From Russia to Israel – And Back?: Contemporary Transnational Russian Israeli Diaspora, Vladimir Ze`ev Khanin
Автор: Bruno S. Sergi Название: Modeling Economic Growth in Contemporary Russia ISBN: 1789732662 ISBN-13(EAN): 9781789732665 Издательство: Emerald Рейтинг: Цена: 15854.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Russia is one of the world`s largest growing economies. With this exciting new growth and development, there is a wealth of knowledge to be discovered from the strategies and models being used and created throughout Russia`s economy.
Описание: Theatre of Anger examines contemporary transnational theatre in Berlin through the political scope of anger, and its trajectory from Aristotle all the way to Audre Lorde and bell hooks.
This book sheds light on the Bawa Muhaiyaddeen Fellowship (BMF), one of North America's major Sufi movements, and one of the first to establish a Sufi shrine in the region. It provides the first comprehensive overview of the BMF, offering new insight into its historical development and practices, and charting its establishment in both the United States and Sri Lanka.
Through ethnographic research, Sacred Spaces and Transnational Networks in American Sufism shows that the followers of Bawa in the United States and Sri Lanka share far more similarities in the relationships they formed with spaces, Bawa, and Sufism, than differences. This challenges the accepted conceptualization of Sufism in North America as having a distinct "Americanness," and prompts scholars to re-consider how Sufism is developing in the modern American landscape, as well as globally.
The book focuses on the transnational spaces and ritual activities of Bawa's communities, mapping parallel shrines and pilgrimages. It examines the roles of culture, religion, and gender and their impact on ritual embodiment, drawing attention to the global range of a Sufi community through engagement with its distinct Muslim, Hindu, Jewish, and Christian followers.
Описание: This book is an exploration of the changes in Russian cultural identity in the twenty years after the fall of the Soviet state. Through close readings of a select number of contemporary Russian films and television series, Irina Souch investigates how a variety of popular cultural tropes ranging from the patriarchal family to the country idyll survived the demise of Communism and maintained their power to inform the Russian people’s self-image. She shows how these tropes continue to define attitudes towards political authority, economic disparity, ethnic and cultural difference, generational relations and gender. The author also introduces theories of identity developed in Russia at the same time, enabling these works to act as sites of productive dialogue with the more familiar discourses of Western scholarship.
Название: Contemporary Russia ISBN: 1137320036 ISBN-13(EAN): 9781137320032 Издательство: Springer Рейтинг: Цена: 15791.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: The third edition of Contemporary Russia is fully revised to provide a comprehensive introduction to the society, politics and culture of one of the most important countries in global affairs today. The author details Russia`s historical background as well as the nation`s current concerns and distinctive features in this accessible analysis.
Of about a million Jews that arrived to Israel from the (former) USSR after 1989 some 12% left the country by the end of 2017. It is estimated that about a half of them left "back" for the FSU, and the rest for the USA, Canada and the Western Europe. The book provides a comprehensive analysis of this specific Jewish Israeli Diaspora group through cutting-edge approaches in the social sciences, and examines the settlement patterns of Israeli Russian-speaking emigrants, their identity, social demographic profile, reasons of emigration, their economic achievements, identification, and status vis-a-vis host Jewish and non-Jewish environment, vision of Israel, migration interests and behavior, as well as their social and community networks, elites and institutions. Vladimir Ze’ev Khanin makes a significant contribution to migration theory, academic understanding of transnational Diasporas, and sheds a new light on the identity and structure of contemporary Israeli society. The book is based on the unique statistics from Israeli and other Government sources and sociological information obtained from the author’s first of this kind on-going study of Israeli Russian-speaking emigrant communities in different regions of the world.
Описание: Translated originally from Hebrew, Transnational Identities: Women, Art, and Migration in Contemporary Israel offers a critical discussion of women immigrants in Israel through an analysis of works by artists who immigrated to the country beginning in the 1990s. Though numerous aspects of the issue of women migrants have received intense academic scrutiny, no scholarly books to date have addressed the gender facets of the experiences of contemporary women immigrants in Israel. The book follows an up-to-date theoretical model, adopting critical tools from a wide range of fields and weaving them together through an in-depth qualitative study that includes the use of open interviews, critical theories, and analysis of artworks, offering a unique and compelling perspective from which to discuss this complex subject of citizenship and cultural belonging in an ethno-national state. It therefore stands to make a significant contribution to research into women's lives, citizenship studies, global migration, Jewish and national identity and women’s art in contemporary Israel.The book is divided into sections, each of which aims a spotlight on women artists belonging to distinct groups of immigrants—the former Soviet Union, Ethiopia, and the Philippines—and shows how their artwork reflects various conflicts regarding citizenship and identity-related processes, dynamics of inclusion-exclusion, and power relations that characterize their experiences. Transnational Identities promotes a more nuanced, complex understanding of diversity among women from various groups and even within a specific ethnic group, as well as considering the “common differences” between women from diversified life experiences. To lay the groundwork for an analysis of the themes that recur in their artworks, Tal Dekel briefly discusses the notions of global migration and transnationalism and then examines gender and several other identity-related categories, notably religion, race, and class. These categories underline the complex nexus of overlapping and sometimes contradictoryaffiliations and identities that characterize migrating subjects in an age of globalization.Transnational Identities integrates theories from various disciplines, including art history, citizenship studies and critical political theory, gender studies, cultural studies, and migration studies in an interdisciplinary manner that those teaching and studying in these fields will find relevant to their continued research.
Описание: Kishwar Rizvi, drawing on the multifaceted history of the Middle East, offers a richly illustrated analysis of the role of transnational mosques in the construction of contemporary Muslim identity. As Rizvi explains, transnational mosques are structures built through the support of both government sponsorship, whether in the home country or abroad, and diverse transnational networks. By concentrating on mosques--especially those built at the turn of the twenty-first century--as the epitome of Islamic architecture, Rizvi elucidates their significance as sites for both the validation of religious praxis and the construction of national and religious ideologies.
Rizvi delineates the transnational religious, political, economic, and architectural networks supporting mosques in Saudi Arabia, Iran, Turkey, and the United Arab Emirates, as well as in countries within their spheres of influence, such as Pakistan, Syria, and Turkmenistan. She discerns how the buildings feature architectural designs that traverse geographic and temporal distances, gesturing to far-flung places and times for inspiration. Digging deeper, however, Rizvi reveals significant diversity among the mosques--whether in a Wahabi-Sunni kingdom, a Shi&8219;i theocratic government, or a republic balancing secularism and moderate Islam--that repudiates representations of Islam as a monolith. Mosques reveal alliances and contests for influence among multinational corporations, nations, and communities of belief, Rizvi shows, and her work demonstrates how the built environment is a critical resource for understanding culture and politics in the contemporary Middle East and the Islamic world.
The first inclusive collection to examine post-2008 developments in Balkan cinema, this book brings together a number of international scholars to explore its industrial contexts and textual dimensions. With a focus on transnational links, global networks and cross-cultural exchanges, the book addresses the role of national and supranational institutions as well as film festival networks in supporting film production, distribution and reception. It also identifies key characteristics in the subject matter and aesthetics of Balkan films made since the global economic crisis. Through critical and comprehensive country profiles, and with a focus on smaller and underrepresented cinemas from Montenegro, Kosovo, North Macedonia and Albania, the collection argues for the continuing relevance of the concept of ‘Balkan cinema’.
The first inclusive collection to examine post-2008 developments in Balkan cinema, this book brings together a number of international scholars to explore its industrial contexts and textual dimensions. With a focus on transnational links, global networks and cross-cultural exchanges, the book addresses the role of national and supranational institutions as well as film festival networks in supporting film production, distribution and reception. It also identifies key characteristics in the subject matter and aesthetics of Balkan films made since the global economic crisis. Through critical and comprehensive country profiles, and with a focus on smaller and underrepresented cinemas from Montenegro, Kosovo, North Macedonia and Albania, the collection argues for the continuing relevance of the concept of ‘Balkan cinema’.
In recent years the revival of the far right and anti-Semitic, racist and fascist organizations has posed a significant threat throughout Europe. Mapping the Extreme Right in Contemporary Europe provides a broad geographical overview of the dominant strands within the contemporary radical right in both Western and Eastern Europe.
After providing some local and regional perspectives, the book has a series of national case studies of particular countries and regions including: Austria, Belgium, Bosnia-Herzegovina, Croatia, Eastern Europe, France, Germany, Greece, Italy, Malta, Portugal, Romania, Scandinavia, Serbia, Spain, Switzerland, Turkey, Ukraine and the United Kingdom. A series of thematic chapters examine transnational phenomena such as the use of the Internet, the racist music scene, cultural transfers and interaction between different groups.
Drawing together a wide range of contributors, this is essential reading for all those with an interest in contemporary extremism, fascism and comparative party politics.
