Prison of Time: Stanley Kubrick, Adrian Lyne, Michael Bay and Quentin Tarantino, Elisa Pezzotta
Название: The Stanley Kubrick Archives (Bibliotheca Universalis) ISBN: 3836555824 ISBN-13(EAN): 9783836555821 Издательство: Taschen Рейтинг: Цена: 2657.00 р. Наличие на складе: Есть (более 5-х шт.) Описание: From the opening sequence of Killer`s Kiss to the final frames of Eyes Wide Shut, this dazzling collection includes some of Kubrick`s most unforgettable shots and revealing interviews, as well as abundant material from his own archives, such as set designs, screenplays, notes, correspondence, and shooting schedules.
Название: Stanley Kubrick archives ISBN: 3836508893 ISBN-13(EAN): 9783836508896 Издательство: Taschen Рейтинг: Цена: 9962.00 р. Наличие на складе: Ожидается поступление.
Описание: The most comprehensive study of Stanley Kubrick to date. His films are nothing short of superb visual experiences; big screen storytelling at its very best. Featuring enlarged film stills and previously unseen Kubrick material, including posters, set designs, props, screenplays, and shooting schedules, this richly illustrated book offers...
Автор: McQuiston, Kate (Author) Название: We`ll Meet Again: Musical Design in the Films of Stanley Kubrick ISBN: 0199767653 ISBN-13(EAN): 9780199767656 Издательство: Oxford Academ Рейтинг: Цена: 11365.00 р. 16236.00-30% Наличие на складе: Есть (1 шт.) Описание: We`ll Meet Again illuminates music`s central role in the design and reception of Stanley Kubrick`s films. It brings together archival evidence and close analysis to trace the ways music serves as starting point and inspiration throughout Kubrick`s working process.
Описание: We are imprisoned in circadian rhythms, as well as in our life reviews that follow chronological and causal links. For the majority of us our lives are vectors directed toward aims that we strive to reach and delimited by our birth and death. Nevertheless, we can still experience fleeting moments during which we forget the past and the future, as well as the very flow of time. During these intense emotions, we burst out laughing or crying, or we scream with pleasure, or we are mesmerized by a work of art or just by eyes staring at us.
Similarly, when we watch a film, the screening time has a well defined beginning and end, and screening and diegetic time and their relations, together with narrative and stylistic techniques, determine a time within the time of our life with its own rules and exceptions. Through the close analysis of Stanley Kubrick’s, Adrian Lyne’s, Michael Bay’s and Quentin Tarantino’s oeuvres, this book discusses the overall ‘dominating’ time of their films and the moments during which this ‘ruling’ time is disrupted and we momentarily forget the run toward the diegetic future – suspense – or the past – curiosity and surprise. It is in these very moments, as well as in our own lives, that the prison of time, through which the film is constructed and that is constructed by the film itself, crumbles displaying our role as spectators, our deepest relations with the film.
Автор: Botton, Michele ; Santiago Acosta, Bernardo Название: Quentin Tarantino: A Graphic Biography ISBN: 0711290768 ISBN-13(EAN): 9780711290761 Издательство: Quarto Рейтинг: Цена: 2177.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Автор: Gerald Peary Название: Quentin Tarantino: Interviews, Revised and Updated ISBN: 1617038741 ISBN-13(EAN): 9781617038747 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 9979.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Here, in his own colourful, slangy words, is the true American Dream saga of a self-proclaimed "film geek". Quentin Tarantino: Interviews, revised and updated with twelve new interviews, is a joy to read cover to cover because its subject has so much interesting and provocative to say about his own movies and about cinema in general, and also about his unusual life.
Автор: David Roche Название: Quentin Tarantino: Poetics and Politics of Cinematic Metafiction ISBN: 1496819160 ISBN-13(EAN): 9781496819161 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 13794.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Quentin Tarantino's films beg to be considered metafiction: metacommentaries that engage with the history of cultural representations and exalt the aesthetic, ethical, and political potential of creation as re-re-creation and resignification. Covering all eight of Quentin Tarantino's films according to certain themes, David Roche combines cultural studies and neoformalist approaches to highlight how closely the films' poetics and politics are intertwined. Each in-depth chapter focuses on a salient feature, some which have drawn much attention (history, race, gender, violence), others less so (narrative structure, style, music, theatricality).Roche sets Tarantino's films firmly in the legacy of Howard Hawks, Jean-Luc Godard, Sergio Leone, and the New Hollywood, revising the image of a cool pop-culture purveyor that the American director cultivated at the beginning of his career. Roche emphasizes the breadth and depth of his films' engagement with culture, highbrow and lowbrow, screen and print, American, East Asian, and European.
Автор: Gallafent, Edward Название: Quentin Tarantino ISBN: 0582473047 ISBN-13(EAN): 9780582473041 Издательство: Taylor&Francis Рейтинг: Цена: 5817.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Winner, Ray & Pat Browne Award for Best Reference/Primary Source Work in Popular and American Culture, Popular Culture Association/American Culture Association, 2016
Known for their violence and prolific profanity, including free use of the n-word, the films of Quentin Tarantino, like the director himself, chronically blurt out in polite company what is extremely problematic even when deliberated in private. Consequently, there is an uncomfortable and often awkward frankness associated with virtually all of Tarantino’s films, particularly when it comes to race and blackness. Yet beyond the debate over whether Tarantino is or is not racist is the fact that his films effectively articulate racial anxieties circulating in American society as they engage longstanding racial discourses and hint at emerging trends. This radical racial politics—always present in Tarantino’s films but kept very much on the quiet—is the subject of Race on the QT.
Adilifu Nama concisely deconstructs and reassembles the racial dynamics woven into Reservoir Dogs, True Romance, Pulp Fiction, Jackie Brown, Kill Bill: Vol. 1, Kill Bill: Vol. 2, Death Proof, Inglourious Basterds, and Django Unchained, as they relate to historical and current racial issues in America. Nama’s eclectic fusion of cultural criticism and film analysis looks beyond the director’s personal racial attitudes and focuses on what Tarantino’s filmic body of work has said and is saying about race in America symbolically, metaphorically, literally, impolitely, cynically, sarcastically, crudely, controversially, and brilliantly.
Winner, Ray & Pat Browne Award for Best Reference/Primary Source Work in Popular and American Culture, Popular Culture Association/American Culture Association, 2016
Known for their violence and prolific profanity, including free use of the n-word, the films of Quentin Tarantino, like the director himself, chronically blurt out in polite company what is extremely problematic even when deliberated in private. Consequently, there is an uncomfortable and often awkward frankness associated with virtually all of Tarantino’s films, particularly when it comes to race and blackness. Yet beyond the debate over whether Tarantino is or is not racist is the fact that his films effectively articulate racial anxieties circulating in American society as they engage longstanding racial discourses and hint at emerging trends. This radical racial politics—always present in Tarantino’s films but kept very much on the quiet—is the subject of Race on the QT.
Adilifu Nama concisely deconstructs and reassembles the racial dynamics woven into Reservoir Dogs, True Romance, Pulp Fiction, Jackie Brown, Kill Bill: Vol. 1, Kill Bill: Vol. 2, Death Proof, Inglourious Basterds, and Django Unchained, as they relate to historical and current racial issues in America. Nama’s eclectic fusion of cultural criticism and film analysis looks beyond the director’s personal racial attitudes and focuses on what Tarantino’s filmic body of work has said and is saying about race in America symbolically, metaphorically, literally, impolitely, cynically, sarcastically, crudely, controversially, and brilliantly.
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