contemporary art cinema, but assumptions about gender, race, colonialism and capitalism.

Relational Psychoanalytic Approaches to Film Theory

Автор: Hamburger, Andreas
Название: Relational Psychoanalytic Approaches to Film Theory
ISBN: 0367424290 ISBN-13(EAN): 9780367424299
Издательство: Taylor&Francis
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Цена: 4898.00 р.
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Автор: Hamburger, Andreas
Название: Relational Psychoanalytic Approaches to Film Theory
ISBN: 0367424304 ISBN-13(EAN): 9780367424305
Издательство: Taylor&Francis
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Цена: 21437.00 р.
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Dutch Post-war Fiction Film through a Lens of Psychoanalysis

Автор: Peter Verstraten
Название: Dutch Post-war Fiction Film through a Lens of Psychoanalysis
ISBN: 9463725334 ISBN-13(EAN): 9789463725330
Издательство: NBN International
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Цена: 35904.00 р.
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Описание: Dutch Post-war Fiction Film through a Lens of Psychoanalysis is a sequel to Humour and Irony in Dutch Post-war Fiction Film (AUP, 2016), but the two studies can be read separately. Because of the sheer variety of Fons Rademakers’ oeuvre, which spans ‘art’ cinema and cult, genre film and historical epics, each chapter will start with one of his titles to introduce a key concept from psychoanalysis. It is an oft-voiced claim that Dutch cinema strongly adheres to realism, but this idea is put into perspective by using psychoanalytic theories on desire and fantasy. In the vein of cinephilia, this study brings together canonical titles (Als twee druppels water; Soldaat van Oranje) and little gems (Monsieur Hawarden; Kracht). It juxtaposes among others Gluckauf and De vliegende Hollander (on father figures); Flanagan and Spoorloos (on rabbles and heroes); De aanslag and Leedvermaak (on historical traumas); and Antonia and Bluebird (on aphanisis).

Ecological Film Theory and Psychoanalysis: Surviving the Environmental Apocalypse in Cinema

Автор: Geal Robert
Название: Ecological Film Theory and Psychoanalysis: Surviving the Environmental Apocalypse in Cinema
ISBN: 1032027762 ISBN-13(EAN): 9781032027760
Издательство: Taylor&Francis
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Цена: 5970.00 р.
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Описание:

This book applies ecolinguistics and psychoanalysis to explore how films fictionalising environmental disasters provide spectacular warnings against the dangers of environmental apocalypse, while highlighting that even these apparently environmentally friendly films can still facilitate problematic real-world changes in how people treat the environment.

Ecological Film Theory and Psychoanalysis argues that these films exploit cinema's inherent Cartesian grammar to construct texts in which not only small groups of protagonist survivors, but also vicarious spectators, pleasurably transcend the fictionalised destruction. The ideological nature of the 'lifeboats' on which these survivors escape, moreover, is accompanied by additional elements that constitute contemporary Cartesian subjectivity, such as class and gender binaries, restored nuclear families, individual as opposed to social responsibilities for disasters, and so on. The book conducts extensive analyses of these processes, before considering alternative forms of filmmaking that might avoid the dangers of this existing form of storytelling. The book's new ecosophy and film theory establishes that Cartesian subjectivity is an environmentally destructive 'symptom' that everyday linguistic activities like watching films reinforce.

This book will be of great interest to students and scholars of film studies, literary studies (specifically ecocriticism), cultural studies, ecolinguistics, and ecosophy.

Psychoanalysis and Film

Автор: O. Gabbard, Glen
Название: Psychoanalysis and Film
ISBN: 1855752751 ISBN-13(EAN): 9781855752757
Издательство: Taylor&Francis
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Цена: 6430.00 р.
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Ambiguous cinema

Автор: Fuery Kelli
Название: Ambiguous cinema
ISBN: 1399504231 ISBN-13(EAN): 9781399504232
Издательство: Bloomsbury Academic
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Цена: 13464.00 р.
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Описание: Utilises women`s independent cinema to explore Simone de Beauvoir`s notion of ambiguity in film experience

The Cinema Ideal: An Introduction to Psychoanalytic Studies of the Film Spectator

Автор: Harriet E. Margolis
Название: The Cinema Ideal: An Introduction to Psychoanalytic Studies of the Film Spectator
ISBN: 0415726735 ISBN-13(EAN): 9780415726733
Издательство: Taylor&Francis
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Цена: 22968.00 р.
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Описание: This study explores the model derived from Freudian and Lacanian psychoanalysis, via Marxism and semiotics, of looking at film. It retraces the steps of film theory from ideological criticism of the late ‘60s to spectator studies in 1988 when the book was originally published. Psychoanalysis enables a discussion of the cinema’s role as a social and political force and this book enters a discourse of the politics of representation. Reconstructing discussion of basic issues, the book addresses our instincts and defences in reacting to cinema, the similarity between mental processes and cinematic technique, narrative techniques and the ‘cinematic apparatus’. Importantly, the book concerns itself with the concept of ideology and how the filmviewing experience engages the spectator in a complex net of stimuli presenting representations of an ideal world and the effect of this within film studies.

Psychoanalysis and Cinema

Название: Psychoanalysis and Cinema
ISBN: 1138149748 ISBN-13(EAN): 9781138149748
Издательство: Taylor&Francis
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Цена: 22202.00 р.
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Описание:

These fifteen carefully chosen essays by well-known scholars demonstrate the vitality and variety of psychoanalytic film criticism, as well as the crucial role feminist theory has played in its development. Among the films discussed are Duel in the Sun, The Best Yearsof Our Lives, Three Faces of Eve, Tender is the Night, Pandora's Box, Secrets of the Soul, and the works of Jacques Tourneur (director of The Cat People and other features).

Freud`s Drive: Psychoanalysis, Literature and Film

Автор: Lauretis
Название: Freud`s Drive: Psychoanalysis, Literature and Film
ISBN: 0230524788 ISBN-13(EAN): 9780230524781
Издательство: Springer
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Цена: 12577.00 р.
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Описание: A monograph from scholar of literature and film. It offers a comparative reading of Freud`s and Foucault`s theories of sexuality and presents arguments for Freud`s relevance in the twenty-first century. It traces the figural inscription of the death drive in Cronenberg`s film "eXistenZ" and Djuna Barnes` novel "Nightwood".

Horror film and psychoanalysis

Название: Horror film and psychoanalysis
ISBN: 0521107857 ISBN-13(EAN): 9780521107853
Издательство: Cambridge Academ
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Цена: 4277.00 р.
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Описание: This volume explores the subject of psychoanalysis and film in a series of essays that debate its legitimacy, utility and validity as applied to the horror genre.

Ecological Film Theory and Psychoanalysis

Автор: Geal, Robert
Название: Ecological Film Theory and Psychoanalysis
ISBN: 0367373416 ISBN-13(EAN): 9780367373412
Издательство: Taylor&Francis
Рейтинг:
Цена: 22202.00 р.
Наличие на складе: Есть у поставщика Поставка под заказ.

Описание: Ecological Film Theory and Psychoanalysis argues that these films exploit cinema`s inherent Cartesian grammar to construct texts in which not only small groups of protagonist survivors, but also vicarious spectators, pleasurably transcend the fictionalised destruction.


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