Rousseau’s opposition to the theater is well known: Far from purging the passions, it serves only to exacerbate them, and to render them hypocritical. But is it possible that Rousseau’s texts reveal a different conception of theatrical imitation, a more originary form of mimesis? Over and against Heidegger’s dismissal of Rousseau in the 1930s, and in the wake of classic readings by Jacques Derrida and Jean Starobinski, Lacoue-Labarthe asserts the deeply philosophical importance of Rousseau as a thinker who, without formalizing it as such, established a dialectical logic that would determine the future of philosophy: an originary theatricality arising from a dialectic between “nature” and its supplements. Beginning with a reading of Rousseau’s Discourse on Inequality, Lacoue-Labarthe brings out this dialectic in properly philosophical terms, revealing nothing less than a transcendental thinking of origins. For Rousseau, the origin has the form of a “scene”—that is, of theater. On this basis, Rousseau’s texts on the theater, especially the Letter to d’Alembert, emerge as an incisive interrogation of Aristotle’s Poetics. This can be read not in the false and conventional interpretation of this text that Rousseau had inherited, but rather in relation to its fundamental concepts, mimesis and katharsis, and in Rousseau’s interpretation of Greek theater itself. If for Rousseau mimesis is originary, a transcendental structure, katharsis is in turn the basis of a dialectical movement, an Aufhebung that will translate the word itself (for, as Lacoue-Labarthe reminds us, Aufheben translates katharein). By reversing the facilities of the Platonic critique, Rousseau inaugurates what we could call the philosophical theater of the future.
Описание: Situated on the intersection of comparative literary criticism, political history and theory, and cultural analysis, Terror and Pity offers an in-depth reading of early Russian tragedy as a political genre. Addressing half-forgotten texts and events, this study engages with literary and cultural theory from Walter Benjamin to Foucault and "new historicism".
Автор: Musil Robert Название: Theater Symptoms: Plays and Writings on Drama ISBN: 1940625416 ISBN-13(EAN): 9781940625416 Издательство: Неизвестно Рейтинг: Цена: 4966.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Автор: Dan Rebellato Название: Playwriting: A Backstage Guide ISBN: 1350135836 ISBN-13(EAN): 9781350135833 Издательство: Bloomsbury Academic Рейтинг: Цена: 1582.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: This book is ideal for anyone keen to understand how contemporary plays and playwrights work, particularly those wanting to write for the stage themselves. Drawing heavily on contemporary practice, it considers moments from a range of plays, with a focus on those from the National Theatre's repertoire. The book embraces a range of different dramaturgical structures and styles popular today; plays by a diverse selection of writers; and the current openness of dramatic form. A book of tools, rather than rules, this guide provides suggestions and provocations, exercises and tricks, examples and discussions. An ideal text for playwrights to hone their craft.
Автор: Wright Tom Название: Undetectable ISBN: 1350117633 ISBN-13(EAN): 9781350117631 Издательство: Bloomsbury Academic Рейтинг: Цена: 1899.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
Sex is easy. Intimacy is hard.
A tender, funny and uplifting love story for the post-chemsex generation.
Hunky dream boy Lex and bright spark Bradley are falling for each other. Big time. After three months, Lex has decided that tonight's the night... but Bradley's not so sure he wants to go all the way.
With wisdom, wit and honesty, Tom Wright's bold new play explores the delicate emotions, moral dilemmas and personal demons we all take to bed with us.
Автор: A. F. Garvie Название: The Plays of Sophocles ISBN: 147423335X ISBN-13(EAN): 9781474233354 Издательство: Bloomsbury Academic Рейтинг: Цена: 2850.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
The emphasis throughout this book, ideal for sixth form and early university students, is on Sophocles' tragic thinking, on the concept of the 'Sophoclean hero', and on the dramatic structure of the plays. The seven extant plays, Ajax, Women of Trachis, Antigone, Oedipus the King, Electra, Philoctetes and Oedipus at Colonus are assessed and a brief concluding chapter draws together what has been said in the seven studies. This second edition has been revised fully, with an updated further reading list and more detailed information on the chorus and staging of the plays.
The aim of the book is to help readers to understand why Sophocles is still worth reading, or going to see in the theatre, in the 21st century, and to show how far Sophoclean scholarship has moved in recent decades from the once prevalent view that he was a pious religious conformist who had nothing very profound or original to say, but who said it very beautifully. The volume is a companion to The Plays of Euripides (by James Morwood) and The Plays of Aeschylus (by Alex Garvie) also available in second editions from Bloomsbury. A further essential guide to the themes and context of ancient Greek tragedy may be found in Laura Swift's new introductory volume, Greek Tragedy.
Название: Performing Trauma in Central Africa: Shadows of Empire ISBN: 0253032474 ISBN-13(EAN): 9780253032478 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 5267.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
What are the stakes of performance in a time of war? How is artistic expression prone to manipulation by the state and international humanitarian organizations? From the standpoint of empire, Laura Edmondson explores cultural production that responds to the 1994 genocide in Rwanda, the twenty-year civil war in northern Uganda, and regional conflict in the eastern part of the Democratic Republic of the Congo. She examines memorial ceremonies, plays, indigenous performance, NGO media campaigns, and contemporary dance to reveal how artists and cultural workers challenge state and humanitarian narratives in the shadow of empire and how empire, in turn, infiltrates creative capacities. Carefully contextualizing these narratives within the charged political terrain of the Great Lakes Region, Edmondson deepens our understanding of the role of creative expression and cultural agency in conflict and postconflict zones.
Автор: Trish McTighe Название: Staging Beckett in Ireland and Northern Ireland ISBN: 1474240550 ISBN-13(EAN): 9781474240550 Издательство: Bloomsbury Academic Рейтинг: Цена: 13464.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: This is the first full-length study to focus on the staging of Samuel Beckett’s drama in Ireland and Northern Ireland. Beckett’s relationship with his native land was a complex one, but the importance of his drama as a creative force both historically and in contemporary practice in Ireland and Northern Ireland cannot be underestimated. Drawing on previously unpublished archival materials and re-examining familiar narratives, this volume traces the history of Beckett’s drama at Dublin’s Abbey and Gate Theatres as well as bringing to light unexamined and little-known productions such as those performed in the Irish language, Druid Theatre Company’s productions, and those of Dublin’s Focus Theatre. Leading scholars in Beckett studies and in Irish drama, including Anna McMullan and Anthony Roche, and renowned interpreters of Beckett’s dramatic work such as Barry McGovern, explore Beckett’s drama within the context of Irish creative theatrical practice and heritage, and analyse its legacies. As with its companion volume, Staging Beckett in Great Britain, production analyses are underpinned by a consideration of the political, economic and cultural contexts. Readers are invited to experience Beckett’s drama as resonating in new ways, through theatre practice, against the complex and connected histories of Ireland, north and south.
Автор: David Tucker, Trish McTighe Название: Staging Beckett in Great Britain ISBN: 1474240178 ISBN-13(EAN): 9781474240178 Издательство: Bloomsbury Academic Рейтинг: Цена: 19008.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Beckett’s relationship with British theatre is complex and underexplored, yet his impact has been immense. Uniquely placing performance history at the centre of its analysis, this volume examines Samuel Beckett’s drama as it has been staged in Great Britain, bringing to light a wide range of untold histories and in turn illuminating six decades of drama in Britain. Ranging from studies of the first English tour of Waiting for Godot in 1955 to Talawa’s 2012 all-black co-production of the same play, Staging Samuel Beckett in Great Britain excavates a host of archival resources in order to historicize how Beckett’s drama has interacted with specific theatres, directors and theatre cultures in the UK. It traces production histories of plays such as Krapp’s Last Tape; presents Beckett’s working relationships with the Royal Court, Riverside and West Yorkshire Playhouse, as well as with directors such as Peter Hall; looks at the history of Beckett’s drama in Scotland and how the plays have been staged in London’s West End. Production analyses are mapped onto political, economic and cultural contexts of Great Britain so that Beckett’s drama resonates in new ways, through theatre practice, against the complex contexts of Great Britain’s regions. With contributions from experts in the fields of both Beckett studies and UK drama, including S.E. Gontarski, David Pattie, Mark Taylor-Batty and Sos Eltis, the volume offers an exceptional and unique understanding of Beckett’s reception on the UK stage and the impact of his drama within UK theatre practices. Together with its sister volume, Staging Samuel Beckett in Ireland and Northern Ireland it will prove a terrific resource for students, scholars and theatre practitioners.
Описание: The amazing adventures of a woman with a fist in her head.
Clara Darcy is fit! She’s also (almost) care-free, (kind of) happily single and joyously dancing through life but, little does she know, her world is about to be turned upside down thanks to the arrival of a fist - slap-bang in the middle of her head.
Based on her astonishing real-life story, We Should Definitely Have More Dancing explores the things that define us, that fill us up and make us who we are – a cautionary postcard from the edge of life stuffed full of heart and love and dancing.
First produced by Oldham Coliseum Theatre, this edition was published to coincide with the world premiere production at Oldham Coliseum Theatre, followed by a national tour and run at the Assembly Rooms as part of Edinburgh Festival Fringe.
Автор: Low Jennifer Название: Dramatic Spaces: Scenography and Spectatorial Perceptions ISBN: 1138852481 ISBN-13(EAN): 9781138852488 Издательство: Taylor&Francis Рейтинг: Цена: 22202.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
For literary scholars, plays are texts; for scenographers, plays are performances. Yet clearly a drama is both text and performance. Dramatic Spaces examines period-specific stage spaces in order to assess how design shaped the thematic and experiential dimensions of plays. This book highlights the stakes of the debate about spatiality and the role of the spectator in the auditorium - if audience members are co-creators of the drama, how do they contribute?
The book investigates:
Roman comedy and Shakespearean dramas in which the stage-space itself constituted the primary scenographic element and actors' bodies shaped the playing space more than did sets or props
the use of paid applauders in nineteenth-century Parisian theaters and how this practice reconfigured theatrical space
transactions between stage designers and spectators, including work by L szl Moholy-Nagy, William Ritman, and Eiko Ishioka
Dramatic Spaces aims to do for stage design what reader-response criticism has done for the literary text, with specific case studies on Coriolanus, The Comedy of Errors, Romeo and Juliet, Tales of Hoffman, M. Butterfly and Tiny Alice exploring the audience's contribution to the construction of meaning.
