The Cambridge Companion to Seventeenth-Century Opera,
Автор: Alessandra Campana Название: Opera and Modern Spectatorship in Late Nineteenth-Century Italy ISBN: 1107666643 ISBN-13(EAN): 9781107666641 Издательство: Cambridge Academ Рейтинг: Цена: 5069.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Alessandra Campana examines four late nineteenth-century operas, Mefistofele by Arrigo Boito, Simon Boccanegra by Verdi, Otello by Verdi and Manon Lescaut by Puccini, and a silent film scored by Mascagni, to explore for the first time how opera participated in the making of a modern public in post-unification Italy.
Автор: Edited by Jacqueline Waeber Название: The Cambridge Companion to Seventeenth-Century Opera ISBN: 0521823595 ISBN-13(EAN): 9780521823593 Издательство: Cambridge Academ Рейтинг: Цена: 12355.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: This Companion offers an in-depth introduction to the early history of opera by focusing on its foundational century. From opera`s Italian origins to its growth through Europe and the Americas, the volume charts the changing landscape - on stage and beyond - which shaped the way early opera was produced and received.
Название: The Cambridge Companion to Operetta ISBN: 1316633349 ISBN-13(EAN): 9781316633342 Издательство: Cambridge Academ Рейтинг: Цена: 4435.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: The subject of musical theatre usually brings to mind the Broadway musical, but this collection of essays reveals that operetta was the pre-eminent musical-theatrical entertainment on the urban stage from the 1850s to the early 1930s. The authors explore operetta`s production and reception in more than a dozen countries.
Автор: Anastasia Belina, Derek B. Scott Название: The Cambridge Companion to Operetta ISBN: 1107182166 ISBN-13(EAN): 9781107182165 Издательство: Cambridge Academ Рейтинг: Цена: 15682.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: The subject of musical theatre usually brings to mind the Broadway musical, but this collection of essays reveals that operetta was the pre-eminent musical-theatrical entertainment on the urban stage from the 1850s to the early 1930s. The authors explore operetta`s production and reception in more than a dozen countries.
Описание: A study of a neglected but crucial part of the history of the West End and Broadway. The stage works presented here connect to major topics of the twentieth century including modernity, cosmopolitanism and media technology. This book is also available as Open Access on Cambridge Core.
Автор: Nathan Seinen Название: Prokofiev`s Soviet Operas ISBN: 110708878X ISBN-13(EAN): 9781107088788 Издательство: Cambridge Academ Рейтинг: Цена: 14890.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Prokofiev`s last four operas are major works of his career in the Soviet Union, yet the original versions remain unfamiliar since they exist only in manuscript form. This book offers bold new interpretations, draws on a wide range of primary and secondary sources, and includes comparisons with works of literature, film, and theatre.
Описание: Karen Henson uses four detailed case studies to explore a wealth of new historical material about singers in the late nineteenth century and to challenge the idea that this was a period of decline for the opera singer.
Описание: First published in 1989. This study explores Italian attitudes to opera while Vincenzo Bellini was studying and composing. It draws mainly on Italian critical and aesthetic writing dating from the end of an era that was still dominated by the Italian bel canto.
Описание: The operatic culture of late eighteenth-century Naples represents the fullest expression of a matrix of creators, practitioners, theorists, patrons, and entrepreneurs linking aristocratic, public and religious spheres of contemporary society. The considerable resonance of 'Neapolitan' opera in Europe was verified early in the eighteenth century not only through voluminous reports offered by locals and visitors in gazettes, newspapers, correspondence or diaries, but also, and more importantly, through the rich and tangible artistic patrimony produced for local audiences and then exported to the Italian peninsula and abroad. Naples was not simply a city of entertainment, but rather a cultural epicenter and paradigm producing highly innovative and successful genres of stage drama reflecting every facet of contemporary society. Anthony R. DelDonna provides a rich study of operatic culture from 1775-1800. The book demonstrates how contemporary stage traditions, stimulated by the Enlightenment, engaged with and responded to the changing social, political, and artistic contexts of the late eighteenth century in Naples. It focuses on select yet representative compositions from different genres of opera that illuminate the diverse contemporary cultural forces shaping these works and underlining the continued innovation and European recognition of operatic culture in Naples. It also defines how the cultural milieu of Naples - aristocratic and sacred, private and public - exercises a profound yet idiosyncratic influence on the repertory studied, the creation of which could not have occurred elsewhere on the Continent.
Описание: Opera has been performed in Australia for more than two hundred years, yet none of the operas written before the Second World War have become part of the repertoire, and it is only in the late 1970s and early 1980s that there is evidence of the successful systematic production of indigenous opera.
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