The Ethical Implications of Shakespeare in Performance and Appropriation, Geoffrey Way, Kathryn Vomero Santos, Louise Geddes

Автор: Marsh, Courtney
Название: Shakespeare`s Global Sonnets
ISBN: 3031094719 ISBN-13(EAN): 9783031094712
Издательство: Springer
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Цена: 18167.00 р.
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Описание: This edited collection brings together scholars from across the world, including France, Italy, Germany, Hungary, Japan, the USA and India, to offer a truly international perspective on the global reception of Shakespeare`s Sonnets from the 18th century to the present.

Автор: Desmet, Christy
Название: Shakespeare and Appropriation
ISBN: 0415207258 ISBN-13(EAN): 9780415207256
Издательство: Taylor&Francis
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Цена: 22202.00 р.
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Автор: Desmet, Christy
Название: Shakespeare and Appropriation
ISBN: 0415207266 ISBN-13(EAN): 9780415207263
Издательство: Taylor&Francis
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Цена: 6123.00 р.
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Автор: Huang
Название: Shakespeare and the Ethics of Appropriation
ISBN: 1137375760 ISBN-13(EAN): 9781137375766
Издательство: Springer
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Цена: 11179.00 р.
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Описание: Making an important new contribution to rapidly expanding fields of study surrounding the adaptation and appropriation of Shakespeare, Shakespeare and the Ethics of Appropriation is the first book to address the intersection of ethics, aesthetics, authority, and authenticity.

Автор: Ferguson, Ailsa
Название: Shakespeare, Cinema, Counter-Culture
ISBN: 0367867796 ISBN-13(EAN): 9780367867799
Издательство: Taylor&Francis
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Цена: 6583.00 р.
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Описание: Addressing for the first time Shakespeare`s place in counter-cultural cinema, this book examines and theorizes counter-hegemonic, postmodern, and post-punk Shakespeare in late 20th and early 21st century film. Drawing on a diverse range of case studies, Grant Ferguson presents an interdisciplinary approach that offers new t

Автор: Rorato, Laura
Название: Caravaggio in Film and Literature
ISBN: 0367599910 ISBN-13(EAN): 9780367599911
Издательство: Taylor&Francis
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Цена: 6583.00 р.
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Автор: Williamson
Название: Twentieth-Century Sentimentalism
ISBN: 0813562988 ISBN-13(EAN): 9780813562988
Издательство: Mare Nostrum (Eurospan)
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Цена: 13167.00 р.
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Описание: Today’s critical establishment assumes that sentimentalism is an eighteenth- and nineteenth-century literary mode that all but disappeared by the twentieth century. In this book, Jennifer Williamson argues that sentimentalism is alive and well in the modern era. By examining working-class literature that adopts the rhetoric of ""feeling right” in order to promote a proletarian or humanist ideology as well as neo-slave narratives that wrestle with the legacy of slavery and cultural definitions of African American families, she explores the ways contemporary authors engage with familiar sentimental clichés and ideals.Williamson covers new ground by examining authors who are not generally read for their sentimental narrative practices, considering the proletarian novels of Grace Lumpkin, Josephine Johnson, and John Steinbeck alongside neo-slave narratives written by Margaret Walker, Octavia Butler, and Toni Morrison. Through careful close readings, Williamson argues that the appropriation of sentimental modes enables both sympathetic thought and systemic action in the proletarian and neo-slave novels under discussion. She contrasts appropriations that facilitate such cultural work with those that do not, including Kathryn Stockett’s novel and film The Help. The book outlines how sentimentalism remains a viable and important means of promoting social justice while simultaneously recognizing and exploring how sentimentality can further white privilege.Sentimentalism is not only alive in the twentieth century. It is a flourishing rhetorical practice among a range of twentieth-century authors who use sentimental tactics in order to appeal to their readers about a range of social justice issues. This book demonstrates that at stake in their appeals is who is inside and outside of the American family and nation.

Автор: Williamson
Название: Twentieth-Century Sentimentalism
ISBN: 081356297X ISBN-13(EAN): 9780813562971
Издательство: Mare Nostrum (Eurospan)
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Цена: 4019.00 р.
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Описание: Today’s critical establishment assumes that sentimentalism is an eighteenth- and nineteenth-century literary mode that all but disappeared by the twentieth century. In this book, Jennifer Williamson argues that sentimentalism is alive and well in the modern era. By examining working-class literature that adopts the rhetoric of ""feeling right” in order to promote a proletarian or humanist ideology as well as neo-slave narratives that wrestle with the legacy of slavery and cultural definitions of African American families, she explores the ways contemporary authors engage with familiar sentimental clichés and ideals.Williamson covers new ground by examining authors who are not generally read for their sentimental narrative practices, considering the proletarian novels of Grace Lumpkin, Josephine Johnson, and John Steinbeck alongside neo-slave narratives written by Margaret Walker, Octavia Butler, and Toni Morrison. Through careful close readings, Williamson argues that the appropriation of sentimental modes enables both sympathetic thought and systemic action in the proletarian and neo-slave novels under discussion. She contrasts appropriations that facilitate such cultural work with those that do not, including Kathryn Stockett’s novel and film The Help. The book outlines how sentimentalism remains a viable and important means of promoting social justice while simultaneously recognizing and exploring how sentimentality can further white privilege.Sentimentalism is not only alive in the twentieth century. It is a flourishing rhetorical practice among a range of twentieth-century authors who use sentimental tactics in order to appeal to their readers about a range of social justice issues. This book demonstrates that at stake in their appeals is who is inside and outside of the American family and nation.

Автор: Louise Geddes, Valerie M. Fazel
Название: Variable Objects: Shakespeare and Speculative Appropriation
ISBN: 147448140X ISBN-13(EAN): 9781474481403
Издательство: Bloomsbury Academic
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Цена: 4275.00 р.
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Описание: Drawing on new materialism and object-oriented ontology, Variable Objects proposes that Shakespeare is a vibrant object replete with a variable energy that accounts for its infinite meaning-making capacity.

Автор: van Manen, Max
Название: Shakespeare and Cultural Appropriation
ISBN: 1032303085 ISBN-13(EAN): 9781032303086
Издательство: Taylor&Francis
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Цена: 19140.00 р.
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Описание: Shakespeare and Cultural Appropriation pushes back against two intertwined binaries: the idea that appropriation can only be either theft or gift, and the idea that cultural appropriation should be narrowly defined as an appropriative contest between a hegemonic and marginalized power.

Автор: Ashby, Richard
Название: King lear `after` auschwitz
ISBN: 1474477992 ISBN-13(EAN): 9781474477994
Издательство: Bloomsbury Academic
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Цена: 3958.00 р.
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Описание: Provides the first dedicated study on appropriations of King Lear in British playwriting of the post-war, developing valuable new perspectives on the legacy of Shakespeare in post-war drama and culture.

Автор: Ferguson, Ailsa
Название: Shakespeare, Cinema, Counter-Culture
ISBN: 0415823005 ISBN-13(EAN): 9780415823005
Издательство: Taylor&Francis
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Цена: 24499.00 р.
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Описание: Addressing for the first time Shakespeare's place in counter-cultural cinema, this book examines and theorizes counter-hegemonic, postmodern, and post-punk Shakespeare in late 20th and early 21st century film. Drawing on a diverse range of case studies, Grant Ferguson presents an interdisciplinary approach that offers new theories on the nature and application of Shakespearean appropriations in the light of postmodern modes of representation. The book considers the nature of the Shakespearean inter-text in subcultural political contexts concerning the politicized aesthetics of a Shakespearean 'body in pieces,' the carnivalesque, and notions of Shakespeare as counter-hegemonic weapon or source of empowerment.

Representative films use Shakespeare (and his accompanying cultural capital) to challenge notions of capitalist globalization, dominant socio-cultural ideologies, and hegemonic modes of expression. In response to a post-modern culture saturated with logos and semiotic abbreviations, many such films play with the emblematic imagery and references of Shakespeare's texts. These curious appropriations have much to reveal about the elusive nature of intertextuality in late postmodern culture and the battle for cultural ownership of Shakespeare.

As there has yet to be a study that isolates and theorizes modes of Shakespearean production that specifically demonstrate resistance to the social, political, ideological, aesthetic, and cinematic norms of the Western world, this book expands the dialogue around such texts and interprets their patterns of appropriation, adaptation, and representation of Shakespeare.