Описание: In this study, first published in 2006, van Veen argues that Cosimo represented himself as a lofty ruler in the initial phase of his regime, but that from 1559 onwards he posed as a citizen-prince. Analyzing all of Cosimo`s major commissions, both art and architecture, to support his argument, van Veen also examines historiographical and literary evidence.
Arguing that today's viewers move through a character's brain instead of looking through his or her eyes or mental landscape, this book approaches twenty-first-century globalized cinema through the concept of the "neuro-image." Pisters explains why this concept has emerged now, and she elaborates its threefold nature through research from three domains—Deleuzian (schizoanalytic) philosophy, digital networked screen culture, and neuroscientific research. These domains return in the book's tripartite structure. Part One, on the brain as "neuroscreen," suggests rich connections between film theory, mental illness, and cognitive neuroscience. Part Two explores neuro-images from a philosophical perspective, paying close attention to their ontological, epistemological, and aesthetic dimensions. Political and ethical aspects of the neuro-image are discussed in Part Three. Topics covered along the way include the omnipresence of surveillance, the blurring of the false and the real and the affective powers of the neo-baroque, and the use of neuro-images in politics, historical memory, and war.
Описание: In this innovative volume, Mahdi offers a comparative analysis of three cinemas, yielding rich insights on the layers of representation and the ways in which those representations are challenged and disrupted.
Описание: Screen Presence explores the intersections of film, popular media and contemporary art through the examples of four internationally celebrated artists: Andy Warhol, Robert Rauschenberg, Mona Hatoum and Douglas Gordon.
Автор: Glynn Basil Название: Mummy on Screen ISBN: 1788314085 ISBN-13(EAN): 9781788314084 Издательство: Bloomsbury Academic Рейтинг: Цена: 17424.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: The Mummy is one of the most recognizable figures in horror and is as established in the popular imagination as virtually any other monster, yet the Mummy on screen has until now remained a largely overlooked figure in critical analysis of the cinema. In this compelling new study, Basil Glynn explores the history of the Mummy film, uncovering lost and half-forgotten movies along the way, revealing the cinematic Mummy to be an astonishingly diverse and protean figure with a myriad of on-screen incarnations. In the course of investigating the enduring appeal of this most ‘Oriental’ of monsters, Glynn traces the Mummy’s development on screen from its roots in popular culture and silent cinema, through Universal Studios’ Mummy movies of the 1930s and 40s, to Hammer Horror’s re-imagining of the figure in the 1950s, and beyond.
Автор: Cowan Douglas E. Название: Sacred Terror: Religion and Horror on the Silver Screen ISBN: 1481304909 ISBN-13(EAN): 9781481304900 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 4388.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Sacred Terror examines the religious elements lurking in horror films. It answers a simple but profound question: When there are so many other scary things around, why is religion so often used to tell a scary story? In this lucid, provocative book, Douglas Cowan argues that horror films are opportune vehicles for externalizing the fears that lie inside our religious selves: of evil; of the flesh; of sacred places; of a change in the sacred order; of the supernatural gone out of control; of death, dying badly, or not remaining dead; of fanaticism; and of the power - and the powerlessness - of religion.
Описание: It comes as little surprise that Hollywood films have traditionally stereotyped Arab Americans, but how are Arab Americans portrayed in Arab films, and just as importantly, how are they portrayed in the works of Arab American filmmakers themselves? In this innovative volume, Mahdi offers a comparative analysis of three cinemas, yielding rich insights on the layers of representation and the ways in which those representations are challenged and disrupted. Hollywood films have fostered reductive imagery of Arab Americans since the 1970s as either a national security threat or a foreign policy concern, while Egyptian filmmakers have used polarizing images of Arab Americans since the 1990s to convey their nationalist critiques of the United States. Both portrayals are rooted in anxieties around globalization, migration, and US-Arab geopolitics. In contrast, Arab American cinema provides a more complex, realistic, and fluid representation of Arab American citizenship and the nuances of a transnational identity.Exploring a wide variety of films from each cinematic site, Mahdi traces the competing narratives of Arab American belonging - how and why they vary, and what's at stake in their circulation.
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