Transitions in Mid-Baroque Music: Style, Genre and Performance, Carrie Churnside
Автор: Nuti Название: The Performance of Italian Basso Continuo ISBN: 1138257494 ISBN-13(EAN): 9781138257498 Издательство: Taylor&Francis Рейтинг: Цена: 8114.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Basso continuo accompaniment calls upon a complex tapestry of harmonic, rhythmic, compositional, analytical and improvisational skills. The evolving knowledge that underpinned the performance of basso continuo was built up and transmitted from the late 1500s to the second half of the eighteenth century, when changes in instruments together with the assertion of control by composers over their works brought about its demise. By tracing the development of basso continuo over time and across the regions of Italy where differing practices emerged, Giulia Nuti accesses this body of musical usage. Sources include the music itself, introductions and specific instructions and requirements in song books and operas, contemporary accounts of performances and, in the later period of basso continuo, description and instruction offered in theoretical treatises. Changes in instruments and instrumental usage and the resulting sounds available to composers and performers are considered, as well as the altering relationship between the improvising continuo player and the composer. Extensive documentation from both manuscript and printed sources, some very rare and others better known, in the original language, followed by a precise English translation, is offered in support of the arguments. There are also many musical examples, transcribed and in facsimile. Giulia Nuti provides both a scholarly account of the history of basso continuo and a performance-driven interpretation of how this music might be played.
Автор: Greig, Donald (university Of Nottingham) Название: Baroque music in post-war cinema ISBN: 1108827861 ISBN-13(EAN): 9781108827867 Издательство: Cambridge Academ Рейтинг: Цена: 2851.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: This Element gives a wide perspective of pre-existing music in narrative cinema, placing baroque music in the context of its reception to explore its mobilisation in post-war cinema. Analyses of various films raise issues of baroque style and form to question why eighteenth-century music remains an exception to dominant film-music discourses.
Описание: Explores the history of the benefit performance in eighteenth-century Britain, revealing how benefits helped musicians establish themselves within the commercial structures of Britain`s urban centres. This book is for anyone interested in British musical history, particularly its performers, audiences, and institutions.
Автор: Stephen Rose Название: Musical Authorship from Schutz to Bach ISBN: 1108421075 ISBN-13(EAN): 9781108421072 Издательство: Cambridge Academ Рейтинг: Цена: 14256.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Aimed at students and researchers of music history, publishing history and cultural history, this study illuminates ideas of creativity and individuality in the seventeenth century. Its interdisciplinary approach shows how notions of the musical author were defined via the making, ownership, performance and reception of music.
Автор: Ponsford Название: French Organ Music in the Reign of Louis XIV ISBN: 1316620743 ISBN-13(EAN): 9781316620748 Издательство: Cambridge Academ Рейтинг: Цена: 3960.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Ponsford takes a fresh approach to French Baroque organ music by analysing each genre chronologically and tracing influences from Italian and French secular music. The study enhances understanding of French influence on J. S. Bach, and will appeal to all those who play, study and admire this unique repertory.
Описание: Mary Cyr addresses the needs of researchers, performers, and informed listeners who wish to apply knowledge about historically informed performance to specific pieces. Special emphasis is placed upon the period from 1680 to 1760, when the viol, violin, and violoncello grew to prominence as solo instruments in France.
Описание: Mary Cyr addresses the needs of researchers, performers, and informed listeners who wish to apply knowledge about historically informed performance to specific pieces. Special emphasis is placed upon the period from 1680 to 1760, when the viol, violin, and violoncello grew to prominence as solo instruments in France.
Автор: Hammond, Susan Lewis Название: Music in the Baroque World ISBN: 041584276X ISBN-13(EAN): 9780415842761 Издательство: Taylor&Francis Рейтинг: Цена: 10104.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Автор: Cyr, Mary Название: Essays on the Performance of Baroque Music ISBN: 0754659267 ISBN-13(EAN): 9780754659266 Издательство: Taylor&Francis Рейтинг: Цена: 22968.00 р. Наличие на складе: Поставка под заказ.
Автор: Parrott Andrew Название: Composers` Intentions? ISBN: 1783270322 ISBN-13(EAN): 9781783270323 Издательство: Boydell & Brewer Рейтинг: Цена: 4750.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Essays on musical performance practice by an acknowledged expert in the field.
Автор: Ponsford Название: French Organ Music in the Reign of Louis XIV ISBN: 0521887704 ISBN-13(EAN): 9780521887700 Издательство: Cambridge Academ Рейтинг: Цена: 16474.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Ponsford takes a fresh approach to French Baroque organ music by analysing each genre chronologically and tracing influences from Italian and French secular music. The study enhances understanding of French influence on J. S. Bach, and will appeal to all those who play, study and admire this unique repertory.
Автор: Alan Howard Название: Compositional Artifice in the Music of Henry Purcell ISBN: 110700666X ISBN-13(EAN): 9781107006669 Издательство: Cambridge Academ Рейтинг: Цена: 14256.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Fugal invention has proved a successful line of analytical inquiry in recent studies of repertoires from Josquin to J. S. Bach. Alan Howard brings similar insights to the music of Henry Purcell, and proposes the first analytical approach to his music to examine compositional methods alongside historically contemporary theory, focusing particularly on Purcell's 'artificial' approach to imitative counterpoint. Through this methodology Howard challenges many misunderstandings about Purcell's music that led to him being categorized as old-fashioned and unimaginative. This study offers fresh insights into the musical world in which Purcell lived and worked and situates Purcell's compositional concerns in the broader context of notions of artifice in Restoration culture. Howard thereby offers both a fresh analytical approach - both to Purcell's early instrumental works and to his later concerted vocal music - and a critique of the reception history surrounding the fantazias and sonatas in particular.
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