Picturing england between the wars word, Sillars, Stuart (emeritus Professor Of English, University Of Bergen)
Автор: Cure, Monica Название: Picturing the postcard ISBN: 1517902789 ISBN-13(EAN): 9781517902780 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 12540.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: The first full-length study of a once revolutionary visual and linguistic medium Literature has \u201cdied\u201d many times—this book tells the story of its death by postcard. Picturing the Postcard looks to this unlikely source to shed light on our collective, modern-day obsession with new media. The postcard, almost unimaginably now, produced at the end of the nineteenth century the same anxieties and hopes that many people think are unique to twenty-first-century social media such as Facebook or Twitter. It promised a newly connected social world accessible to all and threatened the breakdown of authentic social relations and even of language. Arguing that \u201cnew media\u201d is as much a discursive object as a material one, and that it is always in dialogue with the media that came before it, Monica Cure reconstructs the postcard\u2019s history through journals, legal documents, and sources from popular culture, analyzing the postcard\u2019s representation in fiction by well-known writers such as E. M. Forster and Edith Wharton and by more obscure writers like Anne Sedgwick and Herbert Flowerdew. Writers deployed uproar over the new medium of the postcard by Anglo-American cultural critics to mirror anxieties about the changing nature of the literary marketplace, which included the new role of women in public life, the appeal of celebrity and the loss of privacy, an increasing dependence on new technologies, and the rise of mass media. Literature kept open the postcard\u2019s possibilities and in the process reimagined what literature could be.
Название: Colours of the past in victorian england ISBN: 3034319746 ISBN-13(EAN): 9783034319744 Издательство: Peter Lang Рейтинг: Цена: 10993.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: The experience of colour underwent a significant change in the second half of the nineteenth century, as new coal tar-based synthetic dyes were devised for the expanding textile industry. These new, artificial colours were often despised in artistic circles who favoured ancient and more authentic forms of polychromy, whether antique, medieval, Renaissance or Japanese. However faded, ancient hues were embraced as rich, chromatic alternatives to the bleakness of industrial modernity, fostering fantasized recreations of an idealized past. The interdisciplinary essays in this collection focus on the complex reception of the colours of the past in the works of major Victorian writers and artists. Drawing on close analyses of artworks and literary texts, the contributors to this volume explore the multiple facets of the chromatic nostalgia of the Victorians, as well as the contrast between ancient colouring practices and the new sciences and techniques of colour.
Название: Picturing the Beautiful Game ISBN: 1501334565 ISBN-13(EAN): 9781501334566 Издательство: Bloomsbury Academic Рейтинг: Цена: 17424.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: The world’s most popular sport, soccer, has long been celebrated as “the beautiful game” for its artistry and aesthetic appeal. Picturing the Beautiful Game: A History of Soccer in Visual Culture and Art is the first collection to examine the rich visual culture of soccer, including the fine arts, design, and mass media. Covering a range of topics related to the game’s imagery, this volume investigates the ways soccer has been promoted, commemorated, and contested in visual terms. Throughout various mediums and formats—including illustrated newspapers, modern posters, and contemporary artworks—soccer has come to represent issues relating to identity, politics, and globalization. As the contributors to this collection suggest, these representations of the game reflect society and soccer’s place in our collective imagination. Perspectives from a range of fields including art history, sociology, sport history, and media studies enrich the volume, affording a multifaceted visual history of the beautiful game.
Thomas McGann Memorial Prize, Rocky Mountain Council on Latin American Studies, 2017 Runner-up, Humanities Book Prize, Mexico Section of the Latin American Studies Association, 2018
In the wake of Mexico’s revolution, artists played a fundamental role in constructing a national identity centered on working people and were hailed for their contributions to modern art. Picturing the Proletariat examines three aspects of this artistic legacy: the parallel paths of organized labor and artists’ collectives, the relations among these groups and the state, and visual narratives of the worker. Showcasing forgotten works and neglected media, John Lear explores how artists and labor unions participated in a cycle of revolutionary transformation from 1908 through the presidency of Lázaro Cárdenas (1934–1940). Lear shows how middle-class artists, radicalized by the revolution and the Communist Party, fortified the legacy of the prerevolutionary print artisan José Guadalupe Posada by incorporating modernist, avant-garde, and nationalist elements in ways that supported and challenged unions and the state. By 1940, the state undermined the autonomy of radical artists and unions, while preserving the image of both as partners of the “institutionalized revolution.”
This interdisciplinary book explores the gendered representations of workers; the interplay of prints, photographs, and murals in journals, in posters, and on walls; the role of labor leaders; and the discursive impact of the Spanish Civil War. It considers “los tres grandes”—Rivera, Siquieros, and Orozco—while featuring lesser-known artists and their collectives, including Saturnino Herrán, Leopoldo Méndez, Santos Balmori, and the League of Revolutionary Writers and Artists (LEAR). The result is a new perspective on the art and politics of the revolution.
Автор: Shifrin, Susan Название: Re-framing Representations of Women ISBN: 075466077X ISBN-13(EAN): 9780754660774 Издательство: Taylor&Francis Рейтинг: Цена: 22968.00 р. Наличие на складе: Поставка под заказ.
Описание: This vibrant history of the former German Democratic Republic’s public art reveals a barely known but visually and theoretically rich cultural legacy. Picturing Socialism shows how works of art and design in the urban spaces of East Germany were the site of a sustained struggle between practitioners, critics and political leaders. This was not the oft-assumed conflict between artistic freedom and political dogma; at stake was the self-identity of the republic as socialist. Art and its relationship to architecture functioned as the testing ground for East Germany’s relationship to socialist realism and modernism against the backdrop of Cold War competition from the neighbouring Federal Republic.
Picturing Socialism makes a timely contribution to the recent groundswell of interest in the legacy of East Germany’s art and architecture, illuminating and elucidating the public art which has been lost or remains under threat since unification in 1990.
Описание: Picturing Cuba explores the evolution of Cuban visual art and its links to cuban?a, or Cuban cultural identity. Featuring artwork from the Spanish colonial, republican, and postrevolutionary periods of Cuban history, as well as the contemporary diaspora, these richly illustrated essays trace the creation of Cuban art through shifting political, social, and cultural circumstances.Contributors examine colonial-era lithographs of Cuba's landscape, architecture, people, and customs that portrayed the island as an exotic, tropical location. They show how the avant-garde painters of the vanguardia, or Havana School, wrestled with the significance of the island's African and indigenous roots, and they also highlight subversive photography that depicts the harsh realities of life after the Cuban Revolution. They explore art created by the first generation of postrevolutionary exiles, which reflects a new identity—lo cubanoamericano, Cuban-Americanness—and expresses the sense of displacement experienced by Cubans who resettled in another country. A concluding chapter evaluates contemporary attitudes toward collecting and exhibiting post-revolutionary Cuban art in the United States.Encompassing works by Cubans on the island, in exile, and born in America, this volume delves into defining moments in Cuban art across three centuries, offering a kaleidoscopic view of the island's people, culture, and history.
Описание: This book examines 30 portraits of Henry David Thoreau that were done by American artists between 1854 and the present day. Although Thoreau`s features have been "used" in a bewildering variety of ways to convey a host of messages, there is a remarkable consistency and relevance for us today, in what he was trying to convey to his fellow Americans.
Описание: Shows how ideas of nation identity were bound up with notions of femininity and private life during the period between the wars. Alison Light looks at a range of writers from Ivy Compton-Burnett and Daphne du Maurier to Agatha Christie.
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