Описание: In the late nineteenth century, the United States was known internationally as a place full of gaudiness and glitter. While scholars have long assumed that this visual excess was literal, linked to the United States-utilization of sophisticated modern light and consumer technologies, Fashion Nation argues that far from being linked to technology or consumerism, the reputation of the United States as a place of glittery bodies and landscapes was rooted in early nineteenth-century British and European ethnic nationalism, and the fashion of wearing colorful ethnic costuming that was adopted as part of these movements.
In this work, Sandra Tomc traces the history of the idea of America as a gauche, flashy place from its early proliferation in the 1820s and 1830s, when American flashiness was associated primarily with colorful clothes, to its fruition in late nineteenth-century mass entertainment when the notion of American visual audacity shifted from clothes to elaborate lights and technological displays. Tomc argues that in the wake of pressure in the first half of the nineteenth century to embrace racially and ethnically saturated national types, significant branches of U.S. nationalist culture developed national types distinguished by their refusal to divulge racial and ethnic affiliation. To make its case, Fashion Nation reads literature alongside an extraordinary, colorful, and largely forgotten archive of international costume books, theatrical spectacles, travelogues, and world's fair extravaganzas to show how America was textually and visually constructed for transatlantic audiences.
Описание: Lange`s examination of the fights that led to the ratification of the Nineteenth Amendment in 1920 reveals the power of images to change history.
Описание: Picturing Harrisonburg provides the most vibrant examination available of the history of the Virginia city, once a frontier town founded in the 1730s but now a burgeoning city centrally located in one of America’s most beloved, historic, and beautiful regions—the Shenandoah Valley. Taking advantage of the rich visual record of Harrisonburg, the book serves as a model for how pictures of every kind reveal and represent a community’s evolving ideals and aspirations that change over time.Editor David Ehrenpries and a cast of contributors that includes historians and other experts on the region have organized six illuminating essays around 258 illustrations, many in full color, to discuss Harrisonburg’s changing built environment, its iconic ""places of memory,"" and how ideal visions of the place were often at odds with the lived reality. Their captivating essays and visual presentations begin in 1828 and include town maps and plans, a pivotal 1867 panoramic oil painting of Harrisonburg, early twentieth-century postcards, mid-twentieth century documentary and commercial photographs, images of ""urban renewal,"" and the graphic designs, logos, and digital photographs pertaining to the twenty-first-century city. The innovative approach of Picturing Harrisonburg offers a new model for understanding the past and present of the places we inhabit.
Автор: Sillars, Stuart (emeritus Professor Of English, University Of Bergen) Название: Picturing england between the wars word ISBN: 0198828926 ISBN-13(EAN): 9780198828921 Издательство: Oxford Academ Рейтинг: Цена: 6334.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Picturing England between the Wars offers a richly illustrated study of the interplay of word and image in representations of the English countryside, built environment, and domestic space during the interwar period.
For those who experienced it, the Alaska-Yukon-Pacific Exposition was a time of wonder in a "citadel set in stars" -- a grand world's fair that transformed the summer of 1909 in Seattle into a whirl of excitement and pleasure. On what would become the University of Washington campus, for a brief moment a huge city emerged. At noon on June 1, amidst the blasting of horns and whistles, confetti filled the air and the gates were opened to a pent-up crowd of about 80,000 fairgoers. At the end of the evening on October 16, the fair was over and the magical city became a memory for its 3.7 million visitors.
For those who couldn't make the trip to see the exhibits and for the rest of us today, the best record of the event was made by Frank H. Nowell, official photographer for the exposition. He documented the construction of the city, its landscaping, the people who built it, and the people who visited it, as well as the buildings that housed displays from dozens of foreign countries. He used a large view camera and 8 x 10 glass-plate negatives to create several thousand photographs. For this book, Nicolette Bromberg has chosen the best and most representative. Her essay illuminates both the man and the fair, providing perspective to a history of the West that connects us to a world-expanding event a hundred years ago, and also contains Nowell's photographs of Alaska during the gold rush, relating how an Alaskan photographer became the official A-Y-P photographer.
For the 100th anniversary of the exposition, John Stamets organized and led University of Washington students in a project to rephotograph the site. This book includes an essay by Stamets describing the challenges, delights, and problems of the project, along with thirty rephotographs that imagine the fabulously spectacular ghost city on the campus.
Описание: Focusing on visual representations of one of the most controversial and politically divisive episodes of the Second World War - genocidal violence perpetrated against Serbs, Jews, and Roma by the pro-Nazi Ustasha regime in the Independent State of Croatia (1941-1945) - the book examines the origins and history of the relevant atrocity images, and charts their post-war fate. Drawing on extensive research in national and regional archives and museums in Serbia, Croatia and Bosnia, Jovan Byford scrutinizes the institutional dynamic behind the collection and preservation of atrocity photographs, and explores their contextualization, narrative framing and audiencing in the press, museum exhibitions, books, film and television documentaries, in war crimes trials and other settings, between 1945 and the present. The book pays particular attention to the continuities and discontinuities in the ways in which atrocity photographs shaped the public perception of Ustasha violence, first in socialist Yugoslavia and later also in successor states, and examines how images were strategically and selectively mobilized to sustain particular political or cultural agendas. In exploring this hitherto neglected aspect of Yugoslav history and visual culture, the book offers important insights into a number of issues of broader contemporary relevance. These include the political and emotional impact of violent images, and the intricate nexus of political, cultural and psychological factors which account for their prominent role as a medium for public remembrance of traumatic historical events.
Between 1900 and the late 1950s, Mexican border towns came of age both as tourist destinations and as emerging cities. Commercial photographers produced thousands of images of their streets, plazas, historic architecture, and tourist attractions, which were reproduced as photo postcards. Daniel Arreola has amassed one of the largest collections of these border town postcards, and in this book, he uses this amazing visual archive to offer a new way of understanding how the border towns grew and transformed themselves in the first half of the twentieth century, as well as how they were pictured to attract American tourists.
Postcards from the Río Bravo Border presents nearly two hundred images of five significant towns on the lower Río Bravo—Matamoros, Reynosa, Nuevo Laredo, Piedras Negras, and Villa Acuña. Using multiple images of sites within each city, Arreola tracks changes both within the cities as places and in the ways in which the cities have been pictured for tourist consumption. He makes a strong case that visual imagery has a shaping influence on how we negotiate and think about places, creating a serial scripting or narrating of the place. Arreola also shows how postcard images, when systematically and chronologically arranged, can tell us a great deal about how Mexican border towns have been viewed over time. This innovative visual approach demonstrates that historical imagery, no less than text or maps, can be assembled to tell a compelling geographical story about place and time.
Автор: J. L. Pickering, John Bisney Название: Picturing the Space Shuttle: The Early Years ISBN: 1683402057 ISBN-13(EAN): 9781683402053 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 5643.00 р. Наличие на складе: Нет в наличии.
Описание: Rare views of the beginnings of a historic space programAfter the excitement of the first Moon landing, the U.S. space program took an ambitious new direction closer to home: NASA's Space Shuttle program promised frequent access to Earth orbit for medical and scientific breakthroughs; deploying, repairing and maintaining satellites; and assembling a space station. Picturing the Space Shuttle is the first photographic history of the program's early years as the world's first space plane debuted.Showcasing over 450 unpublished and lesser-known images, this book traces the growth of the Space Shuttle from 1965 to 1982, from initial concept through its first four space flights. The photographs offer windows into designing the first reusable space vehicle as well as the construction and testing of the prototype shuttle Enterprise. They also show the factory assembly and delivery of the Space Shuttle Columbia, preparations at the major NASA field centers, and astronaut selection and training. Finally, the book devotes a chapter to each of the first four orbital missions, STS-1 through STS-4, providing an abundance of seldom seen photos for each flight.Mostly selected from J. L. Pickering's personal archive, the world's largest private collection of U.S. human space flight images, the high-quality photographs in this book are paired with veteran journalist John Bisney's detailed descriptions and historical background information. The book also includes images of NASA and Shuttle contractor booklets, manuals, access badges, and press kits, as well as a foreword by Robert Crippen, the pilot of the first Space Shuttle flight. Picturing the Space Shuttle recreates the excitement of an era in which the possibilities of space exploration seemed limitless.
Автор: Vogt Jay D., Rogers Stephen C. Название: Picturing the Past: South Dakota`s Historic Places ISBN: 1941813283 ISBN-13(EAN): 9781941813287 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 4297.00 р. Наличие на складе: Нет в наличии.
Описание: In nearly every South Dakota community, historic houses, government buildings, or commercial blocks stand as icons of our past. Picturing the Past captures the memories and personal history within South Dakota’s historic buildings in seventy-eight dramatic black-and-white photographs. Jay D. Vogt and Stephen C. Rogers provide context and relevance to the buildings and places depicted in Scott Myers’s vivid images.
These sites are the physical remnants of South Dakota’s history—the tangible evidence of life on the Great Plains. In a new afterword, Vogt looks at what has happened since the book was first published nearly fifteen years ago.
With rare, previously unpublished photographs and iconic images of politicians from the state’s founders to Ann Richards, George W. Bush, and Rick Perry, here is the first-ever photographic album of Texas politicians and political campaigns.
The Republic of Texas was founded in 1839, around the time that photography was being invented. So while there were no photographers at the Alamo or San Jacinto, they arrived soon after to immortalize, on film, Sam Houston, David Burnett, Mirabeau Lamar, and many other founding fathers of the Lone Star State. Over the following nearly two centuries, Texas politics and politicians have provided reliable, often dramatic, and sometimes larger-than-life subjects for photographers to capture in the moment and add to the historical record.
Picturing Texas Politics presents the first photographic album of Texas politicians and political campaigns ever assembled. Chuck Bailey has searched archives, museums, libraries, and private collections to find photographs that have never been published, as well as iconic images, such as Russell Lee’s pictures of one of Ralph Yarborough’s campaigns. These photographs are arranged into four chronological sections, each one introduced by historian Patrick Cox, who also provides informative photo captions. The photographs display power and political savvy from the early Republic to Lyndon Johnson and Bob Bullock; unmatched dedication to Texas in the Hobby and Bush families; and the growing influence of women in politics, from Miriam “Ma” Ferguson to Barbara Jordan, Ann Richards, and Kay Bailey Hutchison. With Sam Houston’s jaguar vest, W. Lee “Pappy” O’Daniel’s hillbilly band, a famous governor with an ostrich, and prominent Texans eating watermelons, shooting guns, and riding horses, this is Texas politics at its liveliest and best.
Описание: A new perspective on an era whose hardships and lessons resonate to this day, Picturing Migrants lets us see as never before how a novel and a series of documentary photographs have kept the Great Depression unforgettably real for generation after generation.
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