Автор: Moussa, Hadiza (Assistant Professor, Assistant Professor, Abdou Moumouni University) Название: Race, Sexuality, and Gender and the Musical Screen Adaptation ISBN: 0197663222 ISBN-13(EAN): 9780197663226 Издательство: Oxford Academ Рейтинг: Цена: 4389.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Drawing upon original in-depth interviews with women in Niamey, Niger, Yearning and Refusal unveils the hidden issue of failed fertility in Niger and the ways in which women continue to strive for reproductive control in a country at the heart of the population growth debate.
Автор: Moussa, Hadiza (Assistant Professor, Assistant Professor, Abdou Moumouni University) Название: Stars, Studios, and the Musical Theatre Screen Adaptation ISBN: 0197663257 ISBN-13(EAN): 9780197663257 Издательство: Oxford Academ Рейтинг: Цена: 4389.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Drawing upon original in-depth interviews with women in Niamey, Niger, Yearning and Refusal unveils the hidden issue of failed fertility in Niger and the ways in which women continue to strive for reproductive control in a country at the heart of the population growth debate.
Автор: Portnoy, Kenneth Название: Screen Adaptation ISBN: 0240803493 ISBN-13(EAN): 9780240803494 Издательство: Taylor&Francis Рейтинг: Цена: 7961.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Автор: John Hodgkins Название: The Drift: Affect, Adaptation, and New Perspectives on Fidelity ISBN: 1628928042 ISBN-13(EAN): 9781628928044 Издательство: Bloomsbury Academic Рейтинг: Цена: 6018.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
The Drift: Affect, Adaptation, and New Perspectives on Fidelity offers a new perspective on the complex interrelations between literature and cinema. It does so by articulating an 'affective turn' for adaptation studies, a field whose traditional focus has been the critical castigation of film adaptations of canonical plays or novels. Drawing on theorists such as Gilles Deleuze, Brian Massumi, and Marco Abel, the author is able to re-conceive literary and cinematic works as textual engines generating and circulating affect, and the adaptive process as a drifting of those affective intensities from one medium to another.
By conceptualizing adaptation in this manner, the work steers clear of the chimerical notion of 'fidelity' (to character, to theme, to narrative) which has anchored so many analyses of adaptive texts over the years-and the reproving language that inevitably attends it-in favor of more productive avenues of investigation: What affective work are certain literary and filmic texts performing? What can this tell us, more broadly, about the underexplored affective dimensions of literature and cinema, and the dialogic interactions between them?
The Drift addresses such questions through close, careful readings which put a variety of realist, modernist, and postmodernist works into conversation with each other, among them the fiction of John Dos Passos, Don DeLillo, and Susanna Moore, the films of Dziga Vertov and Sergei Eisenstein, as well as recent cinematic adaptations by Jane Campion and Charles Burnett. This methodological approach, helps to elevate adaptation studies into a discourse that speaks more directly and pertinently to our fluid, hypertextual era.
Traditional critics of film adaptation generally assumed a) that the written text is better than the film adaptation because the plot is more intricate and the language richer when pictorial images do not intrude; b) that films are better when particularly faithful to the original; c) that authors do not make good script writers and should not sully their imagination by writing film scripts; d) and often that American films lack the complexity of authored texts because they are sourced out of Hollywood. The 'faithfulness' view has by and large disappeared, and intertextuality is now a generally received notion, but the field still lacks studies with a postmodern methodology and lens.Exploring Hollywood feature films as well as small studio productions, Adaptation Theory and Criticism explores the intertextuality of a dozen films through a series of case studies introduced through discussions of postmodern methodology and practice. Providing the reader with informative background on theories of film adaptation as well as carefully articulated postmodern methodology and issues, Gordon Slethaug includes several case studies of major Hollywood productions and small studio films, some of which have been discussed before (Age of Innocence, Gangs of New York, and Do the Right Thing) and some that have received lesser consideration (Six Degrees of Separation, Smoke, SmokeSignals, Broken Flowers, and various Snow White narratives including Enchanted, Mirror Mirror, and Snow White and the Huntsman). Useful for both film and literary studies students, Adaptation Theory and Criticism cogently combines the existing scholarship and uses previous theories to engage readers to think about the current state of American literature and film.
Автор: Nicklas Pascal Название: Adaptation and Cultural Appropriation ISBN: 3110272059 ISBN-13(EAN): 9783110272055 Издательство: Walter de Gruyter Рейтинг: Цена: 18586.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
"Hamlet" by Olivier, Kaurismki or Shepard and "Pride and Prejudice" in its many adaptations show the virulence of these texts and the importance of aesthetic recycling for the formation of cultural identity and diversity. Adaptation has always been a standard literary and cultural strategy, and can be regarded as the dominant means of production in the cultural industries today. Focusing on a variety of aspects such as artistic strategies and genre, but also marketing and cultural politics, this volume takes a critical look at ways of adapting and appropriating cultural texts across epochs and cultures in literature, film and the arts.
Описание: Traditional critics of film adaptation generally assumed a) that the written text is better than the film adaptation because the plot is more intricate and the language richer when pictorial images do not intrude; b) that films are better when particularly faithful to the original; c) that authors do not make good script writers and should not sully their imagination by writing film scripts; d) and often that American films lack the complexity of authored texts because they are sourced out of Hollywood. The 'faithfulness' view has by and large disappeared, and intertextuality is now a generally received notion, but the field still lacks studies with a postmodern methodology and lens.Exploring Hollywood feature films as well as small studio productions, Adaptation Theory and Criticism explores the intertextuality of a dozen films through a series of case studies introduced through discussions of postmodern methodology and practice. Providing the reader with informative background on theories of film adaptation as well as carefully articulated postmodern methodology and issues, Gordon Slethaug includes several case studies of major Hollywood productions and small studio films, some of which have been discussed before (Age of Innocence, Gangs of New York, and Do the Right Thing) and some that have received lesser consideration (Six Degrees of Separation, Smoke, Smoke Signals, Broken Flowers, and various Snow White narratives including Enchanted, Mirror Mirror, and Snow White and the Huntsman). Useful for both film and literary studies students, Adaptation Theory and Criticism cogently combines the existing scholarship and uses previous theories to engage readers to think about the current state of American literature and film.
Автор: Cartmell Deborah Название: Companion to Literature, Film and Adaptation ISBN: 1118917537 ISBN-13(EAN): 9781118917534 Издательство: Wiley Рейтинг: Цена: 6170.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: This is a comprehensive collection of original essays that explore the aesthetics, economics, and mechanics of movie adaptation, from the days of silent cinema to contemporary franchise phenomena.
Автор: Cartmell Название: A Companion to Literature, Film, and Adaptation ISBN: 1444334972 ISBN-13(EAN): 9781444334975 Издательство: Wiley Рейтинг: Цена: 23910.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: This is a comprehensive collection of original essays that explore the aesthetics, economics, and mechanics of movie adaptation, from the days of silent cinema to contemporary franchise phenomena.
Описание: Seminar paper from the year 2013 in the subject Communications - Movies and Television, grade: 1,7, Johannes Gutenberg University Mainz, course: Cultural Studies, language: English, abstract: The story of "Breakfast at Tiffany's" is well known: Holly, a young glamour girl, tries to find her way in New York City, relying on the favor of male benefactors who give her "powder-room change", while at the same time she keeps chasing her dream of marrying a rich millionaire. Paul Varjak, a young writer, falls in love with her and tries to convince her to settle down with him. The movie has become a crucial cultural reference. But before the film, there was a source text: a novella by the same title, written by Truman Capote and published in 1958. The film adaption was made only three years later, by director Blake Edwards, scriptwriter George Axelrod and the producers Martin Jurow and Richard Shepherd. Those who have read Capote's novella and have seen the film usually complain about huge difference between the two - and they undoubtedly have a point. However, adaptation studies have far too long concentrated on the issue of fidelity alone, implying that a story could just be projected on the screen without having to undergo change. But film and literature are two very different mediums and thus, in the process of an adaptation, transformation must occur. There is no need for proving that book and film are different - this has been discussed many times before and can be read in a great number of critical reviews. But there is much more to adaptation studies than a simple fidelity analysis. What I intend to do is to find out why book and film differ crucially in many points in order to prove that in spite of sharing (at least in big part) the same characters, the same setting, important parts of the story, key motifs and even often the same dialogues, the novella Breakfast at Tiffany's and the film based on it actually tell very different stories with very different, even
Автор: Julie Grossman Название: Literature, Film, and Their Hideous Progeny ISBN: 1349565237 ISBN-13(EAN): 9781349565238 Издательство: Springer Рейтинг: Цена: 4890.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: This book posits adaptations as `hideous progeny, ` Mary Shelley`s term for her novel, Frankenstein . Like Shelley`s novel and her fictional Creature, adaptations that may first be seen as monstrous in fact compel us to shift our perspective on known literary or film works and the cultures that gave rise to them
Автор: Robyn McCallum Название: Screen Adaptations and the Politics of Childhood ISBN: 1137395400 ISBN-13(EAN): 9781137395405 Издательство: Springer Рейтинг: Цена: 12577.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: This book features a cutting edge approach to the study of film adaptations of literature for children and young people, and the narratives about childhood those adaptations enact.
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