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Historical Performance and New Music, 


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Цена: 22202.00р.
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Название:  Historical Performance and New Music
ISBN: 9781032291420
Издательство: Taylor&Francis
Классификация:

ISBN-10: 1032291427
Обложка/Формат: Hardback
Страницы: 234
Вес: 0.62 кг.
Дата издания: 30.11.2023
Серия: Studies in contemporary music and culture
Иллюстрации: 3 tables, black and white; 21 halftones, black and white; 21 illustrations, black and white
Размер: 234 x 156
Подзаголовок: Aesthetics and practices
Ссылка на Издательство: Link
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Поставляется из: Европейский союз


Early Keyboard Instruments: A Practical Guide

Автор: Rowland David
Название: Early Keyboard Instruments: A Practical Guide
ISBN: 0521643856 ISBN-13(EAN): 9780521643856
Издательство: Cambridge Academ
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Цена: 6018.00 р.
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Описание: Discusses a variety of issues involved in the performance of keyboard music from the seventeenth to the nineteenth centuries. Forms a useful introduction to historical performance issues for student performers or amateurs, whether playing on period instruments or on the modern piano.

Transitions in Mid-Baroque Music: Style, Genre and Performance

Автор: Carrie Churnside
Название: Transitions in Mid-Baroque Music: Style, Genre and Performance
ISBN: 1837651582 ISBN-13(EAN): 9781837651580
Издательство: Boydell & Brewer
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Цена: 15840.00 р.
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Описание: Featuring 102 music examples, this edited collection features contributions by leading scholars from the UK, United States, Australasia and Europe on what characterized the period.This collection focusses on the stylistic and cultural interchange that characterizes the musical period of the mid-Baroque (c.1650-1710). The idea of musical transition during this period is evident in two principal ways: geographical and chronological (the two often overlap). Chapters examine geographical transition by tracing the exchange of regional and national styles, while considering chronological evolution from the perspective of music theory, performance practice, source studies or specific repertoires. Studies range across instrumental and vocal music, both sacred and secular, and encompass some of the main European traditions prevalent at the time: Italian, German, French and English. The collection features contributions by leading scholars from the UK, the United States, Australasia and Europe.CARRIE CHURNSIDE is Associate Professor in Music at the Royal Birmingham Conservatoire (part of Birmingham City University).

Embodied Knowledge in Ensemble Performance

Автор: Mccaleb
Название: Embodied Knowledge in Ensemble Performance
ISBN: 113826976X ISBN-13(EAN): 9781138269767
Издательство: Taylor&Francis
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Цена: 7654.00 р.
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Описание: Performing in musical ensembles provides a remarkable opportunity for interaction between people. When playing a piece of music together, musicians contribute to the creation of an artistic work that is shaped through their individual performances. However, even though ensembles are a large part of musical activity, questions remain as to how they function. In Embodied Knowledge in Ensemble Performance, Murphy McCaleb explores the processes by which musicians interact with each other through performance. McCaleb begins by breaking down current models of ensemble interaction, particularly those that rely on the same kind of communication found in conversation. In order to find a new way of describing this interaction, McCaleb considers the nature of the information being shared between musicians during performance. Using examples from postgraduate ensembles at Birmingham Conservatoire as well as his own reflective practice, he examines how an understanding of the relationship between musicians and their instruments may affect the way performers infer information within an ensemble. Drawing upon research from musicology, occupational psychology, and philosophy, and including downloadable resources of excerpts from rehearsals and performances, Embodied Knowledge provides an holistic approach to ensemble research in a manner accessible to performers, researchers and teachers.

Beyond the Score: Music as Performance

Автор: Cook Nicholas
Название: Beyond the Score: Music as Performance
ISBN: 0199357404 ISBN-13(EAN): 9780199357406
Издательство: Oxford Academ
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Цена: 9504.00 р.
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Описание: In Beyond the Score: Music as Performance, author Nicholas Cook supplants the traditional musicological notion of music as writing, asserting instead that it is as performance that music is loved, understood, and consumed. This book reconceives music as an activity through which meaning is generated in real time, as Cook rethinks familiar assumptions and develops new approaches.

Music and Familiarity

Автор: King Elaine
Название: Music and Familiarity
ISBN: 1409420752 ISBN-13(EAN): 9781409420750
Издательство: Taylor&Francis
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Цена: 22202.00 р.
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Описание: Familiarity underpins our engagement with music. In Music and Familiarity, King and Prior bring together 13 essays that highlight theoretical and empirical considerations about familiarity from three perspectives: listening, musicology, and performance. This book explores the ways in which familiarity impacts our behaviour and responses to music.

Experience and Meaning in Music Performance

Автор: Clayton Martin
Название: Experience and Meaning in Music Performance
ISBN: 0199811318 ISBN-13(EAN): 9780199811311
Издательство: Oxford Academ
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Цена: 6334.00 р.
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Описание: This book explores how the immediate experience of musical sound relates to processes of meaning construction and discursive mediation. A unique multi-authored work that both draws on and contributes to current debates in ethnomusicology, musicology, psychology, and cognitive science, it presents a novel and productive view of how cultural practice relates to the experience and meaning of musical performance.

Notation is Not the Music

Автор: Kuijken Barthold
Название: Notation is Not the Music
ISBN: 0253010608 ISBN-13(EAN): 9780253010605
Издательство: Wiley EDC
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Цена: 5146.00 р.
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Описание: Written by a leading authority and artist of the historical transverse flute, The Notation Is Not the Music offers invaluable insight into the issues of historically informed performance and the parameters—and limitations—of notation-dependent performance. As Barthold Kuijken illustrates, performers of historical music should consider what is written on the page as a mere steppingstone for performance. Only by continual examination and reexamination of the sources to discover original intent can an early music practitioner come close to authentic performance.

Sound teaching

Название: Sound teaching
ISBN: 0367622173 ISBN-13(EAN): 9780367622176
Издательство: Taylor&Francis
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Цена: 3367.00 р.
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The Songs of Jean Sibelius: Poetry, Music, Performance

Автор: Gustav Djupsjobacka
Название: The Songs of Jean Sibelius: Poetry, Music, Performance
ISBN: 1783277815 ISBN-13(EAN): 9781783277810
Издательство: Boydell & Brewer
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Цена: 13464.00 р.
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Описание: A landmark in Sibelius scholarship, this is the first book that presents all of Sibelius's solo art songs in their musical and aesthetic context. Indispensable for scholars and performers alike.This is the first book to discuss the complete solo art songs of Jean Sibelius and to locate them in their musical, literary and artistic context. The book is organized around the poets Sibelius set to music and the literary themes associated with them, thus providing invaluable information for the scholar, student and performer. The musical and aesthetic contextualisation of the songs will help to enable new interpretations on the performance stage.

The Lied at the Crossroads of Performance and Musicology

Автор: Benjamin Binder, Jennifer Ronyak
Название: The Lied at the Crossroads of Performance and Musicology
ISBN: 1316518841 ISBN-13(EAN): 9781316518847
Издательство: Cambridge Academ
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Цена: 13464.00 р.
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Описание: There seems to be an essential relationship between the performance and the scholarship of the German Lied. Yet the process by which scholarly inquiry and performative practices mutually benefit one another can appear mysterious and undefined, in part because any dialogue between the two invariably unfolds in relatively informal environments – such as the rehearsal studio, seminar room or conference workshop. Contributions from leading musicologists and prominent Lied performers here build on and deepen these interactions to reconsider topics including Werktreue aesthetics and concert practices; the authority of the composer versus the performer; the value of lesser-known, incomplete, or compositionally modified songs; and the traditions, habits and prejudices of song recitalists regarding issues like transposition, programming and dramatic modes of presentation. The book as a whole reveals the reciprocal relevance of Lied musicology and Lied performance, thereby opening doors to fresh and exciting modes of interpretative artistry and intellectual discovery.

Performing civility

Автор: Mccormick, Lisa
Название: Performing civility
ISBN: 1107498295 ISBN-13(EAN): 9781107498297
Издательство: Cambridge Academ
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Цена: 5069.00 р.
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Описание: Lisa McCormick considers the history of classical music competitions and their role in society by examining their highlights and ongoing controversies. She explains why, despite a widespread belief that performances cannot be ranked, aspiring musicians still enter them, professionals still judge them, and audiences still invest emotionally in the results.

Music and Familiarity

Автор: Prior
Название: Music and Familiarity
ISBN: 1138274291 ISBN-13(EAN): 9781138274297
Издательство: Taylor&Francis
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Цена: 7195.00 р.
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Описание: Familiarity underpins our engagement with music. This book highlights theoretical and empirical considerations about familiarity from three perspectives: listening, musicology and performance. Part I, 'Listening', addresses familiarity as it relates to listeners' behaviour and responses to music, specifically in regulating our choice and exposure to music on a daily basis; how we get to know music through regular listening; how comfortable we feel in a Western concert environment; and music's efficacy as a pain-reliever. Part II, 'Musicology' exposes the notion of familiarity from varied stances, including appreciation of music in our own and other cultures through ethnomusicology; exploration of the perception of sounds via music analysis; philosophical reflection on the efficiency of communication in musicology; evaluation of the impact of researchers' musical experiences on their work; and the influence of familiarity in music education. Part III, 'Performance', focuses on the effects of familiarity in relation to different aspects of Western art and popular performance, including learning and memorizing music; examination of 'groove' in popular performance; exploration of the role of familiarity in shaping socio-emotional behaviour between members of an ensemble; and consideration about the effects of the unique type of familiarity gained by musicians through the act of performance itself.


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