Описание: Since the perception of demons in antiquity depended on particular cultural and religious milieus, the authors in this volume take into view various texts – ranging from amulets, spells, apocalypses, martyrdom literature to hagiography – and focus specifically on literary aspects of the transformation of demons and their contextualization. Are specific conceptions of demons characteristic for a certain genre or, rather, for particular religious contexts, so that they appear as topoi independent of genre? Do certain representations of demons prevail in pagan, Jewish and Christian circles alike, irrespective of religious background? How do notions of demons function in apocalypses, hymns, hagiographies or texts from healing procedures and what interdependencies of genre and social context can be traced? These questions are analysed from diverse disciplinary perspectives that offer some fresh and surprising answers.
Описание: Beyond Reception applies a new concept for analyzing cultural change, known as ‘transformation', the study of Renaissance humanism. Traditional scholarship takes the Renaissance humanists at their word, that they were simply viewing the ancient world as it actually was and recreating its key features within their own culture. Initially modern studies in the classical tradition accepted this claim and saw this process as largely passive. 'Transformation theory' emphasizes the active role played by the receiving culture both in constructing a vision of the past and in transforming that vision into something that was a meaningful part of the later culture. A chapter than explains the terminology and workings of 'transformation theory' is followed by essays by nine established experts that suggest how the key disciplines of grammar, rhetoric, history, poetry, and philosophy in the Renaissance represent transformations of what went on in these fields in ancient Greece and Rome. The picture that emerges suggests that Renaissance humanism as it was actually practiced both received and transformed the classical past, at the same time as it constructed a vision of that past that still resonates today.
Описание: Sarah Tufts is en route to the colonies with her father when pirates swarm their ship. In the melee, Sarah tumbles overboard and washes ashore on an island ruled by the wicked Mr. Grim, who sends his pirate son Black Tooth out to steal babies and then raises these hapless tykes to become Woolies, weavers of fine rugs. Chased by Mr. Grim, Sarah stumbles into the enclosure known as Woolie World and meets Freck, a timid five-year-old dressed head to toe in a fuzzy white garment. Sarah quickly discovers the marvels of a world populated by singing, dancing Woolies. But she also sees a darker side. Failed Woolies are turned into "Worms," exiles who live in underground tunnels and scrounge for food. Sarah befriends Mr. Grim`s twitchy but kind-hearted son Nigel and joins forces with Thomas, the 12-year-old Woolie leader. Will they be able to outwit Mr. Grim and rescue Woolies and Worms from servitude? This unique fantasy adventure sparkles with wit and wordplay, harrowing adventure, and heartfelt emotion.
Автор: Floros, Constantin Название: Music as message ISBN: 3631660332 ISBN-13(EAN): 9783631660331 Издательство: Peter Lang Рейтинг: Цена: 11807.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Music is often defined as art for the ear, as the language of feeling, of the heart, as sound play, or as the science of composition. But music also conveys intellectual and emotional experiences, literary, religious, philosophical, social and political ideas. Countless composers encrypt contents in their music that can be deciphered by a variety of methods. This book is designed as an introduction to the basic questions of musical semantics and discusses Beethoven’s committed art, the core ideas of the «Ring of the Nibelung» and of the «Symphony of a Thousand», Wagner’s idea of a religion of art, the relation of music and poetry, the musico-literary conceptions of composers, the large field of program music and the history of the impact of Gustav Mahler.
Автор: K. F. B. Fletcher, Osman Umurhan Название: Classical Antiquity in Heavy Metal Music ISBN: 1350191388 ISBN-13(EAN): 9781350191389 Издательство: Bloomsbury Academic Рейтинг: Цена: 5067.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: This book demonstrates the rich and varied ways in which heavy metal music draws on the ancient Greek and Roman world. Contributors examine bands from across the globe, including: Blind Guardian (Germany), Therion (Sweden), Celtic Frost, Eluveitie (Switzerland), Ex Deo (Canada/Italy), Heimdall, Stormlord, Ade (Italy), Kawir (Greece), Theatre of Tragedy (Norway), Iron Maiden, Bal-Sagoth (UK), and Nile (US). These and other bands are shown to draw inspiration from Classical literature and mythology such as the Homeric Hymns, Vergil’s Aeneid, and Caesar’s Gallic Wars, historical figures from Rome and ancient Egypt, and even pagan and occult aspects of antiquity.
These bands’ engagements with Classical antiquity also speak to contemporary issues of nationalism, identity, sexuality, gender, and globalization. The contributors show how the genre of heavy metal brings its own perspectives to Classical reception, and demonstrate that this music—often dismissed as lowbrow—engages in sophisticated dialogue with ancient texts, myths, and historical figures. The authors reveal aspects of Classics’ continued appeal while also arguing that the engagement with myth and history is a defining characteristic of heavy metal music, especially in countries that were once part of the Roman Empire.
Автор: K. F. B. Fletcher, Osman Umurhan Название: Classical Antiquity in Heavy Metal Music ISBN: 1350075353 ISBN-13(EAN): 9781350075351 Издательство: Bloomsbury Academic Рейтинг: Цена: 19008.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
This book demonstrates the rich and varied ways in which heavy metal music draws on the ancient Greek and Roman world. Bands from across the globe, including Italy's Stormlord and Heimdall, Greece's Kawir, Switzerland's Eluveitie and Celtic Frost, Norway's Theatre of Tragedy, Sweden's Therion, Germany's Blind Guardian, Canada's Ex Deo and the UK's Iron Maiden and Bal-Sagoth, are all discussed in this volume. These and other bands are shown to draw inspiration from classical literature and mythology such as Homer's Iliad, Virgil's Aeneid and Caesar's Gallic Wars and from historical peoples such as the Scythians, ancient Egyptians and Roman emperors.
These interactions are often concerned with the nature of paganism, the occult and barbarism, nationalism, the conflict between East and West, and the development of powerful evocations of brutality and femininity. The contributors frequently weave in comparisons with the reception of antiquity in painting and literature to show how the genre of heavy metal brings its own perspectives to classical reception but also shows strands of continuity of practice. They show how this musical genre - often dismissed as lowbrow - engages in sophisticated dialogue with ancient texts, myths, and historical figures, revealing aspects of Classics' continued appeal while also arguing that the engagement with myth and history is a defining characteristic of heavy metal music, especially in countries that were once part of the Roman Empire.
Описание: Seminar paper from the year 2009 in the subject Didactics - English - Literature, Works, grade: 1,7, University of Bayreuth, course: Female Identities in the History of British Fiction, language: English, abstract: Jeanette Winterson's novels are a combination of history, fictional stories, fairy-tales and female romance. She has an experimental style which approaches many readers in particular women. The genre could be called post-modern fiction as it shows a lot of post-modern writing techniques such as intertextuality, parody, self-reflectivity and the rewriting of history. In this paper the different literary genres which Jeanette Winterson knows to combine should be presented by the example of the novel The Passion, written in 1987. Using literary devices, generic details should be analysed which make it possible to categorize The Passion according to the different genres.
Автор: Bakhtin Название: Speech Genres and Other Late Essays ISBN: 0292775601 ISBN-13(EAN): 9780292775602 Издательство: Marston Book Services Рейтинг: Цена: 4354.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Six short works from the last of Bakhtin`s extant manuscripts published in the Soviet Union.
Описание: The first general book on Greek and Latin letter-writing in Late Antiquity (400-600 CE). Allen and Neil examine early Christian Greek and Latin literary letters, their nature and function, the mechanics of their production and dissemination and their crucial importance to the society of their time.
Описание: Nonnus of Panopolis (fifth century CE) composed two poems once thought to be incompatible: the Dionysiaca, a mythological long epic with a marked interest in astrology, the occult, the paradox and not least the beauty of the female body, and a pious and sublime Paraphrase of the Gospel of St John. Little is known about the man, to whom sundry identities have been attached. The longer work has been misrepresented as a degenerate poem or as a mythological handbook. The Christian poem has been neglected or undervalued. Yet, Nonnus accomplished an ambitious plan, in two parts, aiming at representing world-history. This volume consists mainly of the Proceedings of the First International Conference on Nonnus held in Rethymno, Crete in May 2011. With twentyfour essays, an international team of specialists place Nonnus firmly in his time's context. After an authoritative Introduction by Pierre Chuvin, chapters on Nonnus and the literary past, the visual arts, Late Antique paideia, Christianity and his immediate and long-range afterlife (to modern times) offer a wide-ranging and innovative insight into the man and his world. The volume moves on beyond stereotypes to inaugurate a new era of research for Nonnus and Late Antique poetics on the whole.
Millennium transcends boundaries – between epochs and regions, and between disciplines. Like the Millennium-Jahrbuch, the journal Millennium-Studien pursues an international, interdisciplinary approach that cuts across historical eras. Composed of scholars from various disciplines, the editorial and advisory boards welcome submissions from a range of fields, including history, literary studies, art history, theology, and philosophy. Millennium-Studien also accepts manuscripts on Latin, Greek, and Oriental cultures.
In addition to offering a forum for monographs and edited collections on diverse topics, Millennium-Studien publishes commentaries and editions. The journal primary accepts publications in German and English, but also considers submissions in French, Italian, and Spanish.
If you want to submit a manuscript please send it to the editor from the most relevant discipline:
Wolfram Brandes, Frankfurt (Byzantine Studies and Early Middle Ages): brandes@rg.mpg.de
