Название: The Stanley Kubrick Archives (Bibliotheca Universalis) ISBN: 3836555824 ISBN-13(EAN): 9783836555821 Издательство: Taschen Рейтинг: Цена: 2657.00 р. Наличие на складе: Есть (более 5-х шт.) Описание: From the opening sequence of Killer`s Kiss to the final frames of Eyes Wide Shut, this dazzling collection includes some of Kubrick`s most unforgettable shots and revealing interviews, as well as abundant material from his own archives, such as set designs, screenplays, notes, correspondence, and shooting schedules.
Название: Jojo`S Demonic Heartbreak 2 Pa ISBN: 1974751872 ISBN-13(EAN): 9781974751877 Издательство: Viz Media Рейтинг: Цена: 1483.00 р. Наличие на складе: Есть (более 5-х шт.)
Название: Stanley Kubrick archives ISBN: 3836508893 ISBN-13(EAN): 9783836508896 Издательство: Taschen Рейтинг: Цена: 9962.00 р. Наличие на складе: Есть (1 шт.) Описание: The most comprehensive study of Stanley Kubrick to date. His films are nothing short of superb visual experiences; big screen storytelling at its very best. Featuring enlarged film stills and previously unseen Kubrick material, including posters, set designs, props, screenplays, and shooting schedules, this richly illustrated book offers...
Автор: Kohei Kadono Название: Jojo`S Demonic Heartbreak 1 Pa ISBN: 1974749908 ISBN-13(EAN): 9781974749904 Издательство: Viz Media Рейтинг: Цена: 1483.00 р. Наличие на складе: Есть (более 5-х шт.)
Автор: Bizony Piers Название: The Making of Stanley Kubrick`s `2001: A Space Odyssey` ISBN: 3836584379 ISBN-13(EAN): 9783836584371 Издательство: Taschen Рейтинг: Цена: 7970.00 р. Наличие на складе: Есть (2 шт.) Описание: Part visual majesty, part meticulous science, part limitless imagination. Previously available as part of the multi-volume and instant sell-out Collector`s Edition, this exhaustive compendium of photographs, pre-production paintings, and conceptual designs explores the genius behind 2001: A Space Odyssey, the sci-fi classic that remains the...
Автор: James Naremore Название: On Kubrick: Revised Edition ISBN: 1839023996 ISBN-13(EAN): 9781839023996 Издательство: Bloomsbury Academic Рейтинг: Цена: 4275.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: In a comprehensively revised and updated new edition, James Naremore provides an illuminating critical account of the films of Stanley Kubrick, from his earliest feature, Fear and Desire (1953), to the posthumously-produced A.I. Artificial Intelligence (Steven Spielberg, 2001). Naremore offers provocative analyses of each of Kubrick's films, considering his emphasis on the absurdity of combat, as in Paths of Glory (1957) and Full Metal Jacket (1987), the failure of scientific reasoning, as in 2001 (1968), and the fascistic impulses in masculine sexuality, as in Dr Strangelove (1964) and Eyes Wide Shut (1999). He argues that while Kubrick was a voracious intellectual and a life-long autodidact, the fascination of his work has less to do with the ideas it espouses than with the emotions it evokes. Combining close readings with new insights into the production histories and cultural contexts of key films, Naremore provides a concise yet thorough discussion that will be useful to students of Kubrick's filmmaking and cinephiles who seek a deeper insight into the work of this perfectionist genius.Revised throughout, this new edition also includes a fully updated bibliography of critical writings on Kubrick's cinema.
Описание: We are imprisoned in circadian rhythms, as well as in our life reviews that follow chronological and causal links. For the majority of us our lives are vectors directed toward aims that we strive to reach and delimited by our birth and death. Nevertheless, we can still experience fleeting moments during which we forget the past and the future, as well as the very flow of time. During these intense emotions, we burst out laughing or crying, or we scream with pleasure, or we are mesmerized by a work of art or just by eyes staring at us.
Similarly, when we watch a film, the screening time has a well defined beginning and end, and screening and diegetic time and their relations, together with narrative and stylistic techniques, determine a time within the time of our life with its own rules and exceptions. Through the close analysis of Stanley Kubrick’s, Adrian Lyne’s, Michael Bay’s and Quentin Tarantino’s oeuvres, this book discusses the overall ‘dominating’ time of their films and the moments during which this ‘ruling’ time is disrupted and we momentarily forget the run toward the diegetic future – suspense – or the past – curiosity and surprise. It is in these very moments, as well as in our own lives, that the prison of time, through which the film is constructed and that is constructed by the film itself, crumbles displaying our role as spectators, our deepest relations with the film.
Описание: We are imprisoned in circadian rhythms, as well as in our life reviews that follow chronological and causal links. For the majority of us our lives are vectors directed toward aims that we strive to reach and delimited by our birth and death. Nevertheless, we can still experience fleeting moments during which we forget the past and the future, as well as the very flow of time. During these intense emotions, we burst out laughing or crying, or we scream with pleasure, or we are mesmerized by a work of art or just by eyes staring at us. Similarly, when we watch a film, the screening time has a well defined beginning and end, and screening and diegetic time and their relations, together with narrative and stylistic techniques, determine a time within the time of our life with its own rules and exceptions. Through the close analysis of Stanley Kubrick’s, Adrian Lyne’s, Michael Bay’s and Quentin Tarantino’s oeuvres, this book discusses the overall ‘dominating’ time of their films and the moments during which this ‘ruling’ time is disrupted and we momentarily forget the run toward the diegetic future – suspense – or the past – curiosity and surprise. It is in these very moments, as well as in our own lives, that the prison of time, through which the film is constructed and that is constructed by the film itself, crumbles displaying our role as spectators, our deepest relations with the film.
Автор: I.Q. Hunter, Nathan Abrams Название: The Bloomsbury Companion to Stanley Kubrick ISBN: 1501373951 ISBN-13(EAN): 9781501373954 Издательство: Bloomsbury Academic Рейтинг: Цена: 4750.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Stanley Kubrick is one of the most revered directors in cinema history. His 13 films, including classics such as Paths of Glory, 2001: A Space Odyssey, A Clockwork Orange, Barry Lyndon, and The Shining, attracted controversy, acclaim, a devoted cult following, and enormous critical interest. With this comprehensive guide to the key contexts - industrial and cultural, as well as aesthetic and critical - the themes of Kubrick's films sum up the current vibrant state of Kubrick studies.
Bringing together an international team of leading scholars and emergent voices, this Companion provides comprehensive coverage of Stanley Kubrick’s contribution to cinema. After a substantial introduction outlining Kubrick's life and career and the film's production and reception contexts, the volume consists of 39 contributions on key themes that both summarise previous work and offer new, often archive-based, state-of-the-art research. In addition, it is specifically tailored to the needs of students wanting an authoritative, accessible overview of academic work on Kubrick.
Описание: Considered by critics to be Stanley Kubrick's masterpiece, Barry Lyndon has suffered from scholarly and popular neglect. Maria Pramaggiore argues that one key reason that this film remains unappreciated, even by Kubrick aficionados, is that its transnational and intermedial contexts have not been fully explored. Taking a novel approach, she looks at the film from a transnational perspective -- as a foreign production shot in Ireland and an adaptation of a British novel by an American director about an Irish subject. Pramaggiore argues that, in Barry Lyndon, Kubrick develops his richest philosophical mediation on cinema's capacity to mediate the real and foregrounds film's relationship to other technologies of visuality, including painting, photography, and digital media. By combining extensive research into the film's source novel, production and reception with systematic textual analysis and an engagement with several key issues in contemporary academic debate, this work promises not only to make a huge impact in the field of Kubrick studies, but also in 1970s filmmaking, cultural history and transnational film practice.
