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Esfir Shub: Pioneer of Documentary Filmmaking, Ilana Leah Shub-Sharp


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Автор: Ilana Leah Shub-Sharp
Название:  Esfir Shub: Pioneer of Documentary Filmmaking
ISBN: 9781501376511
Издательство: Bloomsbury Academic
Классификация:


ISBN-10: 1501376519
Обложка/Формат: Hardback
Страницы: 344
Вес: 0.65 кг.
Дата издания: 27.01.2022
Серия: Arts
Язык: English
Иллюстрации: 46 bw illus; 46 bw illus
Размер: 237 x 158 x 19
Читательская аудитория: Tertiary education (us: college)
Ключевые слова: Documentary films,Film theory & criticism,Individual film directors, film-makers, PERFORMING ARTS / Film & Video / History & Criticism,PERFORMING ARTS / Individual Director
Подзаголовок: Pioneer of documentary filmmaking
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Поставляется из: Англии
Описание: Esfir Shub was the only prominent female director of nonfiction film present at the dawning of the Soviet film industry. She was, in fact, the first woman both to write critical texts on cinema and then practically apply these theorisations in her own films. As such, her syncretism of cinema theory and praxis inspired her to ask questions regarding both the nature of nonfiction film, such as the problem of authenticity and reality, and the function of the artist in society; issues which are still relevant in contemporary discussions about the documentary. Accordingly, this book demonstrates Shub’s position not only as a significant filmmaker and recognised member of the early Soviet avant-garde but also as a key figure in global cinema history. Shub deserves recognition both as the founder and ardent promoter of the compilation film genre and as a pioneer of the theory and practice of documentary filmmaking.


Filmmaking by the Book : Italian Cinema and Literary Adaptation

Автор: Marcus, Millicent
Название: Filmmaking by the Book : Italian Cinema and Literary Adaptation
ISBN: 080184455X ISBN-13(EAN): 9780801844553
Издательство: Wiley
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Цена: 4356.00 р.
Наличие на складе: Есть у поставщика Поставка под заказ.

Описание: Each of the filmmakers studied here define their own authorial task in relation to that of the literary precursor, and insert "umbilicalscenes or "allegories of adaptationto teach viewers how to read their cinematic rewriting of literary sources.

Smartphone Filmmaking: Theory and Practice

Автор: Max Schleser
Название: Smartphone Filmmaking: Theory and Practice
ISBN: 1501360329 ISBN-13(EAN): 9781501360329
Издательство: Bloomsbury Academic
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Цена: 4275.00 р.
Наличие на складе: Есть у поставщика Поставка под заказ.

Описание:

Mobile, smartphone and pocket filmmaking is a global phenomenon with distinctive festivals, filmmakers and creatives that are defining an original film form. Smartphone Filmmaking: Theory and Practice explores diverse approaches towards smartphone filmmaking and interviews an overview of the international smartphone filmmaking community. Interviews with smartphone filmmakers, entrepreneurs, creative technologists, storytellers, educators and smartphone film festival directors provide a source of inspiration and insights for professionals, emerging filmmakers and rookies who would like to join this creative community.

While not every story might be appropriate to be realized with a mobile device or smartphone, if working with communities, capturing locations or working in the domain of personal or first-person filmmaking, the smartphone or mobile device should be considered as the camera of choice. The mobile specificity is expressed through accessibility, mobility and its intimate and immediate qualities. These smartphone filmmaking-specific characteristics and personal forms of crafting experiences contribute to a formation of new storytelling approaches. Stylistic developments of vertical video and collaborative processes in smartphone filmmaking are evolving into hybrid formats that resonate in other film forms.

This book not only develops a framework for the analysis of smartphone filmmaking but also reviews contemporary scholarship and directions within the creative arts and the creative industries. Smartphone Filmmaking: Theory and Practice initiates a conversation on current trends and discusses its impact on adjacent disciplines and recent developments in emerging media and screen production, such as Mobile XR (extended reality).

Trump documentary filmmaking tool

Автор: Trump, Maxine
Название: Trump documentary filmmaking tool
ISBN: 1138070874 ISBN-13(EAN): 9781138070875
Издательство: Taylor&Francis
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Цена: 22202.00 р.
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Описание:

The Documentary Filmmaker's Roadmap is a concise and practical guide to making a feature-length documentary film--from funding to production to distribution, exhibition and marketing. Using her award-winning film Musicwood--a New York Times Critics' Pick--as a case study, director Maxine Trump guides the reader through the complex lifecycle of the documentary Film. Her interviews with lawyers, funders, distributors, TV executives and festival programmers provide a behind-the-scenes look that will assist readers on their own filmmaking journey.

Written from the perspective of a successful documentary filmmaker, the book covers mistakes made and lessons learned, a discussion on the documentary genre, crowdfunding, pre-production through post, test screenings, the festival circuit distribution, legal pitfalls, fair use and more. Perfect for documentary filmmaking students and aspiring filmmakers alike, this book emphasizes the skills needed to succeed in a competitive production market. An appendix includes useful web links for further study, a list of films for recommended viewing and sample release forms.

This concise guide is ideal for the classroom or as a quick reference out in the field, at a budget meeting or in the editing room.

American Documentary Filmmaking in the Digital Age

Автор: Ricciardelli
Название: American Documentary Filmmaking in the Digital Age
ISBN: 1138548375 ISBN-13(EAN): 9781138548374
Издательство: Taylor&Francis
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Цена: 7348.00 р.
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Описание:

American Documentary Filmmaking in the Digital Age examines the recent challenges to the conventions of realist documentary through the lens of war documentary films by Ken Burns, Michael Moore, and Errol Morris. During the twentieth century, the invention of new technologies of audiovisual representation such as cinema, television, video, and digital media have transformed the modes of historical narration and with it forced historians to assess the impact of new visual technologies on the construction of history. This book investigates the manner in which this contemporary Western crisis in historical narrative is produced by a larger epistemological shift in visual culture. Ricciardelli uses the theme of war as depicted in these directors' films to focus her study and look at the model(s) of national identity that Burns, Morris, and Moore shape through their depictions of US military actions. She examines how postcolonial critiques of historicism and the advent of digitization have affected the narrative structure of documentary film and the shaping of historical consciousness through cinematic representation.

Documentary Filmmaking in Contemporary Brazil

Автор: Furtado Gustavo Procopio
Название: Documentary Filmmaking in Contemporary Brazil
ISBN: 0190867051 ISBN-13(EAN): 9780190867058
Издательство: Oxford Academ
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Цена: 6810.00 р.
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Описание: This book examines the vibrant field of documentary filmmaking in Brazil from the transition to democracy in 1985 to the present with attention to the way the films of this period incorporate, reflect on, and reworks a variety of archival materials, including official documents, ethnographic images, and home movies and photo albums.

Underground U.S.A. – Filmmaking Beyond the Hollywood Canon

Автор: Xavier Mendik, Steven Jay Schneider, Lloyd Kaufman
Название: Underground U.S.A. – Filmmaking Beyond the Hollywood Canon
ISBN: 0231162790 ISBN-13(EAN): 9780231162791
Издательство: Wiley
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Цена: 3485.00 р.
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Описание: Whether defined by the carnivalesque excesses of Troma studios (The Toxic Avenger), the arthouse erotica of Radley Metzger and Doris Wishman, or the narrative experimentations of Abel Ferrara, Melvin Van Peebles, Jack Smith, or Harmony Korine, underground cinema has achieved an important position within American film culture. Often defined as "cult" and "exploitation" or "alternative" and "independent," the American underground retains separate strategies of production and exhibition from the cinematic mainstream, while its sexual and cinematic representations differ from the traditionally conservative structures of the Hollywood system. Underground U.S.A. offers a fascinating overview of this area of maverick moviemaking by considering the links between the experimental and exploitative traditions of the American underground.

Atenco Lives!: Filmmaking and Popular Struggle in Mexico

Автор: Livia K. Stone
Название: Atenco Lives!: Filmmaking and Popular Struggle in Mexico
ISBN: 0826522238 ISBN-13(EAN): 9780826522238
Издательство: Mare Nostrum (Eurospan)
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Цена: 11504.00 р.
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Описание: The People`s Front in Defense of Land of Atenco (the "Frente") is an emblematic force in contemporary Mexican politics and in anti-capitalist, anti-neoliberal networks throughout the world. Documentary filmmaking has been one aspect of the Frente and its allies` efforts. This book highlights the importance of this aspect of the Frente`s work.

Women Make Horror: Filmmaking, Feminism, Genre

Автор: Peirse Alison
Название: Women Make Horror: Filmmaking, Feminism, Genre
ISBN: 197880511X ISBN-13(EAN): 9781978805118
Издательство: Mare Nostrum (Eurospan)
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Цена: 4634.00 р.
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Описание: But women were never out there making horror films, that’s why they are not written about – you can’t include what doesn’t exist."

"There are really, very few women horror filmmakers working today, that’s why so few are coming up."

"Women are just not that interested in making horror films."

"How can you be a woman and be a fan of horror?"

This is what you get when you are a woman working in horror, whether as a writer, academic, festival programmer or filmmaker. These assumptions are based on decades of flawed scholarly, critical and industrial thinking about the genre. Women Make Horror sets right these misconceptions. Women have always been making horror, they have always been an audience for the genre, and today, as this book reveals, women academics, critics and filmmakers alike remain committed to a film genre that offers almost unlimited opportunities for exploring and deconstructing social and cultural constructions of gender, femininity, sexuality and the body.

Women Make Horror is the first book-length study of women filmmakers in horror film, the first all-women edited book on horror film, and the first book to call out the male-bias in written histories of horror and then to illuminate precisely how, and where, these histories are lacking. It re-evaluates existing literature on the history of horror film, on women practitioners in the film industry and approaches to undertaking film industries research. It establishes new approaches for studying women practitioners and illuminates their unexamined contribution to the formation and evolution of the horror genre. The book focuses on women directors and screenwriters but also acknowledges the importance of women producers, editors and cinematographers. It explores narrative and experimental cinema, short, anthology and feature-filmmaking, and offers case studies of North American, Latin American, European, East Asian and Australian filmmakers, films and festivals.

Women Make Horror is designed to not only engage and inspire dialogue between the academy, filmmakers, industry gatekeepers, festival programmers and horror film fans. With this book we can transform how we think about women filmmakers and genre.

American Documentary Filmmaking in the Digital Age: Depictions of War in Burns, Moore, and Morris

Автор: Ricciardelli Lucia
Название: American Documentary Filmmaking in the Digital Age: Depictions of War in Burns, Moore, and Morris
ISBN: 0415840120 ISBN-13(EAN): 9780415840125
Издательство: Taylor&Francis
Рейтинг:
Цена: 24499.00 р.
Наличие на складе: Есть у поставщика Поставка под заказ.

Описание: American Documentary Filmmaking in the Digital Age examines the recent challenges to the conventions of realist documentary through the lens of war documentary films by Ken Burns, Michael Moore, and Errol Morris. During the twentieth century, the invention of new technologies of audiovisual representation such as cinema, television, video, and digital media have transformed the modes of historical narration and with it forced historians to assess the impact of new visual technologies on the construction of history. This book investigates the manner in which this contemporary Western "crisis" in historical narrative is produced by a larger epistemological shift in visual culture. Ricciardelli uses the theme of war as depicted in these directors’ films to focus her study and look at the model(s) of national identity that Burns, Morris, and Moore shape through their depictions of US military actions. She examines how postcolonial critiques of historicism and the advent of digitization have affected the narrative structure of documentary film and the shaping of historical consciousness through cinematic representation.

The Insiders` Guide to Factual Filmmaking

Автор: Stark, Tony
Название: The Insiders` Guide to Factual Filmmaking
ISBN: 0815369778 ISBN-13(EAN): 9780815369776
Издательство: Taylor&Francis
Рейтинг:
Цена: 22202.00 р.
Наличие на складе: Есть у поставщика Поставка под заказ.

Описание: This is an accessible and comprehensive `how to` guide about the craft of making documentaries for TV, online or social media. Film-maker Tony Stark distils a long career at the BBC and as an independent producer to explain the conceptual, visual, editorial and organisational skills needed to make impactful and stylish factual films.

The Films of Lenny Abrahamson: A Filmmaking of Philosophy (Barry Monahan)

Название: The Films of Lenny Abrahamson: A Filmmaking of Philosophy (Barry Monahan)
ISBN: 1501362232 ISBN-13(EAN): 9781501362231
Издательство: Bloomsbury Academic
Рейтинг:
Цена: 5226.00 р.
Наличие на складе: Нет в наличии.

Описание: The Films of Lenny Abrahamson: A Filmmaking of Philosophys of provides a comprehensive study of the films of contemporary, highly critically-appraised Irish director Lenny Abrahamson. As well as considering the aesthetics, cultural reflections and philosophical concerns in the better known work of this dynamic and profoundly original Irish filmmaker, it also looks at his short film – 3 Joes – and his little-seen student film Mendel. As the first sustained study of Abrahamson’s engaging and cinematically rich work, Barry Monahan’s book sheds light on the aesthetic wealth of the artist and connects his stylistic innovations to the context of his projects’ socio-cultural background, to his own influences in modern cinema – going beyond Irish film, to reflect upon the works of auteurs such as Bergman, Tarkovsky, Kubrick, and Kaurismaki among others – and to a broader reflection on what his canon has to contribute to the philosophy of cinema, art, and questions about human existence in the 21st century.

Smartphone Filmmaking: Theory and Practice

Автор: Max Schleser
Название: Smartphone Filmmaking: Theory and Practice
ISBN: 1501360337 ISBN-13(EAN): 9781501360336
Издательство: Bloomsbury Academic
Рейтинг:
Цена: 15048.00 р.
Наличие на складе: Есть у поставщика Поставка под заказ.

Описание: Mobile, smartphone and pocket filmmaking is a global phenomenon with distinctive festivals, filmmakers and creatives that are defining an original film form. Smartphone Filmmaking: Theory and Practice explores diverse approaches towards smartphone filmmaking and interviews an overview of the international smartphone filmmaking community. Interviews with smartphone filmmakers, entrepreneurs, creative technologists, storytellers, educators and smartphone film festival directors provide a source of inspiration and insights for professionals, emerging filmmakers and rookies who would like to join this creative community. While not every story might be appropriate to be realized with a mobile device or smartphone, if working with communities, capturing locations or working in the domain of personal or first-person filmmaking, the smartphone or mobile device should be considered as the camera of choice. The mobile specificity is expressed through accessibility, mobility and its intimate and immediate qualities. These smartphone filmmaking-specific characteristics and personal forms of crafting experiences contribute to a formation of new storytelling approaches. Stylistic developments of vertical video and collaborative processes in smartphone filmmaking are evolving into hybrid formats that resonate in other film forms. This book not only develops a framework for the analysis of smartphone filmmaking but also reviews contemporary scholarship and directions within the creative arts and the creative industries. Smartphone Filmmaking: Theory and Practice initiates a conversation on current trends and discusses its impact on adjacent disciplines and recent developments in emerging media and screen production, such as Mobile XR (extended reality).


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